Life in France, And Other Things

I started this blog on May 29, 2004. That’s almost 19 years ago. When I started it I had no idea what I was going to do with it. I certainly would have never guessed I’d still be blogging all these years later.

My wife and I moved to Strasbourg, France in September of 2004 and stayed until June of 2005. This blog was started as a way of journaling my experiences there. I knew I’d want to keep a record of our adventures and blogs were just really becoming a thing back then so it seemed like the perfect way to take notes. I wasn’t even sure if I’d make the blog public, or rather, if I would send anybody the links to what I was writing.

Eventually, I did, then I got to where I wanted more and more people to visit. At first, all I did was journal our time in France. In time I started writing reviews. Then it became a full-fledged pop culture site. Soon enough I was talking bout bootlegs, then sharing them, and then they overtook the site altogether. And here we are.

As most of you know a few years ago I started getting nasty letters from lawyers claiming violations of one thing or another. That got me scared and I turned the blog private. Actually, I made every single post on the site private and then I turned the entire site private. Eventually, I started inviting people to my private site, but even then most of the old posts were hidden from everybody but me.

For a long while the only posts I allowed anyone to see were bootleg related. Now the site is public again but those old private posts have remained hidden. I’ve slowly been making them visible again, but I’ve been very selective about it. That is about to change. I’m ready to start working my way through the site, from the oldest posts to the newest and making everything public.

I’m going to be slow about it. I want to read each post, make some light edits, and then make them public. Before I do that thought I want to explain France a little bit.

Back in 2004, my wife was a graduate student at Indiana University in Bloomington. She was studying French Linguistics. I was a working schlub. Her department had an exchange program with a university in Strasbourg. Basically, Indiana students would go to France and teach English and some French student would come to Indiana and teach French. She signed up and we lived in Strasbourg for roughly ten months.

It was an amazing time. It was a long time ago. I read some of those old posts and I hardly recognize myself. I spread a little caution here to note that as you read those posts, recognize some of them are almost two decades old. The man that I was is not the man that I am. I’ve changed. I’ve grown. My beliefs have changed and grown too. Also recognize that in the beginning, I was writing to a small audience. Mostly my family, my wife’s family, and a few close friends. I had no idea I’d eventually open this up to the world or that music nerds would be reading my thoughts many years later.

I grew up in the Church of Christ. That’s a very conservative, evangelical-esque Christian church. I was still very much a member when we lived in France (like I said I was a different man back then). Before we left we made contact with a Church of Christ missionary from Belgium who was working in Strasbourg. He and his amazing wife picked us up from the airport and allowed us to stay with them for a couple of weeks while we got ourselves sorted. We attended his church the entire time we lived in France.

I say church but really we gathered in his house and some of the other member’s apartments. The Church of Christ is not very big in France. France has an odd relationship with any church that isn’t Catholic. While we were there a group of college kids from America, who were part of a missionary in-training program called Adventures in Missions, also attended the little church. They were young, nice, and very naive. My wife and I became friends with them.

I mention all of this because as I’m making all of my journal entries from France you will hear me talk about church and those AIM students quite a lot. I don’t talk about politics or religion much on my blog anymore (intentionally so as I want the blog to be about music and movies and art – things that gather us together not divide) so I expect it may be a little jolting to hear me talk about it so often in those old posts.

Like I keep saying I was a different man back then, but that is who I was, for better and for worse. I’m making it sound like I’m writing sermons in those old blogs and that isn’t the case at all. Mostly it is my experiences in a foreign land. We also often hung out with my wife’s British coworkers and drank ourselves silly. You won’t read so much about that as, well my mother was reading and she would have had a fit.

My plan is to make several of these old posts public every day. Some days there will be more than others. So prepare yourself for random e-mails from my blog. Also please notice the dates these posts were originally published. It may be rather confusing to get an e-mail about me adventuring in Europe when in reality I am stuck here in dreary Oklahoma.

I do hope you enjoy ready about my life all those years ago. My apologies if you do not.

