PINK FLOYD
March 10th, 1973
Memorial Gymnasium,
Kent State University
Kent, Ohio, USA.
Tracks:
Disk 1
Pink Floyd
Municipal Stadium Cleveland, Ohio
June 25, 1977
Set One (55:31):
01 Sheep (12:28)
02 Pigs On The Wing 1 (1:28)
03 Dogs (18:07)
04 Pigs On The Wing 2 (2:26)
05 Pigs (Three Different Ones) (21:00)
Set Two (53:04):
06 Shine On You Crazy Diamond (Parts 1-5) (10:53)
07 Welcome To The Machine (8:10)
08 Have A Cigar (5:50)
09 Wish You Were Here 6:06)
10 Shine On You Crazy Diamond (Parts 6-9) (22:02)
Encores (18:43):
11 Us And Them (6:46)
12 Money (11:57)
Total time: 127:18
Pink Floyd
Amsterdam
Fantasio Club
Matrix: 13187 A/B
Misc.: Mono. Picture disc
Produced: Italy 1987
Date: 680901
Cover: Front: picture of the band [Miles: May 1968] Back: picture of the band, track list and a lot of other info.
Sources: 01sep68 Amsterdam Fantasio, Amsterdam 1st September 1968
Tracks:
Side One:
Side Two:
Band:
David Gilmour*
Nick Mason*
Roger Waters*
Richard Wright*
Xref: 1.1: With/Without 2.1 – 2.2: Remember a Day
Quality: G -PIET
Sucks -GERHARD
Comments: Deluxe red and black picture disc.
G mono, is a laugh, this thing sounds as if someone has placed his recording equipment in front of one of the 4 (quad!) speakers, and recorded this signal using a pair of tin cans connected with a greasy rope, which in turn was used to play double dutch with. Only possible reason to buy this, is cos it has Keep smiling people (which later became Carefull with that axe), but it’s allmost unrecocgnizable due to the BBAADD sound quality. DON’T BUY IT -GERHARD
Pink Floyd
06 May 1968
Piper Club, Roma.
Tracks:
Band:
Dave Gilmour
Roger Waters
Nick Mason
Rick Wright
Bob Dylan
Tom Petty & The Heartbreakers
Southern Star Amphitheater
Houston, Texas
20 June 1986
“A Heart Full Of Tears” Sound Board Recording
A Southside Butcher Production (Liberated CD Bootleg)
Concert #9 of the 1986 True Confessions US Tour. Concert #28 with Tom Petty & The Heartbreakers. 1986 concert #28.
Bob Dylan (vocal & guitar) with Tom Petty & The Heartbreakers.
Tom Petty (guitar), Mike Campbell (guitar), Benmont Tench (keyboards), Howie Epstein (bass), Stan Lynch (drums)
and with The Queens Of Rhythm: Carolyn Dennis, Queen Esther Marrow, Madelyn Quebec, Louise Bethune (backing
vocals).
8-10 Bob Dylan solo (vocal & guitar).
8, 10, 24 Bob Dylan (harmonica).
11, 22, 24 Bob Dylan and Tom Petty (shared vocals).
16 Howie Epstein (slide guitar), Tom Petty (bass).
Still On The Road: 1986 True Confessions Tour: US Summer
Note. Live debut of Union Sundown.
Bonus Tracks
10/11 (09.Juni 1986)San Diego Sports Arena, San Diego, California
12-14 (17.Juni 1986)Pacific Amphitheater, Costa Mesa, California
15 (16.Juni 1986)Pacific Amphitheater, Costa Mesa, California
I recieved the original Audio CD-Rs from the
“southside butcher” long time ago.
Ripped with EAC (secure mode) 2005-03-03
First converted the tracks to “ape”,
decoded now to wav with TLH.
