Bob Dylan – Providence, RI (11/04/75)

Bob Dylan & The Rolling Thunder Revue
1975-11-04
Civic Center,
Providence, RI

Early Show:

1 When I Paint My Masterpiece (with Neuwirth)
2 It Ainít Me Babe
3 Romance in Durango
4 A Hard Rainís A-Gonna Fall
5 Isis
6 Blowiní In The Wind (duet with Baez)
7 Never Let Me Go (duet with Baez)
8 The Water is Wide (duet with Baez)
9 I Shall Be Released (duet with Baez)
(end of 1st set)
10 With God On Our Side (solo)
11 Oh, Sister
12 Hurricane
13 One More Cup Of Coffee
14 Sara
15 Just Like A Woman
16 Knockiní On Heavenís Door (with McGuinn)
17 This Land Is Your Land

Late Show

set one:

Rolling Thunder Invocation
Sleazy
Trucker’s Dreams
Don’t Blame Me
Werewolves of London
You Don’t Know Me
Catfish
Life On Mars
additional intros
Hank Williams Is Dead
Please
Mercedes Benz
Ramblin’ Jack Elliot
Me & Bobby McGee
Friend of the Devil
Salt Pork West Virginia
Love My Woman
When I Paint My Masterpiece
It Ain’t Me Babe
Hard Rain’s A Gonna Fall
Romance In Durango
Isis

set two:
The Times They Are A Changin’
Never Let Me Go
I Dreamed I Saw Saint Augustine
I Shall Be Released
tuning
Diamonds And Rust
Swing Low Sweet Chariot*
Joe Hill*
12. Love Song to a Stranger
Long Black Veil
Please Come To Boston
Chestnut/Mare
The Night They Drove Ol’ Dixie Down
crowd
Masters Of War
Oh Sister
It’s Alright Ma (I’m Only Bleeding)
Hurricane
One More Cup Of Coffee
Sarah
Just Like A Woman >
Knockin’ On Heaven’s Door >
This Land Is Your Land

Bob Dylan – South Kingston, RI (10/22/89)

Bob Dylan
Keaney Auditorium
University Of Rhode Island
South Kingston, Rhode Island
22 October 1989

Trouble
Man In The Long Black Coat
John Brown
You’re A Big Girl Now
Just Like A Woman
Stuck Inside Of Mobile With The Memphis Blues Again
A Hard Rain’s A-Gonna Fall
The Lonesome Death Of Hattie Carroll
It Ain’t Me, Babe
Shelter From The Storm
Everything Is Broken
I Shall Be Released
Like A Rolling Stone

Most Of The Time
Maggie’s Farm

Concert # 153 of The Never-Ending Tour.
Concert # 10 of the 1989 USA Fall Tour.
Concert # 75 with the second Never-Ending Tour Band:
Bob Dylan (vocal & guitar), G. E. Smith (guitar),
Tony Garnier (bass), Christopher Parker (drums).
7-9 Bob Dylan (vocal & guitar), G.E. Smith (guitar).
2, 4, 5, 8-10 Bob Dylan harmonica.
12 new songs (80%) compared to previous concert.
4 new songs for this tour.

Joni Mitchell – Newport, RI (07/19/69)

JONI MITCHELL
Newport Folk Festival
Newport, Rhode Island
July 19, 1969

1 Chelsea Morning
2 Cactus tree
3 Night in the City
4 For Free
5 Willy
6 The Fiddle and the Drum
7 Both Sides Now
8 Get Together
9 The Circle Game

From the Joni Mitchell Chronology http://www.jmdl.com/chronology/#1969

1969.07.19 Newport Folk Festival Festival Field Newport, RI
Evening concert

This show is crystal clear! (Except for “The Circle Game”–from a different
sourc with audience participation.)

A must-have for any Joni fan, even the casual one.

Van Morrison – Providence, RI (10/26/74)

Van Morrison
Palace Theatre
Providence, RI
26 October 1974

CD1
01 Naked In The Jungle
02 Street Choir
03 Warm Love
04 Bulbs
05 Into The Mystic
06 Help Me
07 I Believe To My Soul
08 Listen To The Lion (spliced)
09 Wild Night
10 You Don’t Pull No Punches, But You Don’t Push The River

CD2
01 I’ve Been Working
02 Take Your Hand Out Of My Pocket
03 Twilight Zone
04 E1: Moondance > Fever
05 E2: Brown Eyed Girl
06 E3: Gloria

Source 1:

Master audience recording taped by Dan Lampinski
unknown model dictation style Tape Recorder
External Mono Microphone
Scotch cassettes

Mastered and FLAC’ed by Carl Morstadt (dantalion8@yahoo.com)

Master Cassette ->
Nakamichi CR-3A cassette deck with azimuth correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger

No EQ’ing.