The Babysitter (2017)

the babysitter movie poster

Netflix has been recommending The Babysitter to me since it came out in 2017. The plot sounded fun, and I’ve almost pressed play a few times. But it stars Bella Thorne who is like the new Paris Hilton – famous for being famous, and attractive and exploiting that attractiveness into social media points (and money, presumably). I have zero interest in watching anything with her in it.

In the years since I’ve very much become a fan of Samara Weaving. She’s terrific in films like Mayhem and Ready or Not, she was the best part of the recent Scream film. So when I realized she was the actual star of The Babysitter I decided to give it a spin. The film is pretty good, actually, and Samara is terrific.

The plot is full of clever callbacks and the dialogue is often very funny. The story involves a shy, nerdy 12-year-old (Judah Lewis) who is sort of embarrassed to be the oldest kid on the block who still has a babysitter but less embarrassed that the babysitter looks like Samara Weaving and is super cool and actually seems interested in spending time with him. He’s then full-on mortified when he learns she’s the head of a satanic cult and needs his blood for a sacrificial ritual.

From there, it becomes a Home Alone-type situation with the boy trying to keep the babysitter and her friends from killing him. Well, Home Alone where the violence is a lot more visceral and less cartoony. It is mostly quite a fun thrill ride. Even Bella Thorne is enjoyable. She plays a vacuous, superficial, dumb-dumb who is more concerned with her beauty than anything else (when she gets shot in the chest she is more worried that it will ruin her boobs than whether she’ll live or die). You could argue it isn’t much of a stretch for the actress.

The problem lies in the direction. McG started life as a music producer and video director and it shows. So much of The Babysitter feels like it belongs on MTV. It is filled with fast cuts, big needle drops, and neon-bright directorial swings. He draws clear influence from folks like Quentin Tarantino and Edgar Wright but has none of their panache or understanding of how to use stylistic flourishes to support the story. Instead, it feels like he’s just beating us on the head with them.

Had the script been given maybe one or two more go-overs and it had been helmed by a real director The Babysitter could have been a true cult classic. As it is, I’m once again swooned by Samara Weaving, and entertained by the story, but I leave it wishing there was more to it.

The Friday Night Horror Movie: Psycho III (1986)

psycho iii poster

In 1987 there was a made-for-TV movie called Bates Motel (it has nothing to do with the more recent TV series of the same name except for the location and existence inside the Psycho Cinematic Universe). I was 11 when it came out, which seems young to be watching a Psycho movie, but it aired on NBC so it must have been deemed safe to watch by my parents.

I don’t remember anything about it except that I loved it, and that it briefly made me obsessed with all things Psycho. I’d never seen the original Hitchcock film or any of its sequels, but I certainly knew about them as they were part of the cultural zeitgeist. Sometime later Psycho III came on some basic cable channel late on a Friday or Saturday night. I don’t think I started it from the beginning but found it while flipping channels and stayed.

I don’t remember anything about it either, and in fact, didn’t realize it was Psycho III until tonight while watching it. What I do remember is a scene in which a pretty young thing does a sexy dance in a motel room while a young Jeff Fahey watches on. He’s naked while sitting in a chair holding a lamp in each hand, wielding one like a sword, or rather like a giant, misshapen cock.

It was about that time when my mother, who must have been watching the film in her bedroom, called out that I should turn the channel. I guess I wasn’t deemed old enough to be watching that one.

I’m not entirely sure why I decided to watch Psycho III tonight, all these years later except that I recently was surprised by how good Psycho II is, and thought maybe this one might surprise me as well.

It isn’t exactly bad, but it is exactly what one might expect from the third sequel in a 1980s horror franchise. It is darker and sleazier than the previous films but unlike Psycho II it has no interest in really empathizing with Norman Bates (though Anthony Perkins’ performance is still quite sympathetic).

The plot picks up soon after the events of the last film. Norman is still running the Bates Motel, and the corpse of Emma Spool has been preserved and speaks to Norman as his mother. Fahey plays a skeezy drifter who takes a job at the hotel.