Flac Frontend 1.7.1 => Flac in 2012
MD5 and ffp with TLH
enjoy
-ebbbi-
Pink Floyd
August 8th 1969
9th National Jazz & Blues Festival
Plumpton Racecourse
Plumpton, Sussex, England
Set The Controls For The Heart Of The Sun
Cymbaline
The Beginning (Green Is The Colour)
Beset By Creatures Of The Deep (Careful With That Axe, Eugene)
The Narrow Way
Pink Floyd
June Laying The Embryo
Embryo 3 Different Ones
June 1969 Abbey Road Studio 3
Lineage??>Cass(chrome)>SoundForge>SHN
Laying Down Tracks – June 1969
Lineage??>cass(chrome)>soundForge>SHN
2.Radio 3 Emi Studios London – I always thought this came from a TV broadcast but is it just radio??
Johnny Rotten talks about Syd Barrett/Sid Vicious date??
Lineage???cass(chrome)>soundForge>SHN
Pink Floyd Interview with Roger Waters by Brian Mathews BBC Radio 1 Top Gear June 25 1968
Lineage??>cass(chrome)soundforge>SHN
InterviewerBM: Now meet Roger Waters of Pink Floyd.
Roger your kind of music doesn’t usually find its way into the
charts these days do you find there is still a demand for it.
RogerWaters:Um, recording wise there’s quite a big demand for albums.
INT: Yes
RW: There isn’t a demand for singles. It’s not that kind of market.
INT:Right but you can’t live by records alone. What about the live scene?
RW:Well, so far as we’re concerned most of our live work now is out of england and the live work that we still do in england is at universities and the odd quotes ‘underground club’ that’s still happening. Most of these/those scenes have packed up now.
It was a big thing last year.
INT: How do you, listening to you just now, rehearsing one or two of the things you’re doing,
how do you begin to create these sort of very complex sounds?
Are they built up gradually or…
RW:Um Yes they are built up gradually or not as the case may be some of them are some of them aren’t. It’s very difficult to say it’s you know what works for one number doesn’t work for another.
Just improvise until we hit on something that’s nice.
INT:Yeah. Good.
RW:Then we can reconstruct…
INT: And you have got a relatively new lp on release.
RW:Yes it’s out next week.
INT:Well let’s I see you listed one or two of the numbers on it, Let There Be More Light is on it isn’t it.
RW: Yep
INT:Good here we go.
Pink Floyd – Abbey Road 3, London, June 1969
The second track of three Embryo’s on “June Laying the Embryo” is presented here.
This is just the file which is supposed to be the outtake. The file on the earlier upload has a Windows noise that I had missed. Too many late nights and this was transferred a while ago at another person’s house on another late night.
I am sorry but I do not have the technology here to fix the earlier upload and so apologize for this extra splicing.
-MomentsLostHisMind
Roger Waters and Pink Floyd
Unknown Location(s)
The Final Cut -Working Demos
Sometime in 1982
The Final Cutting
A Prerequiem For The Post War Dream
Free Range Pigs (FRP CDR-021)
Disc One:
Notes: From a “millionth generation” cassette bought in Argentina some 17 years ago by our friend Alejandro. For some reason this recording has not been heavily circulated, and is shrouded in mystery. We have no legitimate doubts as to the authenticity of this recording. It appears to be from a working set of demo tapes that were used as the actual blueprint for The Final Cut -the last album that Pink Floyd would release with Roger Waters in the lineup. In some places the difference between this and the actual release are subtle, and in other places, the differences are quite stark, changing the overall tone of some of the meanings inferred from the actual release. We won’t be listing all of the differences here, so you can enjoy your own personal exploration of this work in progress.
Free Range Pigs is releasing this volume for it’s historical significance. While the sound quality is not “disappointing”, the recording does “show it’s age” in some places. We’re not exactly sure, but it sounds as though this was recorded in a professional studio, so it is very likely that somewhere in this big world, a sonically superior copy exists.
Credits: Jim Canale and Free Range Pigs would like to thank the following people for their contributions to this effort:
Alejandro Gibaut for graciously providing the Source Recording.
The Pentagon Pig for providing Quality Assurance Services.
Aleksi Manninen for providing the Cover Art.
Converted SHN to FLAC with xACT. Deleted old md5, created new one.
The Midnight Cafe, October 2020.
