Tag: 2001

B.B. King – San Luis Obispo, CA (03/05/01)

B.B. King
3/5/01
Christopher Cohan Center
Cal Poly University
San Luis Obispo, CA

5th Row Center:
Neumann AK-40’s (x/y) >LC3 >KM-100’s >Beyer MV-100 >Sony SBM-1 >Sony TCD-D7
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.35

FLAC >WAV >Audacity (De-Amplify Close-Proximity Hand Claps Track By Track) >FLAC + Tags Via xACT 2.53 [August 2024 Remaster]

Recorded, Transferred, Audacity, FLAC, Tags, & Front Cover Artwork Photo + Layout By OldNeumanntapr

Disc I:

  1. Blues Band #1
  2. Blues Band #2
  3. B.B. King Introduction Jam
  4. Let The Good Times Roll
  5. I’ll Survive
  6. Bad Case Of Love
  7. Piece Of Mind
  8. Caledonia

Disc II:

  1. All Over Again (Instrumental)
  2. Early In The Morning
  3. Just Like A Woman
  4. You Are My Sunshine
  5. How Blue Can You Get
  6. Three O’Clock Blues
  7. Key To The Highway
  8. Thrill Is Gone
  9. I Know
  10. You’ve Got To Love Somebody
  11. Guess Who
  12. Making Love Is Good For You >
  • Band Introductions
  1. Fanfare Outro

OldNeumanntapr Notes:
As I write these notes, early in the morning of May 15, 2015, I’m remembering my one and only time recording the ‘King Of The Blues’, after now just reading of his passing. I’m glad I was able to record this show, at the Christopher Cohan Performing Arts Center at Cal Poly. This was a difficult show because I attempted to both record and photograph from the 5th row. (You can hear the shutter of my Nikon FM on the recording.) This was the last time I attempted to do both at the same show, as it was just too difficult. Enjoy!

[August 2024. I just finished going through this show track by track and lowering the levels of the obnoxious close-proximity hand claps in Audacity. I think it makes for a much better listening experience, especially with headphones. There are some that I might of missed, and I didn’t even try to remove the noise of the shutter clicking from my Nikon FM, (Oh the joys of recording and doing photos at the same time!), but as I used to say in college; ‘It was Late, and I was TIRED!’]

Photos:
Nikkor 85 f/1.4 w/Black Body Nikon FM. 1/125th @ f/2 (Fuji 1,600 Print Film)
Shot From 5th Row Center.

He was quite the show man. RIP B.B.!

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Richard Thompson – New Orleans, LA (04/27/01)

Richard Thompson
New Orleans Jazz Festival
Fair Grounds Race Course
New Orleans, Louisiana
April 27, 2001

Source : Core Sound Binaurals (flat) > Denon DTR-80P DAT > Sony 59ES into a PowerMac G5 via optical
(Recorded & Transferred by keytohwy)

Editing : Sound Forge (tracking, volume) > Wave > TLH (sbe aligned) Flac 8

Traders Den – October 15, 2024
tracked & posted by kingrue upload #4171

Here we have a new Richard Thompson recording being shared on torrent for the first time.

Over on etreedb.org there is an another audience source recorded with AKG mics in trading circles.
Which I havenít heard, nor do I know if itís been on torrent anywhere.
I would consider this new torrent Source 2.
Thanks to keytokwy for recording and sharing.

Total Time = 50:45

Set list
01 Crawl Back (Under My Stone)
02 When the Spell Is Broken
03 1952 Vincent Black Lightning
04 Dry My Tears And Move On
05 My Daddy Is A Mummy
06 I Misunderstood
07 I Feel So Good
08 Persuasion
09 Turning of the Tide
10 The Ghost of You Walks
11 Cooksferry Queen
12 Word Unspoken, Sight Unseen

RatDog & Phil Lesh & Friends – Oklahoma City, OK (07/09/01)

Ratdog
Phil Lesh & Friends
July 9, 2001
Zoo Amphitheatre
Oklahoma City, OK

Ragdog Set

1 Blackbird @
2 FOTD @*
3 Masterpiece @* (band joins)
4 UJB ->
5 Playin ->
6 Oct. Queen ->
7 Deep End ->
8 Even So ->
9 Estimated ->
10 Other One Jam #->
11 Bass/Drums

DISC TWO
1 Ashes & Glass ->
2 Terrapin ->
3 Playin’ reprise ->
4 UJB

@ – acoustic Bob & Rob
@* – Bob, Rob and Mark
“Wheel”, “Playin” and “Supplication” teases during “Other One Jam” (Bad as F**K!!)