A 24-bit/96-KHz flac24 version of this recording is also available.

Since Dan never traded copies of his recordings, they are all essentially uncirculated. Some copies were made for friends, but these releases are the first time most of these recordings have ever seen the light of day, and are direct from his master cassettes. No EQ’ing has been done to any of the transfers. Feel free to EQ, matrix, patch, etc and re-post if you like, just give Dan credit for the original recording.

Dan was very meticulous about taking good care of his tapes and is very pleased that these recordings will now circulate among the trading community. Please honour his kindness and generosity by sharing these recordings freely.

The transfers are available as 16bit/44.1KHz flac files suitable for CD burning, and also as 24bit/96KHz flac files for those who prefer the higher resolution.

Always remember – the more generous you are with your music, the more it comes back to you.

Kev & Carl
November 2010

Source 2:
Unknown audience source

Source 3:

NOTE: FIRSTLY MANY THANKS FOR THE RECORDING AND UPLOAD, ALWAYS A TREAT WHEN AN UNCIRCULATED RECORDING SURFACES, AND IN GOOD QUALITY. THIS RECORDING WAS MADE ON A MONO MACHINE WITH MONO MIKE SO ONLY ONE CHANNEL. TO MATCH MODERN TWO CHANNEL EQUIPMENT THE SINGLE CHANNEL NEEDS TO BE SPLIT EQUALLY INTO TWO. THIS IS WHERE THE PROBLEM ARISES WITH THIS TRANSFER TO DIGITAL AND ON FIRST LISTENING I STRAIGHTAWAY NOTICED THAT THE LEFT CHANNEL LEVEL WAS TOO HIGH AND TOUCHING ON DISTORTION BUT THE RIGHT CHANNEL WAS PERFECT. THREE OTHER
MORRISON COLLECTORS CONTACTED ME AND ASKED IF THE PROBLEM COULD BE CORRECTED, AS THIS IS AN IMPORTANT RECORDING. THIS I HAVE DONE, VERY SIMPLE, AND NOW THE RECORDING IS BALANCED AND CAN BE HEARD AS RECORDED. I CAN ONLY ASSUME THAT ONE OF THE MACHINES USED TO DO THE FIRST TRANSFER TO DIGITAL EITHER HAD A VERY WORN HEAD OR THE AZIMUTH WAS INCORRECT.

FURTHER MASTERING by JTT, DECEMBER 2010:
AS THIS IS A MONO RECORDING I HAVE USED ONLY THE RIGHT CHANNEL COPIED TO LEFT WITH NO CHANGE WAS MADE TO LEVEL.

ALSO CLEANED A POOR EDIT AT 08.01 IN DISC ONE, TRACK 08, MOVED SEVERAL TRACK MARKS (SOME MISSED THE START OF THE NUMBER) AND FADED THE DISCS OUT AND IN.

ALL ALTERATIONS WERE MADE TO THE DOWNLOADED FLAC FILES SO NO DECODING/ENCODING INVOLVED. WORK WAS CARRIED OUT WITH SOUNDFORGE PRO 10b AND FLACS ALIGNED WITH TRADERS LITTLE HELPER.

unknown model dictation style Tape Recorder
External Mono Microphone
Scotch cassettes

Mastered and FLAC’ed by Carl Morstadt (dantalion8@yahoo.com)

FURTHER MASTERING by JTT, DECEMBER 2010:
(Soundforge PRO 10b (Edit & Save FLACS) > Traders Little Helper (Align & Check)

Master Cassette ->
Nakamichi CR-3A cassette deck with correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger

No EQ’ing.

A 24-bit/96-KHz flac24 version of this recording is also available.

Warning/Disclaimer: This recording should not be confused with the series labelled “The Dan Lampinski Tapes Volume XX”. This recording represents part of Dan’s earliest efforts to capture the live concert experience for posterity, hence the series name “Dan Lampinski – The Early Years Volume XX”. Given the very consistent high quality of Dan’s later work, it would have been easy to blow off these recordings and consign them to the dustbin of history, but there are quite a few captures in the series that are well worth circulating, if not for their rarity, but for the obsessive collector types (we know who we are) that want every single second of any recordings of their favourite musicians. So please, just accept these recordings for what they are, another part of the tapestry we weave when we collect and share such things. Since Dan never traded copies of his recordings, they are all essentially uncirculated. Some copies weremade for friends, but these releases are the first time most of these recordings have ever seen the light of day, and are direct from his master cassettes. No EQ’ing has been done to any of the transfers. Feel free to EQ, matrix, patch, etc and re-post if you like, just give Dan credit for the original recording.

