
I wrote about The Eyes of Laura Mars for 31 Days of Horror, but I also wrote a review of the Blu-ray for Cinema Sentries which you can read here.

I wrote about The Eyes of Laura Mars for 31 Days of Horror, but I also wrote a review of the Blu-ray for Cinema Sentries which you can read here.

I’ve fallen behind in posting links to my reviews over at Cinema Sentries. I wrote this one for Kino Lorber’s latest film noir boxed sets back in October, but what better time to share it than the tail end of Noirvember? To be honest this set was probably my least favorite one they’ve done. Mostly because the three films are boxing movies and not really noir. But whatever, you can read my review here.

If you are growing tired of #31Daysof Horror then feel some relief in knowing that #NoirVember is coming in just a few short weeks. That’s when I’ll be talking about a lot of film noirs. But until then you can enjoy my review of The Accused, a rather good film-noiresque drama starring the always wonderful Loretta Young. You can read my review here.

I very much like Agatha Christie-style murder mysteries. I have recently come to love westerns. I’ve always dug a good movie set on a train. I ought to have been a fan of Breakheart Pass, a murder mystery/western set on a train starring Charles Bronson. Sadly, I found it a rather tepid affair. You can read my review here.

Not all classic films are true “classics” if you catch my meaning. Case in point is this Tallulah Bankhead film which is rather dull to watch. It does have some great Pre-Code moments – sexual innuendo, human branding and attempted rape – but that still can’t save it from being an utter bore. Here’s my full review.

One of the challenges you face when watching old movies is butting heads with some of its outdated morals. I always find it tough to watch films that portray the slave-owning confederates as heroes. Torch Singer doesn’t have any of that, in fact, it is fairly progressive in its point of view, but I still wrestle with how best to watch it in my review.

There are a lot of boutique labels putting out all sorts of movies on Blu-ray these days. All the recent blockbusters get releases, of course, and the certified classics. Companies like Arrow Video and Severin and releasing cult films and old schlock horror movies. Kino Lorber continues to do a magnificent job of releasing what I like to call Almost Classics. These were mainstream movies with A-list directors or actors that were aiming for greatness and somehow fell short. They usually aren’t bad, sometimes they’re even quite good, but for one reason or another they never quite attained classic status.
I’ve reviewed quite a few of these over the years and Counterpoint is one such example. It stars Charlton Heston and Maximillian Schell and has an interesting WWII era plot. But it has largely been forgotten and with good reason, as it isn’t really very good. Anyway, you can read my full review here.

Beyond horror, I am a huge fan of film noir. That’s a particular type of crime drama was made in Hollywood in the 1940s and 1950s. They use expressionistic black and white photography, a dark, cynical point of view, and usually a hard-boiled detective and a beautiful femme fatale.
Kino Lorber has been regularly putting out nice boxed sets of film noir featuring lesser-known titles in the genre. I recently reviewed one of those sets for Cinema Sentries and you can read it here.

Mario Bava is one of the all-time great horror directors. He basically created the Giallo subgenre and was a master visualist. He also directed lots of other genres, including sword and sandals movies and science fiction. Planet of the Vampires is a bit of a genre blend including both sci-fi and horror. Kino Lorber recently released a nice copy of it on Blu-ray and I wrote a review which you can read here.