Tag: boston

Jerry Garcia Band – Boston, MA (11/13/81)

JERRY GARCIA BAND
11-13-1981 – Late Show
Orpheum Theater
Boston, MA

Early Show

1. Sugaree
2. Catfish John
3. That’s What Love Will Make You Do
4. Simple Twist Of Fate
5. Second That Emotion
6. Mississippi Moon
7. Deal

Late Show

1. The Way You Do The Things You Do
2. They Love Each Other
3. Valerie
4. The Harder They Come

Jerry Garcia Band
Jerry Garcia (Guitar, Vocals)
John Kahn (Bass)
Melvin Seals (Keyboards)
Jimmy Warren (Keyboards)
Daoud Shaw(Drums)
Essra Mohawk (Vocals)
Liz Stires (Vocals)

Source 1:

This is flac encoded & tagged version of shnid: 12989

DAT: NAK700s>Sony D5>MAC>D>EAC>MKWact>SHN>your collection

Brought to you by the Greater Boston Deadheads Who Give A Shit Foundation.
Share the wealth kids!

Source 2:

Late Show Only

This is a tagged version of shnid: 89005

NOTES:
master recording and transfering by John Levene
Source: Nak 300 (center balcony row 1) > Marantz CD330 > Maxell XLII C-90
Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > Creative Play Center > Soundforge v6e > CDWav
Creative Play Center software used to copy to laptop.
Soundforge used to prep file for tracking.
CDWave used to track and flac at level 8 compression.
Show ended early due to power outage caused by a nearby fire.
Peter Rowan opened the show.

Source 3:

This is a tagged version of shnid: 102009

Nakamichi CM-300 (CP-1) (2) > Cassette Master
(Marantz Superscope CD320/Maxell UDXLI C-90)

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) >
Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Notes – Early show recorded from Balcony Row J, Seat 103 by Bob Morris.
Thanks to Sam for help. Transferred, edited, patched by Bob M 8/09.
Late show power failure announcements from unknown aud source.
Patched with Rolfe’s shnid 12989 Nak 700’s (using Soundforge 9.0):
Tape flip in Simple Twist of Fate (13:50-14:56) & late show tracks 1-4.

Source 4:

This is a tagged version of shnid: 123554

Recording Info:
Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell MX90)

Transfer Info:
Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) ->
Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16
(2 Discs Audio / 1 DVD FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 21, 2013

Notes:
— Late show ended early due to power outage caused by nearby fire
— Thanks to Frank Streeter for lending me his masters
— Thanks to Joe B. Jones for his help with the pitch correction

Tom Waits – Boston, MA (09/19/99)

Tom Waits
the Orpheum Theatre
Boston, MA
SEPT 19,1999

SchoepsMK4 Mics and Sony D7>clone to me>Clone to disc
using a Tascam Stand alone and optical cables>EAC>TLH8

Dolphinsmile Producer
for the Dolphinsmile Archive

Jockey Full of Bourbon
Jesus Gonna Be Here
Earth Died Screaming
Get Behind the Mule
Chocolate Jesus
Down, Down, Down
Hold On
Step Right Up
Eyeball Kid
Tango Till They’re Sore
Johnsburg, Illinois
Invitation to the Blues
The Ocean Doesn’t Want Me
The Briar and the Rose
Innocent When You Dream
16 Shells from a Thirty-Ought Six
Walking Spanish
What’s He Building?
Gun Street Girl
I’ll Shoot The Moon
Filipino Box Spring Hog
Swordfishtrombone
Strange Weather
Come On Up to the House
Lucky Day

Grateful Dead – Boston, MA (03/12/81)

Grateful Dead
March 12, 1981
Boston Garden
Boston, MA

–Set 1–
101-d1t01 – Tuning
102-d1t02 – Jack Straw
103-d1t03 – Tennessee Jed
104-d1t04 – Mama Tried ->
105-d1t05 – Mexicali Blues
106-d1t06 – Bird Song
107-d1t07 – C C Rider
108-d1t08 – Althea
109-d1t09 – Let It Grow ->
110-d1t10 – Franklin’s Tower