Phil Lesh Set

Set 1
Disc 1

  1. Crowd/tuning
  2. The Music Never Stopped >
  3. Cassidy
  4. Bomb Bay Doors Fixed
  5. Celebration >
  6. Crazy Fingers
  7. Just A Little Light

Disc 2

Set 2

  1. Crowd/tuning
  2. Jam >
  3. Wharf Rat >
  4. She Said, She Said >
  5. Cryptical Envelopment
  6. Stella Blue >
  7. Other One >

Disk 3

  1. The Wheel
  2. Rap/Intros
  3. Like A Rolling Stone

RatDog – Santa Cruz, CA (06/03/01)

Ratdog
June 3 2001
Palookaville
Santa Cruz, CA

Source: (FOB) Neumann KM 140s (ORTF) >Beyer MV-100 >Tascam DA-P1
Lineage: DAT-M > Sony TCD-D7 >HHb CDR 800
Recorded, Transferred, FLAC Tags, (xACT 2.53) & Front Cover Artwork / Photograph: OldNeumanntapr
Extraction (CDR >EAC >WAV >FLAC): Brad Foster

Disc 1:
Set One

  1. Jam >
  2. Shakedown Street >
  3. New Minglewood Blues
  4. Loser
  5. K.C. Moan *#
  6. El Paso *#
  7. Black Throated Wind #
  8. Odessa
  9. Eyes Of The World

Disc 2:
Set Two

  1. Estimated Prophet >
  2. The Other One >
  3. Samson And Delilah >
  4. Bass/Drums Jam >

Disc 3:
Set Two cont/Encore

  1. Jam > Terrapin Station >
  2. Two Djinn >
  3. Corrina

Encore:

  1. Uncle John’s Band

Notes:

  • – Bob, Rob & Mark
  • Bob acoustic

— Cryptical tease out of The Other One
— Jay continued drumming between Corrina & UJB

OldNeumanntapr Notes;
This was one of only two shows that I recorded at Palookaville in Santa Cruz, now long since gone. Palookaville was a shoebox-type club with a low ceiling and the stage at one of the narrow ends and a bar at the other. The other show I recorded there was Medeski, Martin, & Wood in 1999. Palookaville had poor ventilation and could get really hot and stuffy inside, as I remember this show to be. My friend Taper Ron nearly passed out because of the heat and the crowded bodies. Palookaville lasted from 1994 to 2002. At the beginning of ‘Eyes Of The World’, a girl cries out to please open the door because it was so hot and stuffy inside. It really was like a sauna.

I recorded the show up front on the left with my Neumann rig and also shot photos with a Nikon F4S and 85mm f/1.4 AIS Nikkor manual focus lens, on Fuji 1600 print film. This was the second time that I have seen Bob Weir solo, the first was when he and Rob Wasserman opened for the Jefferson Airplane in Golden Gate Park on Sept 30 1989.

I saw Charlie Miller again at this show, the one who does the remasters of Dead soundboards and led to people coining the phrase ‘Miller Boards’. Charlie was the only one who the band would allow to plug into the soundboard. The rest of us had to tape in the audience, but at least I got a good place upfront, about 20 ft. from stage on the left side.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Bela Fleck – San Luis Obispo, CA (04/10/01)

Bela Fleck & The Flecktones
4/10/01
Cuesta College Auditorium
San Luis Obispo, CA

Neumann AK-40’s (x/y) >LC3 >KM-100’s >Beyer MV-100 >SBM-1 >Sony TCD-D7,
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.35

(Recorded, Transferred, FLAC’d, Tagged (Via xACT 2.53) & Front-Cover Artwork By OldNeumanntapr)

Set I
Disc I:

  1. Imagine This
  2. Scratch And Sniff
  3. New Waltz
  4. Bil Mon
  5. Victor Wooten Solo
  6. Throwdown At The Hoedown

Set II

  1. Futureman Solo

Disc II:

  1. Sherpa
  2. Puffy (Is Free)
  3. Two Horny Blues
  4. A Moment So Close
  5. Béla Fleck Solo (Costa Brava, Classical)
  6. Bela Solo (Linus & Lucy, More Classical)

Encore:

