Old & In The Way
5 June 1973
The Orpheum Theatre
Jon Scher intro
Old & in the Way Breakdown
The Willow Garden
Going to the Races
‘Til the End of the World Rolls ‘Round
Land of the Navajo
Pig in a Pen
Lonesome L.A. Cowboy
The Hobo Song
High Lonesome Sound
Down Where the River Bends
Love Please Come Home
Knockin’ on Your Door
How Mountain Girls Can Love
Orange Blossom Special
Peter Rowan – vocals, guitar
Jerry Garcia – vocals, banjo
David Grisman – vocals, mandolin
Vassar Clements – fiddle
John Kahn – bass
This was Vassar Clements’ first show with this band, replacing Richard Greene.
despite any previous claims, allsoundz states flatly that there was only one show, not two.
Doug Sahm opened the show and played a full set. Part of that tape survives and will be seeded here soon.
This is a tagged version of shnid: 83303
Mono cassette audience recording by allsoundz using a mic of now
forgotten manufacture and a Sony cassette recorder, model number, also long forgotten.
Transferred by allsoundz from the master non-dolbyized cassettes.
Tascam 122MKIII>Numark 20 Band Equalizer>HHB CDR 830
Tracked and slight editing in CD Wave
cdr>eac(secure mode)>flac(level 6) by carville 14 March 2007
This is flac encoded & tagged version of shnid: 11889
Recordings: AUD – MA?>?>D>CD
Transfer: SHN & FLAC > TLH > WavMerge > Wavelab > CD-Wave > TLH > FLAC 1644 tagged.
Show notes: This is Vassar’s first gig with OAITW, and Jerry’s first performance at
the Boston Orpheum (of 20). Allsoundz – the taper of the 83303 source – states that
there was only one show (not early and late as previously listed) and that Doug Sahm
was the opening act. Allsoundz also recalled there was possibly a set-break somewhere
but this is not evident from the tapes; it appears the show might have been one long
set with a three-song encore.
Composite notes: For this show, both sources had pros & cons, and it appeared that the
show could benefit from a composite that joined the two together. Allsoundz tape 83303
has the benefit of being complete and with known lineage, but was recorded farther back
resulting in a more distant recording, with a lot of thumping near the mic. And, while
11889 is incomplete and with unknown number of tape generations, it was recorded closer,
delivering a nice aural picture of the concert. The 11889 taper appears to have been
a lot closer to the stage, perhaps with the mic right on the stage, as the between-song
banter from Spud and the boys can be heard clearly. 11889 was chosen for the bulk of the
show, with 83303 providing patches and the final part that was missing from 11889.
Allsoundz states that his tape is mono. It also appears that the 11889 original recording
was mono, as the Wav’s are identical, albeit having been shifted out of phase, probably
from the few generations of re-recording. For both sources, DC-offsets were removed, left
and right channels were manually aligned, then each source was merged to mono for editing.
Both sources were apparently running slow; 83303 between 40 & 50 cents, and 11889 between
75 & 85 cents. Each source was speed-adjusted as best as possible given the difficulties
of dealing with these old tapes. It’s probably not exact, but it’s pretty close…
Lots of small edits were done to soften mic-bumps, attenuate clapping, repair drop-outs,
etc. Small FLAC size due to mono WAV data. Patches from 83303 added as follows: Willow
Garden 3:18 > 3:19, Lonesome L.A. Cowboy 4:29 > Hard Hearted 0:49, crowd end of Love
Please Come Home 2:39 > Lost 0:06, crowd end of Lost 3:38 > Knockin’ on Your Door 0:18,
and crowd end of Knockin’ on Your Door 3:04 > thru to end of the show. Enjoy! (Aug 2014)