–Set 2–
201-d2t01 – Tuning
202-d2t02 – Terrapin Station ->
203-d2t03 – Playing in the Band ->
204-d2t04 – He’s Gone ->
205-d2t05 – Drums ->
206-d3t01 – Space ->
207-d3t02 – Not Fade Away ->
208-d3t03 – Black Peter ->
209-d3t04 – Around & Around ->
210-d3t05 – Johnny B. Goode

–Encore–
211-d3t06 – U.S. Blues

Queen – Boston, MA (01/30/76)

Queen
Boston Music Hall
Boston, MA
30 January 1976

01 Bohemian Rhapsody (Opera & Reprise)
02 Ogre Battle
03 Sweet Lady
04 White Queen
05 Flick Of The Wrist
06 Bohemian Rhapsody ->
07 Killer Queen ->
08 The March Of The Black Queen ->
09 Bohemian Rhapsody (Reprise) ->
10 Bring Back That Leroy Brown
11 Brighton Rock ->
12 Guitar Solo ->
13 Son And Daughter(Reprise)
14 The Prophet’s Song
15 Stone Cold Crazy
16 Doing All Right

CD2
01 Lazing On A Sunday Afternoon
02 Keep Yourself Alive
03 Seven Seas Of Rhye
04 Liar
05 In The Lap Of The Gods…Revisited
06 E1: Now I’m Here
07 E2: Hey Big Spender/Jailhouse Rock/Be Bop A Lula/God Save The Queen


Source 1:

Master audience recording taped by Dan Lampinski
Sony TC-152SD Tape Recorder
Sony ECM-99 Stereo Microphone
Maxell cassettes

Mastered and FLAC’ed by Carl Morstadt (dantalion8@yahoo.com)

Master Cassette ->
Nakamichi CR-3A cassette deck with azimuth correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger

No EQ’ing.

A 24-bit/96-KHz flac24 version of this recording is also available.


Source 2:

(Remaster/Speed-fix of Dan Lampinski Vol.3)(Flac)

Remaster to fix speed/pitch, tidy up cassette swap & stop edits, and clean & tighten up the overall sound

Many Thanks to djscomics, Kev & Carl and Dan Lampinski for the original torrent on Dime.

This Remaster (Cuztard Pi): *.flac (24bit/96Khz) -> Foobar2000 -> *.wav -> Wavelab6 -> *.wav (16bit/44.1kHz) -> Foobar2000 (level 8) -> *.flac -> Dime

The original recording was in excellent shape but IMHO did need some attention to fix a few issues, mainly:
– Wrong speed/pitch (I determined that the original plays +51 cents sharp)
– some rough edits due to cassette swap & stop
– slightly excessive tape hiss
– insufficient bass response (IMO)

The basic details of the mastering applied to the original 24bit/96Khz version from djscomics seed on Dime (using Wavelab6) are as follows:
A: edit/fill/crossfade cassette swap & stop points (to disguise the abrupt/rough edits)
B: Fix mono portion of Track 1 ‘Bohemian Rhapsody (Opera)’
C: Time stretch by 103.1% (equals -51 cent pitch change)
D: Slight de-hiss
E: EQ / Multiband Compression / Limiting (-0.2dB max) / Dithering to 16bit (bass boost & tighten up the sound)
F: WAVs edited to fit on to 2xCDRs (with overlap) plus fade in/out (using the same CD break point as the original)
G: track split (I’ve added a few more track breaks as per track list above)

Please note that this remaster reflects my own personal preferences with respect to listening to live shows. Remastering has been done to polish the raw master recording with the aim of enhancing the listening experience. This includes some editing of the original to disguise the cassette swap & stop points to make it seamless (i.e. prior to ‘The Prophet’s Song’, ‘Now I’m Here’ & ‘Hey Big Spender’) as well as some tweaks to ‘polish up’ the overall sound. So if you prefer virgin recordings, unspoiled by any such amateur ‘dabbling’ then do not join in on this one, you can still get the original recording on Dime (for CD 16bit format) here:
http://www.dimeadozen.org/torrents-details.php?id=255242