  1. Throwdown At The Hoedown (Reprise)

OldNeumanntapr:
This was another Bela Fleck show at the old Cuesta College Auditorium, which was located on the old campus behind the creek and once a part of the National Guard army base. The theater was built back during World War II and had amazing acoustics and a lot of charm but was a real eyesore and was eventually deemed to be not worthy for earthquake retrofitting and was abandoned in the late 2000s. Again, because of the cramped spaces in the aisles, the theater would not allow microphone stands so I had to hand-hold the Neumanns on a T-Bar. After the show I got my ticket stub signed by Bela.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Allman Brothers Band – Morrison, CO (08/12/01)

Allman Brothers Band
Red Rocks Amphitheatre
Morrison, CO
August 12, 2001

** 16 BIT **

Source: Neumann KM-140’s (ORTF) > Lunatec V2 > Tascam DA-P1 > DAT(m)
Transfer: DAT(m) > Sony PCM-R500 > S/PDIF > Tascam HD-P2 > CDWave > FLAC (16/44.1)
Mastering: .WAV > Sound Forge Pro 10.0a (boost mids and highs, minor edits, normalize, & add fades) > CDWav (tracking) > Trader’s Little Helper (level 5) > FLAC
Location: Row 10, ROC
Recorded by: Jeff Bowen, aka OldNeumanntapr, and Jack Hunt
Transfered by: Terry Watts
Mastered by: Dennis Orr
Tagging, Via xACT 2.53, And Front-Cover Artwork By OldNeumanntapr

Setlist:

  1. Tuning/Crowd/Intro
  2. Revival
  3. Statesboro Blues
  4. Ain’t Wastin’ Time No More
  5. The Same Thing
  6. Stormy Monday
  7. Who To Believe
  8. Dreams
  9. Rocking Horse
  10. Trouble No More
  11. Desdemona
  12. All Night Train
  13. I’ve Been Lovin’ You Too Long
  14. Midnight Rider
  15. Soulshine
  16. Jessica
  17. Encore Break

Encore:

  1. Mountain Jam

Gregg Allman – vocals & keyboards
Warren Haynes – vocals & guitars
Derek Trucks – guitars
Oteil Burbridge – bass
Butch Trucks – drums
Jaimoe – drums
Marc Quinones – percussion

OldNeumanntapr Notes-
This is one of two shows that I have recorded out of my home state of California, the other being Blue Oyster Cult in Utah on this very same trip. I flew to Salt Lake City and met up with my friend Jack, and we recorded Blue Oyster Cult at the Weber County Fair in Ogden, UT, before driving out to record the Allman Brothers Band in CO. I’d always wanted to see Red Rocks Amphitheatre after hearing stories about it for so many years. It’s a really cool place. We got there in the early afternoon after staying in a motel for the night in Wyoming en route from Utah. Red Rocks is a ‘park’ during the daylight hours so we were able to walk through it at see the complete amphitheatre. I had heard that from the upper part of the amphitheatre you can see lightning storms out over the valley below. Thanks to Kirk West, Jack was able to score a pair of backstage passes from the band that we used after the show. We both met Warren Haynes backstage after the show, which is actually ‘under’ the stage rather than behind, because of the natural rock formations that surround the amphitheatre. In addition to my taping gear, which the band had no problem with, I also brought in my old black-body Nikon FM. I had to hide the FM in the taping bag because the band would not allow cameras. So, I had Jack shoot photos during the show and I ran the recording gear, and I told him that if they threw him out for taking pictures at least I would be there to run the audio gear! However, when the time came for photos with Warren backstage after the show, the shot that I took of Jack and Warren was clear but the one that Jack took of Warren and me was blurry. I attribute that to the fact that Jack made several beer runs (for himself) during the show. (He claimed that he wasn’t good with available-light manual focus without a flash. The depth of field at f/2.0 is very shallow.) Likely excuse; He was drunk. Susan Tedeschi opened for the Allman Brothers, and we recorded both sets. We were lucky to claim a tenth row right-of-center position to record from. The sound was really good and I was fortunate to be able to use my friend Allen Chen’s Lunatec V2 microphone preamp. This was the first time that I saw the Allman Brothers do ’Mountain Jam’. We had a minor shock when we got back to the parking lots and found the rental car gone, but soon realized that it had been towed a short distance away and re-parked on the other side of a big rock outcropping. Not sure why. It took another day and a half to get back to Salt Lake City, after overnighting at the same motel in Wyoming. I stayed at Jack’s house just north of Salt Lake City for a week so I could ‘mine’ his DAT collection, and then I flew home. The flight from Phoenix to San Luis Obispo was almost a disaster because thick fog almost kept us from landing at the SLO airport. We made one or two attempts before the stewardess got on the radio and said that because of the fog there was a possibility that we would have to divert to Fresno. My girlfriend was waiting at the airport for me and I was not happy about the prospect of spending the night in Fresno. Fortunately, the third time was the charm and the pilot, whose name was ‘Captain Kirk’, brought us through the fog and we landed safely. Not quite a month later to the day the country would grieve over 9-11.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Blue Oyster Cult – Ogden, UT (08/09/01)

