The Terror: The Devil In Silver: Season 1, Episode 3 – “New York In June”

the devil in silver

Season one of The Terror is one of my favorite seasons of television over the last decade. It is a beautiful piece of historical fiction about a group of 19th-century British sailors trying to find a Northwest Passage and discovering something sinister in the frozen wasteland. I don’t think it was originally intended as an anthology series, but it became one. I have not seen the second season set in a Japanese internment camp during World War II, but they say it is very good.

And now, some seven years later, we are getting Season 3. I didn’t actually know this was part of The Terror until I started watching it. On their main screens, AMC+ just shows it as The Devil in Silver. But the opening credits do say The Terror. I don’t know why. Had I known, I would have watched Season 2 first.

The Devil in Silver follows Pepper (Dan Stevens), a guy who had the great misfortune of getting into a fight with his girlfriend’s ex, with the police nearby who were at the end of their shift. Rather than arrest him and deal with the paperwork, they take him to a mental hospital where he’s put on a 72-hour hold. If he behaves, they say, he’ll be released. As is the way with these things, he gets stuck there indefinitely.

New Hyde Hospital is a rundown, shabby place, and the series hits the state of our mental healthcare with a hammer. Hospitals are underfunded, understaffed, and tend to treat the symptoms with drugs rather than get to the heart of the actual disease. Also, there may be a monster. It might also be a scary patient they keep locked behind a silver door. But probably it is a monster since this series is all about the supernatural.

Our first two episodes introduced the situation and our characters: patients and doctors. It is a great cast, with Aasif Mandvi as the head administrator, CCH Pounder as one of the doctors, Stephen Root as the book club leader, and Judith freaking Light as one of the patients (I haven’t seen her in anything since Who’s the Boss, but one look at her IMDB page shows she’s kept busy – good for her.)

Pepper is angry and belligerent. He’s the McMurphy in One Flew Over the Cuckoo’s Nest in this scenario. Episode Three begins with the aftermath of Episode Two, where he was attacked by the monster. He awakes to find that the doctors are telling the story that he became belligerent and violent, and they had to get rough with him – hence his injuries.

He tries asking the patients who this patient is behind the silver door, but they give conflicting answers when they give answers at all. When he’s told that the patients are going to be taken to a pizza parlor for a treat in a few days, he decides that’s where he’ll make his escape. To keep the patients calm (and zoinked out of their minds), the staff gives everybody some heavy downers. Pepper doesn’t swallow it and tells his roommate his plan. The roommate tells someone else, and before you know it, all the patients are not taking their meds. The pizza party is a disaster with everyone acting, well, crazy, and Pepper ultimately decides he needs to stay to try to help them get real help.

He is once again confronted by the monster, who basically tells him if he doesn’t comply, he’ll kill everybody.

Ok, I’m once again rambling for too long. I really don’t want to do full recaps. I just don’t have the patience for it, but I’m struggling talking about single episodes without giving out quite a bit of information.

I’m struggling with this show. It has a great cast, and the story has potential. Though it does lean a little too heavily into the well-worn tropes of mental institutions. It’s lacking something. Maybe a specificity to the characters. The actors, especially Judith Light, give it their all, but I don’t find myself interested in them. And they’ve brought out the monster too soon. It’s not really that scary but keeps lurking about and doing stuff. I’d prefer a bigger mystery about what it is and what it wants.

The cast is good enough that I’m going to keep watching, but I truly hope it gets better.

Awesome ’80s in April: Monkey Shines (1988)

monkey shines poster

For some reason, I assumed this movie was based on a Stephen King novel. I think that was because the poster features one of those toy monkeys with cymbals in its hands. King wrote a short story featuring the same toy (which I’ve read part of, but didn’t finish because the audiobook had to be returned to the library). It is based upon a book, but not anything by King, but rather a British author named Michael Stewart. The film has nothing to do with a toy monkey either. But its plot does run into Stephen King territory.

At the beginning of the film we know something is going to happen to law student Allan Mann (Jason Beghe) because he is out running on a beautiful morning and all seems to be right with the world (and films don’t begin that way unless something bad is going to happen.) Since it features him running athletically and focuses on his muscular legs, he’s naturally hit by a truck which renders him a paraplegic.

He has a tough go of it in the beginning and tries to kill himself. But fails. His kooky scientist friend, Geoffrey (John Pankow) hooks him up with a helper monkey. Geoffrey doesn’t tell Allan that he’s been secretly injecting the monkey, named Ella, with a human brain cell-laden serum.

At first, things seem great. Ella is super helpful and seems to anticipate Allan’s every need. But because this is a horror movie, one directed by George A. Romero no less, things go sideways quickly. Actually, quickly isn’t the right word here, because the film takes its time to get to the psychotic monkey killing people. But they do eventually get there.

Basically, the monkey forms a psychic connection with Allan and it especially attaches to Allan’s anger, and unlike people who might think they’d like to kill someone in a fit of anger, the monkey translates things literally and does some bad, bad things.

There are a few too many side plots involving, among other things, Geoffrey’s boss (who doesn’t like his experiments, and is played by Stephen Root in his first film role), Allan’s Nurse Ratched-like healthcare worker, and Allan’s wife having an affair with his surgeon (Stanley Tucci in his third film role – the wife is played by Janine Turner). There is also a romance with the monkey’s trainer that includes a very interesting sex scene (one of the few on-screen sex scenes involving a paraplegic.)

Romero handles the material well, but this is definitely one of his lesser films. It isn’t exactly boring, but I was very much ready for the monkey to turn psycho much earlier than it did.