Source 3:

Lineage: A Night At Boston Definitive Edition (Wardour) CD –> WAV (with EAC) –> Flac level 8 (with XRECODE)

Neil Young – Boston, MA (01/21/71)

Neil Young
Boston Music Hall,
Boston, MA
01/21/71

Early Show

01 Introduction
02 On The Way Home
03 Tell Me Why
04 Old Man
05 Journey Through The Past
06 Cowgirl In The Sand
07 Love In Mind
08 A Man Needs A Maid
09 Heart Of Gold
10 Don’t Let It Bring You Down
11 Sugar Mountain
12 There’s A World
13 The Needle And The Damage Done
14 Ohio
15 See The Sky About To Rain
16 Down By The River
17 Dance, Dance, Dance

Late Show

1. On The Way Home
2. Tell Me Why
3. Old Man
4. Journey Through The Past
5. Cowgirl In The Sand
6. Love In Mind
7. A Man Needs A Maid>Heart Of Gold
8. Don’t Let It Bring You Down
9. There’s A World (cut)
10. Sugar Mountain
11. Bad Fog Of Loneliness
12. The Needle And The Damage Done
13. Ohio
14. See The Sky About To Rain
15. Down By The River
16. Dance, Dance, Dance

Source 1:
Early Show

There’s A World
Wild Wolf (WW12171)

Silver CD > EAC > WAV > mkwACT > SHN

Posted to alt.binaries.music.shn 9/01 by MC66

By request; nice aud for 1971, solo Neil, check it out.

As always: no full-track reposts, sections only.

Source 2:
Late Show

source : 1st gen analog > dat > cdr > cdr
macintosh > xACT 1.58 > flac

notes: There’s a World is cut and there is a good amount of hiss
also mic rubbing and breathing noises. That said, this is another
good one that i haven’t seen posted here. This is the LATE show!

Bob Weir Band – Boston, MA (03/05/78)

BOB WEIR BAND
March 5, 1978 Sunday
Late show 10:30pm
Paradise Theatre,
Boston, Ma. USA

Audience Stereo Master FOB
Sony ECM-99A > Sony TC-153SD
Master Cassette > CDR > EAC secure > Audacity (edits) > CD Wave (tracks) > FLAC
Nakamichi MR-1 > Tascam CD-RW900
Azimuth Aligned; Dolby B decoded, no processing or EQ
Total Time – 86:53
Recorded by Charlie Macasay
Transfer and encoding by Steve Hopkins

Disc One 37:21
01. tuning 2:04
02. New New Minglewood Blues 6:04
03. tuning 1:03
04. Easy To Slip 6:12
05. Salt Lake City 5:51
06. Lazy Lightnin’ 3:38 >
07. Supplication 4:59
08. Bombs Away 7:25

Disc Two 49:32
01. I Found Love 7:38
02. This Time Forever 4:45 >
03. Shade Of Gray 5:58
04. Heaven Help The Fool 7:03
05. Around And Around 6:05
06. tuning & talk 1:16
07. I’ll Be Dog Gone 4:48 >
08. Wrong Way Feeling 6:24
09. ovation & tuning 1:31
Encore
10. Johnny B.Goode 4:00

Rich Carlos – bass
Bobby Cochran – guitar, vocals
John Maucer – drums
Brent Mydland – keyboards, vocals
Bob Weir – guitar, vocals

http://db.etree.org/lookup_show.php?shows_key=219094

Grateful Dead – Boston, MA (04/08/71)

Grateful Dead
Boston Music Hall
Boston, Massachusetts
Thursday April 8, 1971

This is a tagged version of shnid: 141099

Source Info:
Betty’s 7″ two track reels @ 7 1/2 ips > PCM (Sony L-750ESX-HFB tape)

