Sting – Shows by Date

1979.05.24 – Minneapolis, MN – The Police
1980.08.22 – Beziers, France – The Police
1993.05.14 – Las Vegas, NV
1993.05.15 – Las Vegas, NV
1993.05.16 – Las Vegas, NV
1993.06.26 – Washington, D.C. – w/Jerry Garcia
2007.06.16 – Manchester, MN – The Police
2014.02.09 – Dallas, TX – w/Paul Simon
2014.02.19 – Seattle, WA – w/Paul Simon

10,000 Maniacs – New York, NY (10/23/90)

10,000 Maniacs
Beacon Theatre
New York City, NY
October 23, 1990
(Two Of Us Master Series Volume 222)

Recording: Shure Mic > Sony WM-D6C

Transfer: Master tapes > Nakamichi DR-01 (azimuth adjusted) > USB Sound Devices > Audacity > iZotope RX / ozone 9 (mastered) > xACT 2.50 > FLAC

01 Maddox Table
02 Eat For Two
03 Whatís The Matter Here?
04 City Of Angels
05 A Campfire Song
06 Headstrong
07 Cherry Tree
08 Dust Bowl
09 Everyone A Puzzle Lover
10 Cotton Alley
11 Heís A-1 In The Army (And Heís A-1 In My Heart)
12 Gun Shy
13 Poor De Chirico
14 The Latin One
15 Scorpio Rising
16 Daktari
17 Like The Weather
18 Hey Jack Kerouac
19 Donít Talk
20 Trouble Me
21 Poison In The Well
22 Tension
23 My Mother The War
24 Among The Americans
25 Where My Soul Never Dies
26 Planned Obsolescence
27 Where My Soul Never Dies (Reprise)

Known Faults:
-Maddox Table: joined in progress
-The Latin One: start cut
-My Mother The War: end slightly cut

Between 1983 and 2002 there were not any tapers more active than the “Two Of Us”. For the better part of two decades they taped over 250 artists with an array being taped multiple times.

If you collect Springsteen then you are already familiar with some of their work, “fmcleanboots” has posted a half dozen or so of their “Tunnel Of Love” tour shows but has decided to pass the baton.

What you don’t know is their passion was not just for Springsteen but for music and that passion runs deep. It is astonishing how many artists they taped.

They followed tours taping club shows, theater shows, arena shows, big artists, mid-level artists and local artists.

If they were following a tour and the tour had an off night they’d see who else was playing that night to tape. Always focused on enjoyment of the show as the priority,
tickets were for the most part acquired outside of the venue as they worked to obtain the best possible seats, continually trading up until the correct seats were acquired.

The results of this were the captures are uniformly excellent but on occasion the start of the show was sacrificed as a trade-off for the seats.

The heavy lifting was done by the Sony WM-D6C and an external Shure Mic before moving to DAT for the last couple of years. None of their masters have ever been circulated and
have been safely stored for the past three to four decades in a climate controlled environment. Tapes transferred so far are in pristine condition.

Though we may do some mini releases of a series of shows in order for one portion of a tour for the most part shows will not be released in order, there are just too many of them.

This will be a very exciting series and we hope along the way we upgrade existing circulating audio and offer up shows that do not have any circulating audio, enjoy the ride, this is definitely not a dark ride.

10,000 Maniacs
Beacon Theatre
New York City, NY
October 23, 1990

This is recorder 2 for Natalie and company’s 1990 stop at the Beacon Theatre and our third 10,000 Maniacs show in the series. Another wonder performance from the group, a little bit of the Beacon reverb but highly listenable throughout.

As always thanks to Goody for his continuing support of this and all our other historic releases ensuring we are running in the correct pitch.

A big thanks as always to “Two Of Us”, their dedication to capturing all these legendary performers and shows many heard hear for the first time, the HOURS and HOURS spent waiting in line, traveling, money on tickets as well as trusting me to be the caretaker of their life’s work, our little community is indebted to you both. Also, a big thank you to my friend “fmcleanboots” for putting me in touch and laying the groundwork that has resulted in all these great releases…we’ve barely scratched the surface. The amount of completely uncirculated shows they taped and continue to get into my hands for release is staggering.

And as always thanks to Goody for his continuing support of this and all our other historic releases ensuring we are running in the correct pitch.

Phil Lesh in Oklahoma City, 2001

I graduated from college with a Bachelor of Science in English. The plan was to get a Masters Degree and then a Ph.D. and become a professor of literature at some college. After a single semester of graduate school, I realized I was exhausted, tired of living in libraries, tired of taking tests, writing papers, and the entire educational system. I decided to take a year off and then I could start fresh again.

A quarter of a century later, I still haven’t returned to school.

For a few years after that disastrous semester, I worked a lot of odd jobs and moved to various cities across the country. Whenever I was between jobs I often went home to Oklahoma and worked with my Dad. The summer of 2001 was one such period.

When I heard Phil Lesh was coming to Oklahoma City I immediately bought tickets. The day came and I printed out my driving instructions from MapQuest, making sure to highlight the major turns because it’s a bugger trying to make sense of those things while speeding down the highway.

As far as I could tell the Zoo Amphitheater didn’t have any real parking. Outside the venue was a large grassy area with lots of trees and a few little roadways passing through it. Everyone seemed to be parking there. Rather haphazardly I thought. I found me a space and walked through the lot scene. I didn’t stop for a Kind Veggie Burrito or any tie-dyed shirts. This was a general admission show and I wanted to secure a good spot.