Dan was very meticulous about taking good care of his tapes and is very pleased that these recordings will
now circulate among the trading community. Please honour his kindness and generosity by sharing these recordings freely.

The transfers are available as 16bit/44.1KHz flac files suitable for CD burning, and also as 24bit/96KHz flac
files for those who prefer the higher resolution.

Always remember – the more generous you are with your music, the more it comes back to you.

Kev & Carl
November 2010

Lou Reed – Providence, RI (04/25/75)

Lou Reed
Palace Theater,
Providence, RI
25 April 1975

Master audience recording taped by Dan Lampinski

CD1
01 Sweet Jane
02 I Wanna Be Black
03 Coney Island Baby
04 You Can Dance
05 Waiting For The Man
06 Heroin
07 Berlin
08 Lady Day
09 Dirt
10 Walk On The Wild Side

CD2
01 Kicks
02 Complete The Story Now
03 E1: Rock And Roll
04 E2: White Light/White Heat
05 E3: Oh Jim (spliced)

Sony TC-152SD Tape Recorder
Sony ECM-99 Stereo Microphone
Maxell cassettes

Mastered and FLAC’ed by Carl Morstadt (dantalion8@yahoo.com)

No EQ’ing.

A 24-bit/96-KHz flac24 version of this recording is also available.

Dan Lampinski recorded over 100 concerts in the Providence/Boston area, mostly between 1974 and 1978. His earliest recordings were made with an internal microphone deck, and though they are somewhat lo-fi compared to his later work, some very great moments in rock history were captured for posterity. In late 1974 he bought a Sony TC-152SD tape recorder, a Sony ECM-99 stereo microphone, and began using Maxell cassettes. He was also fortunate enough to have a friend who provided excellent taping seats for many shows, resulting in high quality recordings. In 1977, he switched over to a Nakamichi 550 tape recorder, two Nakamichi CM-300 microphones, and continued using Maxell cassettes.

He recorded many of the major 70’s bands: Yes, Genesis, Pink Floyd, Queen, Blue Oyster Cult, Frank Zappa, Jethro Tull, ELP, Kiss, Black Sabbath, The Who, Al Stewart, Alice Cooper, Jeff Beck, Bruce Springsteen, Supertramp, Jean-Luc Ponty, Moody Blues, Neil Young, The Faces, Rush, Rick Wakeman, Kansas, as well as several “under the radar” acts.

The transfers are available as 16bit/44.1KHz flac files suitable for CD burning, and also as 24bit/96KHz flac files for those who prefer the higher resolution.

Always remember – the more generous you are with your music, the more it comes back to you.

Kev & Carl
June 2009

Eric Clapton – Providence, RI (07/10/74)

Eric Clapton
Providence Civic Center
Providence, RI
10 July 1974

Master audience recording taped by Dan Lampinski

CD1
01 Intro by “Legs” Larry Smith
02 Smile
03 Don’t Have to Hurt Nobody
04 Have You Ever Loved a Woman
05 Blues Power (spliced)
06 Key to the Highway

CD2
01 Presence Of The Lord
02 Bright Lights Big City/I Can’t Hold Out
03 Willie and the Handjive/Get Ready (spliced)
04 Little Wing
05 Layla
06 E: Little Queenie (spliced)

Eric Clapton – Guitar, Vocals
Jamie Oldaker – Drums
Dick Sims – Keyboards
Carl Radle – Bass
George Terry – Guitar
Yvonne Elliman – Backing Vocals

An audience member threw a beer bottle at the stage before the show started & it hit
Yvonne Elliman in the hand. Clapton was pissed and almost folded the show.
She performed the show with a bandaged hand.

Eric speaks to the audience about the incident at about 3:50 into the intro:
“I want the guy that threw the beer bottle to know that he hurt one of my people.
So don’t throw things, please don’t throw things at us.”

The second song, “Don’t Have To Hurt Nobody” was an impromptu jam inspired by the incident.

During “Willie and the Handjive/Get Ready”, Yvonne sings “throwing your fucking bottles” at about 6:20.

unknown model dictation style Tape Recorder
External Mono Microphone
Scotch cassettes

Mastered and FLAC’ed by Carl Morstadt (dantalion8@yahoo.com)

No EQ’ing.

A 24-bit/96-KHz flac24 version of this recording is also available.

The transfers are available as 16bit/44.1KHz flac files suitable for CD burning, and also as 24bit/96KHz flac files for those who prefer the higher resolution.