Transfer Info:
PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16

Set One:
t01 – Tuning
t02 – //Truckin’
t03 – Bertha
t04 – Next Time You See Me
t05 – Playin’ In The Band
t06 – Lo//ser
t07 – Tuning
t08 – Beat It On Down The Line
t09 – I Second //That Emotion
t10 – Sugar Magnolia
t11 – China Cat Sunflower >
t12 – I Know You Rider
t13 – Tuning
t14 – Casey Jones

Set Two:
t15 – Dark //Star >
t16 – St. Stephen >
t17 – Not Fade Away >
t18 – Goin’ Down The Road Feelin’ Bad// >
t19 – Not Fade Away
t20 – Sing Me Back Home
t21 – Cumberland Blues
t22 – Greatest Story Ever Told >
t23 – Johnny B. Goode
Encore:
t24 – Go//od Lovin’

Notes:
– Thanks to Tim Dalton for the source PCM
– Thanks to Charlie Miller for the transfer
– Numerous pops, clicks, ticks, gremlins and whatnot cleaned up
– Level fluctuations smoothed
– Right channel hum at spots, left as is, no noise reduction of any kind was applied
– “Truckin'” clipped
– Tape flip/shred in “Loser” occurs during a repeated chorus, the missing chorus was patched with an existing one and is virtually transparent
– False start included in “Beat It On Down The Line”
– Tape flip in “I Second That Emotion” smoothed
– Tape flip in “Dark Star” smoothed
– Tape flip in the transition between “Goin’ Down The Road Feeeling Bad” and “Not Fade Away” smoothed
– Tape flip in “Good Lovin'” smoothed

Mastered by Scott Clugston
February 18, 2018

Grateful Dead – Boston, MA (04/07/71)

Grateful Dead
Boston Music Hall
Boston, MA
04/07/1971

This is a tagged version of shnid: 141029

Source: sbd > master reel > pcm > dolby A decoded dat > pcm (Sony beta HG) – recorded by Betty Cantor and provided by Tim Dalton
Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1 – transferred by Charlie Miller
Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16

01 tuning
02 Me And My Uncle
03 Next Time You See Me
04 Casey Jones
05 tuning
06 Playing In The Band
07 Loser
08 Me And Bobby McGee
09 Hard To Handle
10 tuning
11 Sugar Magnolia
12 tuning
13 China Cat Sunflower >
14 I Know You Rider
15 Saint Stephen >
16 Drums >
17 Jam//
18 //Not Fade Away >
19 Goin’ Down The Road Feeling Bad >
20 Not Fade Away (reprise) >
21 Johnny B. Goode

Comments:

This was a short show due to curfew restrictions.

Notes:

– I remixed the first 1:20 of “China Cat” as it was inconsistent with the rest of the track.
– I decided to track this as one set as there is no evidence of a set break.

Thanks to Tim for providing this source and Charlie for taking care of the transfer

edited and mastered
SIRMick
February 2018

Neil Young – Boston, MA (03/01/70)

Neil Young
03-01-1970
Tea Party
Boston, Massachusetts
w/ Crazy Horse

unknown lineage CDR > EAC > FlacFrontend Level 6

Disc 01 Accoustic Set
01. On The Way Home
02. Broken Arrow
03. I Am A Child
04. Helpless
05. Sugar Mountain

Disc 02 Electric Set
01. Everybody Knows This Is Nowhere
02. Winterlong
03. Down By The River
04. Wonderin
05. The Loner
06. Band Introductions
07. Cinnamon Girl
08. Cowgirl In The Sand
09. Come On Baby Let’s Go Downtown

Notes :
Tour : 1970 Tour with Crazy Horse
Band : Crazy Horse, Line Up 2
Neil Young – vocals, guitar
Danny Whitten – guitar, vocals
Billy Talbot – bass, vocals
Ralph Molina – drums, vocals
Jack Nitzsche – electric piano

Old & In the Way – Boston, MA (06/05/73)