Blue Öyster Cult
08/09/01
Golden Spike Room
Weber County Fair
Ogden, UT

8th Row, Right; Neumann AK-40s (x/y) >LC3 >KM-100s >Beyer MV-100 >SBM-1 >Sony TCD-D7 DAT Master

Master DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o.
CDR >FLAC (Level 8) + Tags Via xACT 2.47

(Left Channel Preamp Battery Began To Fail Near End Of Show) Last Twentynine Minutes Of Show [Complete Disc 2] Had to Be Bridged From Right Channel When Transferred To CDR.)

[2024] FLAC >WAV >Audacity (Combine Last Three Songs That Had Been Converted To Mono To A One-Track File, Add .30 Milliseconds Of Silence To Copied Left Channel To Mimic A Stereo Effect, Re-Track) FLAC (Level 8) + Tags Via xACT 2.53

Recorded, Transferred, Audacity, FLAC, Tag, And Front Cover Artwork By OldNeumanntapr

Disc I:

  1. Stairway To The Stars
  2. Teen Arche
  3. E.T.I. (Extra Terrestrial Intelligence)
  4. Dance On Stilts
  5. The Vigil
  6. Harvester Of Eyes
  7. Burnin’ For You
  8. Cities On Flame With Rock And Roll
  9. Pocket
  10. Take Me Away
  11. Then Came The Last Days Of May

Disc II:

  1. Godzilla >Drums >Godzilla
  2. Don’t Fear The Reaper

Encore:

  1. Dominance And Submission

OldNeumanntapr Notes- (2001)
This was my first show I recorded out of my home state of California. In 2001 I flew to Salt Lake City and my buddy Jack and I drove to Red Rocks to record the Allman Brothers Band. Before we left on that journey we recorded BOC in Ogden, UT. I foolishly waited to buy nine volt batteries for the preamp until right before the show and we ended up stopping at a Texaco station in Ogden. NEVER BUY batteries at a gas station!! I didn’t notice until we got to the show, but the cardboard / plastic container had been opened and one of the batteries was used. So, one channel of the preamp failed toward the end of the show so I had to ‘Y’ the good channel to mono for the last 29 minutes. No other post production has been done to this recording. There is some crowd noise but the music is clear. This was the first time that I had seen Blue Oyster Cult. I listened to them a lot in high school and always liked their music.

OldNeumanntapr Notes (2024)
I added .30 milliseconds of silence to the start of disc two in Audacity to mimic a stereo effect and minimize the ‘flat’ sounding monaural tracks.

Steve Earle – Chicago, IL (02/23/01)

Steve Earle & the Dukes
Riviera Theater, Chicago, IL
2001-02-23

01 Intro / Transcendental Blues
02 Another Town
03 Hard-Core Troubadour
04 Someday
05 Telephone Road
06 More Than I Can Do
07 Wherever I Go
08 Fearless Heart
09 I Ain’t Ever Satisfied
10 The Galway Girl / Copperhead Road
11 The Unrepentant
12 This Highway’s Mine
13 Time Has Come Today
14 Poor Boy
15 Guitar Town

Lineage: fm (Onkyo TX8511)>SoundBlaster (Live! 24 bit External)>wav(CD Wave Editor @ 16bit)>flac

Mark Knopfler – Los Angeles, CA (05/20/01)

Mark Knopfler
Greek Theatre
Los Angeles, CA
May 20, 2001

Setlist:

  1. Calling Elvis
  2. Walk Of Life
  3. Chat
  4. Rudiger
  5. What It Is
  6. Romeo And Juliet
  7. Sultans Of Swing
  8. Chat & Band Intros
  9. Done With Bonaparte
  10. Jackson Browne Intro
  11. Sailing To Philadelphia (1)
  12. Junkie Doll
  13. Speedway At Nazareth
  14. Bonnie Raitt Intro
  15. Prairie Wedding (2)
  16. Pyroman (2)
  17. Telegraph Road
  18. Encore Break #1
  • Encore #1 –
  1. Brothers In Arms
  2. Money For Nothing
  3. Encore Break #2
  • Encore #2 –
  1. So Far Away

