Lossless Bootleg Bonanza: Grateful Dead – Portland, OR (06/03/76)

gd76-06-03-Paramount-Theater

Grateful Dead
June 3, 1976
Paramount Theatre
Portland, OR

Download: FlAC/MP3

Recording Info:
SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k)

This is a tagged version of shnid: 123607

Transfer Info:
WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16
(3 Discs Audio / 1 Disc FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 26, 2013

Patch Info:
Sony ECM-280 -> Cassette Master -> FLAC/24 supplies:
Might As Well (0:00 – 0:20)
Supplication (2:50 – 3:19)
Franklin’s Tower (7:10 – 7:43)

Notes:
— All disc changes are seamless
— Stella Blue tease after Let It Grow
— Thanks to Joe B. Jones for his help with the pitch correction

–Set 1–
101-d1t01 – Might as Well
102-d1t02 – Cassidy
103-d1t03 – Row Jimmy
104-d1t04 – Looks Like Rain
105-d1t05 – They Love Each Other
106-d1t06 – Lazy Lightning ->
107-d1t07 – Supplication
108-d1t08 – Candyman
109-d1t09 – The Music Never Stopped
110-d1t10 – Scarlet Begonias
111-d2t01 – Dancing in the Street

–Set 2–
201-d2t02 – Tuning
202-d2t03 – Samson & Delilah
203-d2t04 – Crazy Fingers ->
204-d2t05 – Wharf Rat ->
205-d2t06 – Let It Grow
206-d2t07 – It Must Have Been the Roses
207-d2t08 – Around & Around
208-d3t01 – Help on the Way ->
209-d3t02 – Slipknot! ->
210-d3t03 – Franklin’s Tower
211-d3t04 – One More Saturday Night

–Encore–
212-d3t05 – The Wheel

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Lossless Bootleg Bonanza: Bob Dylan – Portland, OR (06/16/00)

P2000_0616b

Bob Dylan
6/16/00
Portland, Oregon

Download: FLAC/MP3
LB-10093, (60min+29min), version “d”; no info file in torrent but flollowinf info taken from torrent description: “this was taped by a friend who lived in portland, and would send me his dat masters so i could put on disc for him, so this is off master to disc to upload, taped with sonic studio mics and sony dat. dont know if this version is around much”

bittorrent download 05/12; in 3-way comparison these are different recordings based on different crowd at end of d1t1; Neumann Km184 LB-2549 has fullest most natural sound, LB-6530 has a little warmer sound, and this has harshest narrowest sound; (did not listen to all of this)
Drop/cut between cdrs, end of d1t11

CD1
Somebody Touched Me (acoustic)
Stone Walls And Steel Bars (acoustic) (Larry on mandolin)
Dark As A Dungeon (acoustic) (Larry on mandolin)
Tangled Up In Blue (acoustic)
Rank Strangers To Me (acoustic)
Mama, You Been On My Mind (acoustic) (Bob on harp)
Country Pie
It Takes A Lot To Laugh, It Takes A Train To Cry
Stuck Inside Of Mobile With The Memphis Blues Again
Under The Red Sky
Drifter’s Escape (Bob on harp)
Leopard-Skin Pill-Box Hat

CD2
(encore)
Ballad Of A Thin Man
Like A Rolling Stone
It Ain’t Me, Babe (acoustic)
Rainy Day Women #12 & #35

Lossless Bootleg Bonanza: Bobby & the Midnights – Portland, OR (11/13/82)

BobbyAndTheMidnitesPublicity

Bobby & The Midnites
11/13/82 (early & late shows)
Euphoria Tavern
Portland, OR

Download FLAC/MP3: Mediafire

Source: SBD > unknown taping equipment & taper > MAC > Cass > Cass (Maxell XLII 90×2)

Transfer:1st Gen SBD Cassettes > Nakamichi CD2 (azimuth adjusted) > Lunatec V3 (24/96) >
Audiophile 2496 > CEP 2.0 (24/96)> Audacity (downsample/dither to 16-bit/44.1) > CD Wave Editor > TLH > FLAC16.
Transfer, all editing and upload to bt.etree.org by Alex Ford on 9/27/2006.