The film opens with a woman screaming “There is No God” and then it fades in to Maureen (Diana Scarwid), a nun shouting that line again” while staring up at an icon of the Virgin Mary. She then tries to kill herself by throwing herself off the top of a bell tower, in a scene that resembles a similar moment in Vertigo.

The film was directed by Anthony Perkins and he fills the screen with references to the original film and other Hitchcock movies.

Maureen is kicked out of the convent and finds herself staying at the Bates Motel. She and Norman hit it off while Fahey generally acts like a dick. There’s also a journalist who thinks Norman may still be killing people, or at least probably killed Emma Spool.

Meanwhile, Norman is still killing people. Mostly pretty girls who turn him on. Mother doesn’t like that, you know?

There is no depth to the film, it doesn’t attempt to make Norman’s killings a mystery. It is very much a 1980s horror film with some pretty good kills, some really great lighting, and quite a bit of sex and nudity. As such it is pretty good. As the second sequel to one of the all-time great horror films (and the regular sequel to a pretty darn good horror film in its own right), it is disappointing.

I can’t decide if I want to watch Psycho IV: The Beginning (1990), but I definitely want to track down Bates Hotel now.

Links of the Day: May 16, 2023 – Sammy Hagar, Dead & Co., Bob Dylan, Gordon Lightfoot…

The 46 Most Anticipated Albums of Summer 2023: Pitchfork

Watch Sammy Hagar + Bobby Weir & Wolf Bros Ring ‘In The Midnight Hour’ At Acoustic-4-A-Cure Benefit: Jambase

Dead & Company’s 2023 Farewell Tour: Everything you need to know: Sportskeeda

Dave McMurray’s “Grateful Deadication” at the Magic Bag, 5 things to know: Press and Guide

New book on Bob Dylan will feature hundreds of rare images: Japan Today

Gordon Lightfoot’s Final Album Announced: Pitchfork

Martin Scorsese: “I’m Old. I Want to Tell Stories, and There’s No More Time”: Vanity Fair

Live Review: Glenn Kotche at Senior Hall • Homewood: Illinois Entertainer

Links of the Day: May 15, 2023 – Bob Dylan, Dead & Co., Rodney Crowell & Lucinda Williams

Why fans of Bob Dylan, Leon Russell and Woody Guthrie are flocking to Tulsa: StarTribune

Dead and Company delivers rain or shine at Jazz Fest: Nola.com

Rodney Crowell’s “The Chicago Sessions” – Produced By Jeff Tweedy – Out Now Via New West Records: Grateful Web

Listen to Tom Russell, Calexico, and Lucinda Williams perform Dylan’s “A Hard Rain’s A-Gonna Fall”: Boing Boing

Cannes: Why Martin Scorsese and Backers Declined a Spot in Competition for ‘Killers of the Flower Moon’: Variety

Lucinda Williams is not going down without a fight: Entertainment Weekly

Freddy Or Not

Speaking of Freddy Koella playing with Dylan, someone over at Expecting Rain recently posted this incredible 9-volume compilation of their time playing together. You can grab it here.

I’m downloading it now and will upload and post it here sometime in the near(ish) future so if you don’t have an Expecting Rain account (and I do highly recommend one) then you can grab it from me.

New Pickups

pictures of dvds and book

We spent most of last week just sitting around with family celebrating the life and mourning the death of my brother-in-law Paul. It was a long, difficult week. But we did have a little fun as well. The funeral was on Thursday so on Friday we went bowling and then played Dominoes.

At some point, my wife and I went to McKays, a wonderful little used book/music/movie store and I bought a few things. Honestly, I was pretty much dazed at that point so I didn’t really know what I was looking for so I just grabbed a few things that looked fun.

I am a big fan of boxed sets where you get several movies from an actor, or director, or maybe that cover a theme. These usually don’t include the big named films but will give you some lesser-known films for a cheap price.