The Amphitheater is a smallish venue. It sits on a small hill with the stage at the bottom. There were no seats but periodically some cut, rectangular stones had been dug into the ground creating a sort of spaced-out step system. I hadn’t brought any chair or a blanket to sit on so I found one of those stones close to the stage and sat myself down.

This was July in Oklahoma and it was hot. Damn hot. I was already covered in sweat. The grass that originally had covered the ground had long since been beaten into submission and murdered by the heat. What was left was a lot of dirt. I was already getting covered in it.

Up front, just to the side of the stage was a sort of camp shower. It was full of Deadheads trying to find some relief from the heat. I gathered with the dirty hippies and got myself good and wet. That cooled me down for a short while and turned the dust that covered my body into mud. Later some kind soul would take a hose and spray the entire crowd down.

I bought myself a way too expensive bottle of water and waited for the show to begin.

I don’t remember much of the show, except that it was a good one. I remember Warren Haynes belting out The Beatles’ “She Said, She Said” and a great rendition of “The Wheel.” I’d only just learned that song but it had quickly become a favorite. Its lyrics remain profound.

I was desperately hoping for a version of “Ripple” or “Box of Rain” for the encore but instead, we got a cover of Dylan’s “Like a Rolling Stone” which wasn’t bad.

What I really remember is just how ferocious the band sounded. I had seen RatDog* a couple of times at this point and they always sounded more intricate, more steadily put together. Phil and Friends were full of sound and fury. They were loud. They jammed on every song. It was great.

The sun eventually went down and cooled things off. The show ended late. Oklahoma City is a couple of hours from where my parents were living and I got home very late. I got home sunburned, exhausted, and utterly filthy, but with the biggest smile on my face.

That’s was Phil Lesh brought to the world. He let people dance and shake their bones. He gave joy to thousands of people all over the world.

What a long, long time to be gone. And a short time to be there.

*Listening to a recording of the Phil and Friends show earlier today I thought I heard Bob Weir sing on the first couple of songs but I just *knew* that couldn’t be true. Someone commented on the show on Archive.org about Bob making a guest appearance and I was ready to argue with him.

“I was there”, I was going to write, and “Bob wasn’t there.” “I don’t care if it sounds like him, I was there, damn it and I’m telling you Bob Weir didn’t make an appearance.” I was working on retorts like “Why would Bob Weir comes to freaking Oklahoma and only play on a couple of songs.” Then I looked it up. Bob was there. RatDog opened the show. I have no memory of that whatsoever.

Rest In Peace Kris Kristofferson (1936-2024)

I remember the first time I heard “Sunday Morning Coming Down.” I was just a teenager riding with my Dad somewhere. He had just bought a CD of Kristofferson’s Greatest Hits or something and this was the first song that came on.

I was immediately knocked out. I’m sure I’d heard Janis sing “Me and Bobby McGee” at that point and probably Willie cover “Help Me Make It Through the Night” so I knew of his songwriting and how great he was, but hearing “Sunday Morning” was like nothing else.

He died in his home in Hawaii yesterday. Rest in Peace, Mr. Kristofferson. You will be missed.

Wilco Announce Winterlude Tour Dates

To beat the winter blues Wilco is doing a small residency tour to a few cities. Luckily they are coming to mine and I will definitely be buying tickets. I’ve seen them half a dozen times and they never disappoint.

Presales started yesterday and you can find out more on their website.

Thur. December 5 – Austin, TX @ The Moody Theater
Fri. December 6 – Austin, TX @ The Moody Theater
Sat. December 7 – Austin, TX @ The Moody Theater
Tue. December 10 – Tulsa, OK @ Cain’s Ballroom
Wed. December 11 – Tulsa, OK @ Cain’s BallroomFri.
December 13 – St. Paul, MN @ Palace Theatre
Sat. December 14 – St. Paul, MN @ Palace Theatre
Sun. December 15 – St. Paul, MN @ Palace Theatre

10,000 Maniacs – Shows by Date

1984.xx.xx – Atlanta, GA
1984.09.07 – London, England
1985.05.16 – Amsterdam, The Netherlands
1986.03.xx – Lost Songs – March 1986 Demos
1986.03.08 – Rochester, NY
1986.03.28 – Daytona Beach, FL
1986.04.14 – San Francisco, CA
1986.04.19 – Portland, OR
1986.06.03 – Jamestown, NY
1986.07.08 – Hoboken, NJ
1986.10.11 – New York, NY
1987.xx.xx – In My Tribe Demos
1987.09.01 – London, England
1987.09.15 – Milan, Italy
1987.11.09 – Leicester, England
1987.11.11 – Portsmouth, England
1987.12.17 – Philadelphia, PA
1988.02.23 – San Francisco, CA
1988.03.25 – London, England
1988.04.14 – Chicago, IL
1988.04.19 – Minneapolis, MN
1988.07.01 – London, England
1988.07.22 – New York, NY
1988.07.31 – London, England
1989.03.13 – Geneseo, NY
1989.03.19 – Geneseo, NY
1989.05.19 – Richard Skinner Sessions
1989.07.04 – Buffalo, NY
1990.10.23 – New York, NY
1990.11.02 – Ann Arbor, MI
1992.03.30 – Our Time In Eden Rehearsals
1992.11.10 – Miami, FL
1993.06.03 – Los Angeles, CA
1999.03.28 – Anchorage, AK – Natalie Merchant
2010-2014 – Natalie Merchant Live at the BBC
2010.05.10 – Brussels, Belgium
2010.05.14 – Hamburg, Germany
2016.03.18 – San Francisco, CA – Natalie Merchant