*1st Gen Cassettes supplied by Jake Feinberg.
A huge thank you goes out to Jeff Harrison in Eugene for loaning me his masters…JF*

Early Show:

d1t01 crowd/tuning
d1t02 Bombs Away
d1t03 Young Blood
d1t04 Big Iron
d1t05 Fly Away
d1t06 Easy To Slip >
d1t07 Bahama Mama (Bass jam) >
d1t08 Me Without You
d1t09 Rock In The 80’s
d1t10 Man Smart, Women Smarter
d1t11 Thunder & Lightning
d1t12 crowd
Encore:
d1t13 Too Many Losers

Late Show:

d2t01 crowd/tuning
d2t02 Festival
d2t03 Turn Out The Light
d2t04 I Found Love (Cochran’s Guitar Solo)
d2t05 Supplication >
d2t06 Book Of Rules
d2t07 New Minglewood Blues,
d3t01 Shade Of Grey >
d3t02 Bass solo >
d3t03 Shade Of Grey
d3t04 Heaven Help The Fool >
d3t05 Drum solo >
d3t06 Josephine >
d3t07 One More Saturday Night//

Bobby & The Midnites:

Bob Weir Guitar, Vocals
Dave Garland Keyboards, Tenor Saxophone, Vocals
Billy Cobham Drums, Vocals
Bobby Cochran Guitar, Vocals
Alphonso Johnson Bass, Vocals

Lossless Bootleg Bonanza: Grateful Dead – Portland, OR (10/02/77)

gd77-10-02-Paramount

Grateful Dead
10-02-1977
Paramount Theatre
Portland, OR

Download FLAC/MP3

I posted an interview with Jerry from the date here.

Betty Board
(Complete show– source tape: MR>P2>D1)
7″ two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > DBX-1 decoder > analog in PCM501ES
PCM501ES analog out > Fostex D5 @ 48 kHz

–Set 1–
101-d1t01 – Casey Jones
102-d1t02 – Jack Straw
103-d1t03 – Sunrise
104-d1t04 – Brown Eyed Women
105-d1t05 – El Paso,
106-d1t06 – Dupree’s Diamond Blues
107-d1t07 – Let It Grow
108-d1t08 – Deal

–Set 2–
201-d2t01 – Samson & Delilah
202-d2t02 – Scarlet Begonias ->
203-d2t03 – Fire on the Mountain
204-d3t01 – Funiculi Funicula
205-d3t02 – Playin’ in the Band ->
206-d3t03 – Drums->
207-d3t04 – The Wheel ->
208-d3t05 – Truckin’->
209-d3t06 – The Other One ->
210-d3t07 – Wharf# Rat ->
211-d3t08 – Sugar Magnolia

–Encore–
212-d3t09 – JohnnyB. Goode

Notes: Casey Jones has brief low-level crackle possibly due to a bad
microphone; Wharf Rat has a thirty-second section of analog tape damage
leading to a cut during the song. There is an illegal bootleg available of
this date that apparently has no cut in Wharf Rat, but the cut has been
edited out and the song is about 30 seconds shorter than on the Betty reel.
No EQ has been performed. You hear what is on the Betty reels, as best as
we can get it to you.

Lossless Bootleg Bonanza: The Decemberists – Troutdale, OR (08/26/11)

thedecemberists2011-08-26neumann140.flac16

The Decemberists
Edgefield Manor
Troutdale, Oregon
2011-08-26

Download: FLAC/MP3

RECORDIST: Mark Burgin tapermarkATyahooDOTcom
SOURCE: Neumann AK40’s~>LC3’s~>KM100’s~>Hi Ho Silver shorty interconnects~>Grace Design Lunatec V2~>Hi-Ho Silver shorty interconnects~>Sound Devices 744t.
MICROPHONE LOCATION: FOB, DFC, 9 feet high, 70 feet from stage
MICROPHONE CONFIGURATION: ORTF, 110 degrees 17 cm
RECORDED FORMAT: 24 bit, 48 kHz
CONVERSION: Sound Devices 744t~>firewire~>Dell PC.
EDITING: Samplitude 10.0 (normalization, eq and compression applied)
DOWNSAMPLE: Soundforge 9.0 (downsampled with anti alias filter and interpolation accuracy on high)
DITHER: Soundforge 9.0 (dithered with IZotope Ozone 4 MBIT+ algorythym plugin with ultra noise shaping and normal dither)
FINAL FORMAT: 16 bit, 44.1 kHz
TRACKING: CD WAV 1.98
COMPRESSION: TLH 2.4.1 flac (level 8)
SBE VERIFICATION: TLH 2.4.1

total time [118:51]