The Tough Guys set has three films each from Kirk Douglas, James Cagney, and John Wayne. I’ve not heard of most of them (except The Strange Love of Martha Ivers which I think I already own and is excellent) but I’m looking forward to watching some lesser movies from three actors I really enjoy.

I love me some Katharine Hepburn and Spencer Tracey. The disks in this collection come in those cheap snap cases, but I’m hoping the movies are good.

For reasons that are beyond me (besides racism) the 1930s found a lot of white actors playing Asian detectives. A number of actors (most famously Warner Oakland) played Charlie Chan in a series of films, Boris Karloff played Mr. Wong and Peter Lorre starred as Mr. Motto.

I’ve seen several of the Chan and Wong films and quite liked them so I’m interested to see what Lorre does as Motto. It is pretty gross watching these very non-Asian actors play Asian characters (often stereotypically so) but I have definitely learned to overlook any number of varying degrees of offensiveness in older films. You really can’t judge films made nearly 90 years ago by 2020 standards. Here’s hoping the actual mysteries are enjoyable.

Lastly, I grabbed another Maigret book. I always look for that series whenever I go to a book store.

What have you all picked up recently?

Rest in Peace Paul

gravesidte

When you get married you not only gain a spouse, you gain an entire family. I’ve been incredibly lucky because my wife’s family are all wonderful people. Her folks are still alive; she has two brothers, Paul and Matthew, and they both have wives and children.

We are scattered across the country so we don’t get to see them as much as we like, but we usually get together a couple of times a year – for a week in the summer and a week sometime around Christmas. The thing is when you do this for twenty-plus years you really get to know each other, despite not spending a lot of time together on a day-to-day or even year-to-year basis.

Matthew and I hit it off immediately. Not only do we share a name, but we have similar outlooks in life, enjoy some of the same pop culture, and just generally clicked. Paul was more straight-laced. He was an elder at his church and lead singing every Sunday. We didn’t have as much in common, but we both had a deep love of silliness and games.

Whenever we all get together we sit around the kitchen table playing games. There is a nightly, all-family, game of Road to Mexico Dominos, but in the afternoon a few of us will pull at some board game or another and play. At first, we played the simple classics: Clue, Skip-bo, Sequence, etc. But then we discovered more interesting and challenging games.

I can’t remember who was the first person to bring over Settlers of Catan, but after that we knew those old games just wouldn’t work. We loved that game and it opened up to us an entire world of gaming. It seems like every time we got together we’d start off asking each other if we’d gotten a new game.

Dominion, Ticket to Ride, and Pandemic were a few of our favorites.

Almost always, someone would have a new game to share. Often it came essentially unopened. We’d spend a few minutes reading over the rules and regulations before deciding to just dive in and play. Some games were fairly easy. Others were quite difficult. We’d play a round or two and think we had it figured out, only to play again the next day and realize we had gotten it all wrong. Further reading of the rules indicated we were playing incorrectly. Over the course of the week, we might finally get it right.

Some games were keepers, and we’d bring them back every year. Other games were less interesting and they might just stay home the next time. None of it mattered, we just enjoyed playing.

When I think of Paul, that’s what I think of – sitting around a table playing games. Having so much fun. And laughing.

Paul lost his battle with cancer a week ago Saturday. He was a good man. A loving father, and a kind husband. He was my friend. My brother.

He didn’t deserve this. I miss him already.

Links of the Day: May 4, 2023: Martin Scorsese, Grateful Dead, and Neil Young

Martin Scorsese Found “the Key” to ‘Killers of the Flower Moon’ By Immersing Himself in the World: Collider

Dave McMurray to Release Grateful Dead Tribute Album Featuring Don Was and Oteil Burbridge: Bass Magazine

Martin Scorsese, David Johansen Talk Making ‘Personality Crisis: One Night Only’ Documentary During Pandemic: Variety

The Grateful Dead to share previously unreleased 1973 concerts in new boxset: NME

Neil Young Pays Tribute to Gordon Lightfoot: ‘His Melodies and Words Were An Inspiration to All Writers’: Billboard