Always remember – the more generous you are with your music, the more it comes back to you.

Kev & Carl
November 2010

Grateful Dead – Providence, RI (04/04/85)

Grateful Dead
April 4, 1985
Providence Civic Center
Providence RI

This is a flac encoded & tagged version of shnid: 33816
Source: Amy Board
Lineage: MVHS HiFi Video > MC > CDR

EAC/SHN by Willy
_willy_@junkiesplace.com

Seeded to etree 08/27/02
Audio discs provided by Tommy Danscuk

–Set 1–
101-d1t01 – Alabama Getaway ->
102-d1t02 – Jack Straw
103-d1t03 – Dire Wolf
104-d1t04 – El Paso
105-d1t05 – She Belongs To Me
106-d1t06 – My Brother Esau
107-d1t07 – Friend of the Devil
108-d1t08 – Lost Sailor ->
109-d1t09 – Saint Of Circumstance ->
110-d1t10 – Deal

–Set 2–
201-d2t01 – I Need a Miracle ->
202-d2t02 – Crazy Fingers ->
203-d2t03 – Samson & Delilah
204-d2t04 – He’s Gone ->
205-d2t05 – Goin’ Down the Road Feelin’ Bad ->
206-d2t06 – Drums ->
207-d2t07 – Space -> (patched in from Oade AUD)
208-d2t08 – The Wheel ->
209-d2t09 – Black Peter ->
210-d2t10 – Around & Around ->
211-d2t11 – Turn On Your Lovelight

–Encore–
212-d2t12 – U.S. Blues (patched in from Oade AUD?)

NOTES
– Subsecond drop-out during the first second of ‘Friend of the Devil’
– First ‘She Belongs To Me’ since 01-07-66!
– First ‘Crazy Fingers’ since 10-08-83
– CD Wave and Shntool were used to retrack and verify sector boundaries, and CE2K
for all editing.

Okay, here’s the damage I (un)did to this source. I patched in the missing space
from Doug Oade’s excellent recording. In order to match the levels with Drums at
the beginning and Wheel at the end, I had to put up with a certain amount of
clipping on the drums during the space set – just where the snares are hit really
hard. It’s worth it, though, first to make the transitions smoother, second to
illustrate how an AUD can shine. Doug Oade was obviously not using any limiter,
which Amy probably was, at least for her recording – you can instantly tell the
difference in clarity. A local soundman friend of mine once told me, “I don’t
mix for tapes, I mix for the room”. Soundboard snobs take heed!

I also eliminated a short gap at the end of The Wheel, restoring the seamless
transition into Stella Blue. The gap was possibly a TAO artifact.

The US Blues encore from the original fileset is probably also from the Oade AUD.

Bill Tetzeli (btet@adelphia.net)
3/23/2006

Grateful Dead – Providence, RI (04/03/85)

Grateful Dead
April 3, 1985
Civic Center
Providence, RI

–Set 1–
101-d1t01 – Tuning
102-d1t02 – Hell in a Bucket ->
103-d1t03 – Sugaree
104-d1t04 – Me And My Uncle ->
105-d1t05 – Mexicali Blues
106-d1t06 – Ramble on Rose
107-d1t07 – Down in the Bottom > I Ain’t Superstitious
108-d1t08 – Row Jimmy
109-d1t09 – Let It Grow

–Set 2–
201-d2t01 – Tuning
202-d2t02 – Terrapin Station ->
203-d2t03 – Man Smart (Woman Smarter)
204-d2t04 – Ship of Fools
205-d2t05 – Truckin’ ->
206-d2t06 – Spoonful ->
207-d2t07 – Drums ->
208-d3t01 – Space ->
209-d3t02 – Wharf Rat ->
210-d3t03 – Throwing Stones ->
211-d3t04 – Sugar Magnolia

–Encore–
212-d3t05 – Keep Your Day Job

Source #1:

This is a tagged version of shnid: 106252
Recording Info:
SBD -> Cassette Master -> Cassette (Maxell XLII-S90)

Transfer Info:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 21, 2010

Patch Info:
Schoeps CMC4/MK41 -> PCM (shnid=23927) supplies:
Spoonful (6:31 – end of track)
Drums (0:00 – 8:49)

Notes:
— Set 2 is seamless
— There are a bunch of quiet static pops throughout the recording
— Thanks to Joani Walker and Paul Scotton for the tapes
— Thanks to Joe B. Jones for his help with the pitch correction

Source #2:
This is a tagged version of shnid: 23927

Recorded by the Oade Brothers
Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net)

Field:
Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1

Transfer:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

Notes:
-Beginning few bars of Truckin’ missing from oade master and supplied from alt aud source
((2) audio technica atm 11/ (2) nak 300 +cp4 > d-5 > cdr870 > eac).
-Sub-second Drop out removed from sugar magnolia @3:47

freshly tracked (5/8/04) from Doug Oade’s transcription of his masters.