01 Intro [2:51]
02 The Island: Come & See/The Landlord’s Daughter/You’ll Not Feel The Drowning [13:31]
03 The Calamity Song [4:57]
04 Down By The Water @ [5:43]
05 Rise To Me [5:47]
06 Yankee Bayonet (I Will Be Home Then) $ [4:45]
07 The Bagman’s Gambit [9:02]
08 The Soldiering Life # [6:48]
09 The Sporting Life # [7:00]
10 The Rake’s Song [4:14]
11 Rox In The Box [4:22]
12 Sixteen Military Wives # [8:34]
13 The Chimbley Sweep [10:29]
14 E1: Raincoat Song [7:12]
15 The Mariner’s Revenge Song [13:22]
16 E2: I Was Meant For The Stage # [10:07]

@ with Peter Buck on guitar
$ with Laura Veirs
# with the Portland Auxiliary Brass

Colin Meloy (guitar and vocals)
Chris Funk (guitar, multi-instrumentalist)
Jenny Conlee (hammond organ, accordion, melodica, piano, keyboards, etc)
Nate Query (bass guitar, string bass)
John Moen (drums, melodica, etc)
Sara Watkins (fiddle, guitar, vocals, etc)

Lossless Bootleg Bonanza: The Decemberists – Troutdale, OR (08/25/11)

thedecemberists2011-08-25neumann140.flac24

The Decemberists
Edgefield Manor
Troutdale, Oregon
2011-08-25

Download: FLAC/MP3

total time [116:52]

01 Intro [2:49]
02 The Infanta # [5:39]
03 The Sporting Life # [5:40]
04 The Calamity Song [4:24]
05 Down By The Water @ [5:10]
06 Billy Liar [6:00]
07 The Apology Song [4:00]
08 Dreams Intro~> [0:54]
09 Here I Dreamt I Was An Architect [5:10]
10 Won’t Want For Love [7:56]
11 Don’t Carry It All [6:52]
12 This Is Why We Fight [5:32]
13 Sixteen Military Wives # [7:20]
14 Dracula’s Daughter~> [0:55]
15 O Valencia! [8:09]
16 E1: The Tain (Parts I-V) [22:02]
17 The Mariner’s Revenge Song [13:23]
18 E2: June Hymn [4:47]

# with the Portland Auxiliary Brass
@ with Peter Buck on guitar

Colin Meloy (guitar and vocals)
Chris Funk (guitar, multi-instrumentalist)
Jenny Conlee (hammond organ, accordion, melodica, piano, keyboards, etc)
Nate Query (bass guitar, string bass)
John Moen (drums, melodica, etc)
Sara Watkins (fiddle, guitar, vocals, etc)

RECORDIST: Mark Burgin tapermarkATyahooDOTcom
SOURCE: Neumann AK40’s~>LC3’s~>KM100’s~>Hi Ho Silver shorty interconnects~>Grace Design Lunatec V2~>Hi-Ho Silver shorty interconnects~>Sound Devices 744t.
MICROPHONE LOCATION: FOB, DFC, 9 feet high, 40 feet from stage
MICROPHONE CONFIGURATION: ORTF, 110 degrees 17 cm
RECORDED FORMAT: 24 bit, 48 kHz
CONVERSION: Sound Devices 744t~>firewire~>Dell PC.
EDITING: Samplitude 10.0 (normalization, eq and compression applied)
DOWNSAMPLE: N/A
DITHER: N/A
FINAL FORMAT: 24 bit, 48 kHz
TRACKING: CD WAV 1.98
COMPRESSION: TLH 2.4.1 flac (level 8)
SBE VERIFICATION: TLH 2.4.1

Lossless Bootleg Bonanza: The Grateful Dead – Corvallis, OR (01/17/70)

grateful dead - gd70-01-17-Oregon-State-U

Grateful Dead
1-17-70
Oregon State University,
Corvallis, Oregon
gd70-01-17.sbd.cotsman.19283.sbeok.flac16