Pink Floyd
Pavillion de Paris
Porte de Pantin
Paris, France
February 22, 1977
Pavillion de Pigs
Free Range Pigs (FRP CDR-028/29)
Disc One:
Disc Two:
Comments:
From Pigland East – This tape is complete and with only one minor
cut–a very brief tape flip at 44:03 into the second set, which
indicates the taper was using a 90 minute cassette. As usual, FRP strives
to bring you the best possible sound without destroying the archival value
of the source tape by attempting a heavy remastering job.
The audience claps after the 3rd verse during ‘Pigs (3DO)’ and Roger did
not squeal a number. The audience is generally very quiet and respectful,
which is a refreshing change from the standard audience recording of this
tour. Not a single firework to be heard! David performs an incredible jam
during ‘SOYCD (Pts. 6-9)’. This is truly a recording of a band playing at
its peak.
From Pigland West – I’m listening to the show again. What strikes
me the most is the amazing clarity of the recording and the polite and
obviously captivated audience. They are like a Japanese audience–quiet
when they should be and clapping/cheering where appropriate. Hard to believe
they are French (just kidding Pigland Europe!). The performance, I think,
is rather uninspired but certainly an excellent and competent one. A bit
mechanical, maybe. Does David mess up the words in one of the songs?
Other Comments: So what do YOU think, dear listener? If you get a copy of this
release, please feel free to post a short review to the PF fan group of your
choice.
Lineage:
The lineage for this recording is: Analog Master>DAT(?)>CDR(0)>SHN
Credits:
The Big Pig (bigpig@freerangepigs.com) and Free Range Pigs would like to thank
the following people for their contributions to this effort:
The Taper(s)
The Pentagon Pig for providing Project Coordination and Quality Assurance.
Aleksi Manninen for providing us with his awesome Artwork Services.
The Hirsute Swine for providing Administrative Services.
And a big thank you to the Big Pig for a masterful job of remastering this one.
Without these guys, none of this would have been possible.
Pink Floyd
Emerson Gym
Case Western Reserve University
Cleveland, Ohio
November 6, 1971
For Reasons I Don’t Understand
Free Range Pigs (FRP CDR-022/23)
Disc One:
Disc Two:
Roger Waters: Bass, Vocals
David Gilmour: Guitar, Vocals
Rick Wright: Keyboards
Nick Mason: Drums
Comments:
A long, strange trip for this gem. It ended up in our intrepid hero’s hands as the surprise diamond in a trade.
In his own words–
“The person who I received this show from was not able to provide me with any useful information. He actually told me it was from a radio show in 1967 with the songs Astronomy Domine and Green is the Colour among others. There was no artwork, just multi-colored stick on labels with the name Pink Floyd, the letters CWRU, and 1967 on them. When I inquired about the source he just said that he was glad I liked it. Further inquiries were given answers unrelated to the question or not answered at all… Either he was just reluctant to reveal anything or was just unaware of what it was he had.”
So for once we have no lineage information for you. However what we do have is an amazing and complete document of the Floyd in their prime giving us an utterly stunning performance. Of special note is the “jam sessions” mid-song that seems to take place during each track. FOS gets a bit of a Beatlee-sque/Abbey Road type of treatment, Set The Controls is a free for all about half way through, and is that a bow solo ala Jimmy Page during the break during One Of These Days? Careful With That Axe is full of angst and just… well, rocks! Echoes is perfect as well! Finally, we get a rare treat with Blues included for good measure.
As a result of our cleanup efforts there’s great definition of the instruments and you can hear some things that I know I’ve never heard before in these live recordings. These surprises make this one a keeper and a welcome addition to the collection.
Technical Notes:
It looks as though some NR was performed in the past as part of the upper end has been completely removed (from 165000 Hz -22050 Hz).
Credits: Jim Canale and Free Range Pigs would like to thank the following people for their contributions to this effort:
The Taper (whoever he is and wherever he may be).
Ted Mast for providing the source recording to us all.
The Pentagon Pig for providing Project Coordination and Quality Assurance.
Doug Collins for providing Tree Admin Services.
Aleksi Manninen for providing the Cover Art.
themidnightcafe.org 