Jerry Garcia Band – Providence, RI (03/11/78)

Jerry Garcia Band
1978-03-11
Set II
Leroy Theater
Providence, RI

Set I:

01 How Sweet It Is (To Be Loved By You)
02 Catfish John
03 That’s What Love Will Make You Do
04 I’ll Take A Melody
05 Harder They Come
06 Gomorrah
07 Mystery Train

Set II:

01. …Love in the Afternoon
02. Rhapsody in Red
03. Knockin’ on Heaven’s Door
04. Tore up over You
05. I’ll Be with Thee
06. Lonesome & a Long Way from Home

Source 1:

Set II Only

This is a tagged version of shnid: 135199
MSC>DAT>CDR>XLD>FLAC

Source 2:

This is flac encoded & tagged version of shnid: 14931

Source: Sony ECM-99a mics > Technics 646ds cassette deck > DAT > CDR > WAV >SHN.
Recorded front row of balcony .
Taper: Tom Dalti

Comments:
d1t03 – d/o @ 08:06, 08:08 removed
d1t07 – d/o removed from after song crowd noise @ 10:03, 10:05, and 10:07.
+2.5 dB gain applied to entire show using soundforge 5.

Thanks to S. Aserkoff for the CDR seeds.
DAE(EAC 0.9 beta 4, offset corrected, high/secure) > editing (soundforge 5) > tracking (cdwav) > boundary check (shntool) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP.

A MisShn in the Rain Installment of the Music Never Stopped Project – 2/03. Music Never Stopped Project – 2/03.

Source 3:

This is a tagged version of shnid: 97682

AUD: 1x AKG D200E (mono recording) > Sony TC-153SD > Maxell
UD-XLII 90’s, with no Dolby. Fifth row orchestra, left center
section, taped by Tim Friend.

Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 >
Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Andrew F. 02/2009

Note: The end of Melody was cut by a tape-flip. ShnID-14931
provided a patch from 14:51 > 15:01. The patch material was EQ’ed
and mixed down to mono to more closely resemble Tim’s recording.

Source 4:

Set II Only

This is a tagged version of shnid: 141085

Sources: Matrix of SBD ID-135199 & AUD ID-14931.

Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F 02/2018

Note: Small gaps in SBD source; LITA 0:00 > 0:14 & TUOY 2:56 > 4:09, those
parts back-filled with ID-97682. Thanks to CBass for assistance with sources!

Source 5:

This is a flac encoded and tagged version of shnid: 76444

Includes

Track 1 ~ Interview with the Jerry Garcia Band on this date, by
interviewer Andy Gefen provided by Andy to me (GoodBear)
late 90s ~ 44:34

The interview is probably (just a guess): PREFM-SBD>?>Gefen
Master?>GoodBear CD

This release is probably (just a guess): 161 AUD – MAC>?DAT?>CD*

Filler: //Bob Weir Band Interview on 3/10/78, done by Andy Gefen
provided by Andy to Teddy “GoodBear” late 90s ~ 7:09

*161 AUD : MAC>DAT
Notes: Best recording available according to http://www.thejerrysite.com
Taper: Tom Dalti
Original Equipment: Sony ECM-99a mics > Technics 646ds
cassette deck. Recorded front row of balcony

Contributors
Marc Schaeffer , Ryan Shriver, Teddy “GoodBear” Selby
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Seeded 6/2006 by Teddy “GoodBear” Selby

Bob Dylan – Kingston, RI (04/08/13)

Bob Dylan
Ryan Center
University of Rhode Island
Kingston, RI
April 08, 2013

Setlist:

01. Things Have Changed
02. Love Sick
03. High Water (For Charley Patton)
04. Soon After Midnight
05. Early Roman Kings
06. Tangled Up in Blue
07. Pay in Blood
08. Visions of Johanna
09. Spirit on the Water
10. Beyond Here Lies Nothin’
11. Blind Willie McTell
12. What Good Am I?
13. Thunder on a Mountain
14. Scarlet Town
15. All Along the Watchtower
Encore:
16. Ballad of a Thin Man

The Band:

Bob Dylan – piano, harp
Tony Garnier – bass
George Recile – drums
Stu Kimball – acoustic rhythm guitar (all songs)
Duke Robillard – electirc lead guitar (all songs)
Donnie Herron – banjo, electric mandolin, pedal steel, lap steel