Download: FLAC/MP3

SBD>MR>D>CD>EAC>SHN
This is a flac encoded & tagged version of shnid: 19283

–Setlist–
101-d1t01 – //Dire Wolf (3:52)
102-d1t02 – //China Cat Sunflower -> (4:34)
103-d1t03 – I Know You Rider (4:59)
104-d1t04 – Hard To Handle (5:09)
105-d1t05 – Cumberland Blues (4:48) – Officially Released on The Golden Road (1965 – 1973)
106-d1t06 – Me & My Uncle (3:11)
107-d1t07 – Black Peter (9:26)
108-d1t08 – Good Lovin’ (7:24)
109-d1t09 – stage banter (1:28)
110-d1t10 – Mason’s Children -> (4:38)
111-d1t11 – High Time% (6:34)
112-d2t01 – Dark Star -> (19:59)
113-d2t02 – St. Stephen -> (7:40)
114-d2t03 – The Eleven -> (9:37)
115-d2t04 – Turn on Your Lovelight//(13:32)

–disc 1 total time–56:09–
–disc 2 total time–50:50–

Notes:
–Dire Wolf may/may not have been the opener.
For that era, it was rarely used as an opener
–Dire Wolf cuts in after several verses
–the first minute of China Cat is missing
–an electrical buzz can first be heard during Mason’s.
It is less frequent after High Time, but can be heard in
places for the rest of the set
–reel flip at 4:40 in High Time
–very brief Feelin’ Groovy Jam at 12:55 in Dark Star
–a significant portion of Lovelight is missing
–Sound Forge was used for normalization and pitch correction.
The pitch was flat by nearly a semitone on all circulating
copies that I have sampled.

Part of The Music Never Stopped Project 2003
edits/encoding JCotsman

Lossless Bootleg Bonanza: The Grateful Dead – Portland, OR (01/16/70)

19700116_0393.midsize

Grateful Dead
January 16, 1970
Springer’s Inn
Portland, OR

Download: FLAC/MP3

This is a slight rework of SHNID 7111

Original notes:
sbd>??>cdr>eac>shn
Thanks to Moss Willow for the discs
eac>shn by; popi n. feeld

Flac encoding notes:
All processing with Trader’s Little Helper
Shn – st5 generated
Shn > Flac ( level 8 )
Flac – st5 generated and matched to Shn st5
B. Proctor 10-06-09

–Set 1–
101 – Stage Announcements
102 – Casey Jones*
103 – Mama Tried
104 – Black Peter
105 – Hard to Handle
106 – China Cat Sunflower ->**
107 – I Know You Rider
108 – High Time
109 – // Good Lovin’***
110 – Stage Announcements
111 – Dancin’ in the Streets
112 – Alligator ->****
113 – Drums ->
114 – The Eleven Jam ->
115 – Death Don’t Have No Mercy

–Set 2???–
201 – //Cumberland Blues//
202 – //Me My Uncle->
203 – Dire Wolf
204 – Uncle John’s Band
205 – Easy Wind – Officially Released on the Golden Road Boxed Set
206 – Cryptical Envelopment ->
207 – Drums ->
208 – The Other One ->
209 – Cryptical Envelopment ->
210 – Cosmic Charli//e*****

Droncit notes:
*Lots of problems in Casey Jones – distortion, noisy pots, loose wiring. I tried to fix as much as I could.
Mostly in left channel, but some in both. Some fun comments after Casey Jones related to coca-cola.

**Garcia says “boogie” before his second solo

***Opening riff to Big Boss Man is played, so songs may be missing.

****Someone in the audience calls it.

*****the opening to Cosmic Charlie sounds like an edit was made; songs may be missing or it may not have
come directly from Cryptical

I was listening to this as it was; it had nice sound quality, but there were a couple of noticeable speed issues.
101 through 115 had a curvilinear increase in speed and was slightly fast. 201 through 210 was noticeably slow,
but in a straight offset. I straightened the first out and slowed it very slightly; I sped the 2nd one up slightly.
They are all very close to the same speed now. There were also spots that appeared to be from a stretched tape.
Noticeably Pigpen’s opening line to Alligator. Still not perfect, but better.

After that, I thought I might as well rework the sound, which seemed to have at least 2 generations in it, and had
a lot of clipping in certain songs. Dancing in the Streets was especially bad. There’s still a lot of distortion
on vocals for some songs. I de-clipped it (about 300,000 clips altogether), and gain-normalized by channel.

Finally, I used a multi-filter on it with equalization, very light expansion, and some virtual valves. All done with
Diamond Cut Forensics 8.5 and 9 alpha 2. No noise reduction was needed, so just a tiny bit of hiss is evident.

The original indicates that Cumberland is a “possible set 2” – it’s difficult to say, so I just left it as it was
numbered.