(1) with Jackson Browne – vocals
(2) with Bonnie Raitt – vocals & slide guitar

Mark Knopfler – lead vocals & guitars
Guy Fletcher – keyboards & guitar
Richard Bennett – guitar & bouzouki
Chad Cromwell – drums
Glenn Worf – bass
Geraint Watkins – keyboards & accordion
Mike Henderson – guitar, harp, mandolin, & violin

** 16 BIT **

Source: Neumann AK-40s (x/y) >LC3 >KM-100s >MV-100 > TCD-D7
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, CD Masters >FLAC (Level 8) Via xACT 2.36
Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) [iZotope Mastering Suite (declick); Sony Clipped Peak Restoration; Waves Maserati
DRM plugin (drum enhancement); minor edits, normalize, & fades) >CDWav (tracking) >Trader’s Little Helper (level 5) >FLAC
Location: Next to the inside rail on the left terrace level, about midway up
Recorded, Transferred, FLAC Tags & Front-Cover Artwork By: OldNeumanntapr
Mastered by: Dennis Orr

OldNeumanntapr Notes-
This was both the first and only time that I’ve seen Mark Knopfler’s band, and also the first and only time that I have been to the Greek Theatre in Los Angeles. I saw Dire Straits at the Oakland Coliseum on 2/2/92 on the ‘On Every Street’ tour, and I was glad to
see Mark again. I didn’t think there was a lot of difference between Dire Straits and Mark Knopfler solo. Mark Knopfler IS Dire Straits, in my opinion. I went to the Greek show with my friend Dave. They have ‘stack’ parking at the Greek, on the lawn, so you can’t leave until the show is over. I’d never seen that before, but I guess it’s because they have limited space. The Greek is a beautiful amphitheatre, being right next to Griffith Park. There are huge redwood trees that encircle the amphitheatre. My first experience with the Greek was listening to Neil Diamond’s ‘Hot August Night’ LP when I was a kid, and hearing him talk about the ‘Tree People’ who would climb the trees to hear the show for free. I loved that album. Neil spoke of how beautiful the theatre was, and he wasn’t kidding. He said it was performer’s paradise. Dave’s first show was one of those ‘Hot August Night’ shows in August of 1972, at the Greek. We sat in the left terrace level. The two terraces, one on either side of the main amphitheatre, were added later and did not exist originally. Being that I was near the inside rail, I had a pretty clear and unobstructed view of both the stage and the left PA stacks, so the sound was pretty good. I did have a couple near me, who left midway through the show, that kept unwrapping
little hard candies. I think the microphones picked up the sound of the wrappers. I really enjoyed hearing live renditions of Knopfler’s solo albums, especially the songs ‘What It Is’, ‘Junkie Doll’ and ‘Speedway At Nazareth’ from the ‘Sailing To Philadelphia’ album, and ‘Rudiger’ from the ‘Golden Heart’ album.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Willie Nelson – New York, NY (07/23/01)

Willie Nelson
Piano Jazz with Marian McPartland
New York, New York
United States of America
23 July 2001

Willie Nelson – vocals
Marian McPartland – piano
Jackie King – guitar
Gary Mazzaroppi – bass

  1. Introduction 0:51
  2. Heart of a Clown (Frances Kane, Steve Nelson & Jack Rollins) 4:09
  3. Conversation 1:00
  4. The Gypsy (Billy Reid) 4:21
  5. Conversation 4:14
  6. Rainy Day Blues (Willie Nelson) 4:17
  7. Conversation 2:28
  8. Nuages (Django Reinhardt) 3:42
  9. Conversation 2:52
  10. All Of Me (Seymour Simmons & Gerald Marks) 4:09
  11. Conversation 1:47
  12. Stardust (Hoagy Carmichael) 4:25
  13. Conversation 0:57
  14. The Great Divide (Willie Nelson & Jackie King) 4:20
  15. Conversation 2:54
  16. Crazy (Willie Nelson) 4:08
  17. Conversation 2:13
  18. Thereíll Never Be Another You (Larry Weir)3:15
  19. Outro 1:51

Total Time: 57:53

Originally recorded July 23, 2001. Originally broadcast Feb. 12, 2002.
http://www.npr.org/2012/10/26/131571288/willie-nelson-on-piano-jazz