05/03/1977 – Tuesday
New York, NY
101-d1t01 – crowd
102-d1t02 – The Promised Land
103-d1t03 – Bertha
104-d1t04 – Me & My Uncle
105-d1t05 – Peggy-O/
106-d1t06 – Jack Straw
107-d1t07 – Row Jimmy [tape flip patched]
108-d1t08 – Lazy Lightnin’ ->
109-d1t09 – Supplication
110-d1t10 – Deal
111-d1t11 – Good Lovin’
112-d2t01 – Ship of Fools
113-d2t02 – The Music Never Stopped
201-d2t03 – Might As Well
202-d2t04 – Estimated Prophet
203-d2t05 – Sugaree
204-d2t06 – Samson & Delilah
205-d2t07 – Friend of the Devil
206-d3t01 – Eyes Of the World >
207-d3t02 – Space ->
208-d3t03 – Wharf Rat ->
209-d3t04 – Drums >
210-d3t05 – Not Fade Away ->
211-d3t06 – Around & Around [tape flip patched]
212-d3t07 – Uncle John’s Band
This is a tagged version of shnid: 86241
Taped by: B. Glassberg
Transfer by: A. Egert
Mastering by: Derek McCabe
MotB Release: 0042/16-bit
Release Date: July 4, 2007
Source: Audience 1st Row Loge
Media: TDK-SA 90 min.
Lineage: Sony ECM XXX > Sony TCD5 X> MAC Mics spaced 30ft.
Transfer: MAC > Nakamichi DR-1 (deck Guitar Tuned) > Grace Design Lunatec V3 >
s/pdif > Tascam HD-P2 > WAV
This Glassberg source does not circulate… until now.
But the Glassberg master cassettes have speed issues and run slow. The two other
sources for this show do not run at the same speed either. The Glassberg show
runs 2.6% slower than the Moore source [gd77-05-03.moore.minches.17954.sbeok.shnf].
And the first set only soundboard [gd77-05-03.set1-sbd.miller.21646.sbeok.shnf]
runs faster than the Moore source. We chose to use the Moore source for patches
because it sounded the right “A” pitch compared to a guitar tuned, and since
the Moore source was also recorded up in the front row balcony right next to
Glassberg, it was a better patch source in overall sound.
We matched the pitch by adjusting the Nakamichi playback speed – literally opening
up the deck and adjusting the internal playback screws. We initially tried to alter
the speed of the original 24-bit transfer with various software plugins, and found
the digital spped/pitch change was not acceptable. We tried three different “high-end” plugins that will go nameless because they all sounded horrible and added swirling artifacts. By changing the playback speed BEFORE the A/D sounded the best. Yes…
many hours were spent on this comparing. This show deserves it. Enjoy!
1: The very end of Peggy-o is clipped and missing.
2: End of Row Jimmy [10:31 to end] patched with gd77-05-03.moore.minches.17954.sbeok.shnf
3. Tape change during crowd between Estimated and Sugaree was fixed with crossfade
4. Tape change during crowd between Sugaree and Samson was fixed with crossfade
5: Tape change during crowd between FOTD and Eyes was fixed with crossfade
6: 6 secs of Around & Around [3:34 – 3:50] patched with gd77-05-03.moore.minches.17954.sbeok.shnf [which was slightly eq’d to best match Glassberg source, but you can still hear the transition].
Mastering Software Info:
Bias Peak Pro 5.2 / Audiofile Engineering Wave Editor 1.3 / Izotope Ozone 3.0 / xACT 1.59
Audiofile Engineering Sample Manager 3.0.8 for +mbit dithering
Set I Only
SBD -> Cm -> ? -> CD -> EAC -> Samplitude v7.02 Professional -> SHN
Edited And SHN’d By Charlie Miller
All I did was re-track the disc and removed a gap from a
tape flip (crossfade).