Old & In The Way
5 June 1973
The Orpheum Theatre
Boston, MA

Jon Scher intro
Old & in the Way Breakdown
Tragic Romance
The Willow Garden
Going to the Races
Muleskinner Blues
‘Til the End of the World Rolls ‘Round
Instrumental
Land of the Navajo
band intros
Pig in a Pen
Lonesome L.A. Cowboy
Hard Hearted
Panama Red
Wild Horses
Fanny Hill
The Hobo Song
High Lonesome Sound
Down Where the River Bends
Love Please Come Home
Lost
Knockin’ on Your Door
crowd
White Dove
Blue Mule
pre-encore tuning
How Mountain Girls Can Love
Mississippi Moon
Orange Blossom Special

Peter Rowan – vocals, guitar
Jerry Garcia – vocals, banjo
David Grisman – vocals, mandolin
Vassar Clements – fiddle
John Kahn – bass

notes:
Late Show
This was Vassar Clements’ first show with this band, replacing Richard Greene.
despite any previous claims, allsoundz states flatly that there was only one show, not two.
Doug Sahm opened the show and played a full set. Part of that tape survives and will be seeded here soon.

Source 1:

This is a tagged version of shnid: 83303
Mono cassette audience recording by allsoundz using a mic of now
forgotten manufacture and a Sony cassette recorder, model number, also long forgotten.
Transferred by allsoundz from the master non-dolbyized cassettes.
Tascam 122MKIII>Numark 20 Band Equalizer>HHB CDR 830
Tracked and slight editing in CD Wave

cdr>eac(secure mode)>flac(level 6) by carville 14 March 2007

Source 2:

This is flac encoded & tagged version of shnid: 11889
Recordings: AUD – MA?>?>D>CD

Source 3:

Source: This is a composite edit of AUD ID’s 11889 & 83303. Thanks to the tapers!
http://db.etree.org/shn/11889
http://db.etree.org/shn/83303

Transfer: SHN & FLAC > TLH > WavMerge > Wavelab > CD-Wave > TLH > FLAC 1644 tagged.

Show notes: This is Vassar’s first gig with OAITW, and Jerry’s first performance at
the Boston Orpheum (of 20). Allsoundz – the taper of the 83303 source – states that
there was only one show (not early and late as previously listed) and that Doug Sahm
was the opening act. Allsoundz also recalled there was possibly a set-break somewhere
but this is not evident from the tapes; it appears the show might have been one long
set with a three-song encore.

Composite notes: For this show, both sources had pros & cons, and it appeared that the
show could benefit from a composite that joined the two together. Allsoundz tape 83303
has the benefit of being complete and with known lineage, but was recorded farther back
resulting in a more distant recording, with a lot of thumping near the mic. And, while
11889 is incomplete and with unknown number of tape generations, it was recorded closer,
delivering a nice aural picture of the concert. The 11889 taper appears to have been
a lot closer to the stage, perhaps with the mic right on the stage, as the between-song
banter from Spud and the boys can be heard clearly. 11889 was chosen for the bulk of the
show, with 83303 providing patches and the final part that was missing from 11889.

Allsoundz states that his tape is mono. It also appears that the 11889 original recording
was mono, as the Wav’s are identical, albeit having been shifted out of phase, probably
from the few generations of re-recording. For both sources, DC-offsets were removed, left
and right channels were manually aligned, then each source was merged to mono for editing.
Both sources were apparently running slow; 83303 between 40 & 50 cents, and 11889 between
75 & 85 cents. Each source was speed-adjusted as best as possible given the difficulties
of dealing with these old tapes. It’s probably not exact, but it’s pretty close…

Lots of small edits were done to soften mic-bumps, attenuate clapping, repair drop-outs,
etc. Small FLAC size due to mono WAV data. Patches from 83303 added as follows: Willow
Garden 3:18 > 3:19, Lonesome L.A. Cowboy 4:29 > Hard Hearted 0:49, crowd end of Love
Please Come Home 2:39 > Lost 0:06, crowd end of Lost 3:38 > Knockin’ on Your Door 0:18,
and crowd end of Knockin’ on Your Door 3:04 > thru to end of the show. Enjoy! (Aug 2014)