Bob Dylan – Paranoid Blues

Bob Dylan
Paranoid Blues
Various early ’60s live

Quest TV:
The Times
Talking World War III Blues
Lonesome Death Of Hattie Carroll
Girl Of The North Country
Hard Rain
Restless Farewell
Skip Weshner Show:
Tomorrow Is A Long Time
Masters Of War
Bob Dylan’s Blues
Gerdes Folk City:
Honey Just Allow Me One More Chance
Talkin’ New York /Talkin’ Folk Lore Center
Corrina Corrina (Trad – Dylan arr)
Deep Ellum Blues (Trad)
Blowin’ In The Wind
Billy Faier show:
Baby Let Me Follow You Down (von Schmidt)
Talkin’ John Birch Paranoid Blues
Death Of Emmett Till
Make Me A Pallet On Your Floor (Trad)

Information:
Source / Venue:
Quest TV, Toronto, ON Recorded 2/01/64
Broadcast on the CBC 3-10-64
Skip Weshner show WBAI radio, NYC Feb.1963
Gerdes Folk City, NYC April 16, 1962
Billy Faier show WBAI radio, NYC Oct. 1962

Manufacturer / Catalog No.
Diamonds In Your Ear / CD42

Bob Dylan – Santa Monica, CA (11/18/79)

Bob Dylan
Civic Auditorium
Santa Monica, CA
November 18, 1979

Regina Havis Monologue
I’ve Got My Ticket, Lord
It’s Gonna Rain
Do Lord, Remember Me
Look Up And Live By Faith
Hold My Hand, Oh Lord*
Oh Freedom
This Train
Gotta Serve Somebody
I Believe In You
When You Gonna Wake Up
When He Returns
Man Gave Names To All The Animals
Precious Angel
Slow Train
Covenant Woman
What Are You Doing With Your Heart? (Helena Springs)
Gonna Change My Way Of Thinking
Do Right To Me Baby (Do Unto Others)
Solid Rock
Saving Grace
Saved
What Can I Do For You?
In The Garden
Band Introduction
Blessed Be The Name
Pressing On

*Source 1 Only

Source 1: LB-11759

Mike Millard first gen via JEMS
The Lost and Found Mike the MICrophone Tapes Vol. Five
Recording Info: AKG-451E microphones > Uher CR-240 cassette recorder

JEMS 2014 Transfer: first-generation reel copy (3-3/4 IPS) made by Mike Millard for SG > Otari 5050 mkII azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > pitch correction > iZotope RX MBIT+ resample 16/44.1 > Peak Pro XT (volume smoothing / edit / index) > xACT 2.21 > FLAC

Source 2: LB-1819
Offmaster copy of audience recording by Legendary Taper E, complete with the songs by the
backup singers. Apparently a different source from “Madmen Running Loose”, which lacks all
the “girls'” songs. (The “Gospel Project” mentions the “rumored” existence of this
complete recording of the concert; obviously it was not just a rumor.)

More info from JEMS Source
JEMS is pleased to release the fifth in a series of recordings made by legendary taper Mike Millard, AKA Mike the MICrophone, best known for his masters of Led Zeppelin in and around LA circa 1975-77. For further details on how these tapes came to be lost and found again, as well as JEMS’ history with Mike Millard, please refer to the notes in Vol. One http://www.dimeadozen.org/torrents-details.php?id=500680

Installment No. 5 jumps ahead 17 months but a world apart, as Dylan has converted to Christianity and taken to the road with a set of all new gospel-tinged material, completely ignoring his musical past in deference to his enlightened present.

The Gospel Tour, as it is known, began November 1 at the Fox Warfield Theatre in San Francisco, where Dylan kicked off a 14-night residency. This concert in Santa Monica was the first show that followed the Warfield run and opening night of four in the Los Angeles area. Other than going electric, I would posit there is no other moment in Dylan’s career that reverberated like this seemingly out-of-nowhere shift into what might best be described as a musical tent revival with Bob himself as preacher and soul saver. And because of that, the Gospel Tour is divisive: For some fans, it was the jumping off point; for others, they climbed aboard the slow train coming.

Dylan’s on-stage dialogue at times sparked confrontations with an audience that, by and large, wasn’t sure how to reconcile what they were seeing and hearing with all that came before it. I didn’t see the Gospel Tour in person; my first Dylan show was still six years away. As such, the radical shift that took place in 1979 doesn’t have the same impact for me when revisited in hindsight. On its own merits, the Gospel Tour offers richly satisfying performances and a focused Dylan who was leading the crusade every night.

And talk about a set list that challenged his audience. Dylan didn’t perform a single song from his back catalog, instead filling the set with all eight songs from Slow Train Coming; another seven from its companion, Saved, which would be released the following year; the still unreleased “Blessed Be the Name”; plus several gospel numbers performed by the show’s back-up singers: Regina Havis, Helena Springs and Mona Lisa Young.

To our ears, Millard nails it this night. As usual, he’s close to the PA with a quiet crowd around him, and the AKGs + Uher yield a great pull in his capable hands. It is a pleasure to listen to. Samples provided.

Lossless Bob has six entries for this show which tie back to two underlying recordings. In this case, Millard’s tape does match the complete recording from which the bootleg Live By Faith was derived. So instead of an uncirculated source, we have an upgrade, and while the bootleg and circulating copies are very good, we think you’l find this fresh-first generation transfer from reel sharper and cleaner, with less hiss in the quiet parts and more detail in the louder parts.

If you’d like to learn more about Mike the MICrophone, the links below offer a glimpse of his story.

Millard’s Wikipedia page
http://en.wikipedia.org/wiki/Mike_Millard

The best article written about Millard has been deleted from the original website but is reprinted here:
http://www.classicrockforums.com/forum/f6/led-zeppelin-official-thread-6185/index164.html

Thanks again to WG for finding the tapes and to SG for providing JEMS with another fascinating chapter of taping history. Also, JEMS continues to depend on mjk5510 for his skilled assistance in getting these recordings into your hands. He is a vital part of the process at this point.

Here’s to the late, great Mike the MICrophone and to finding more lost tapes.

BK for JEMS

Bruce Springsteen – Asbury Park, NJ (04/10/05)

Bruce Springsteen With Bobby Bandiera’s Band
Rumson Country Day School Benefit
Stone Pony, Asbury Park, NJ
April 10, 2005

01 The Fever (with Southside Johnny)
02 I Don’t Wanna Go Home (with Southside Johnny)
03 Toast to Mr. Good(e)
04 Darlington County
05 Seaside Bar Song
06 Bad Moon Risin’
07 Stand On It
08 Shake (with Southside Johnny)
09 Raffle
10 If I Should Fall Behind
11 10th Avenue Freezeout
12 Joining the band
13 Twist and Shout (with a cast of dozens, including Southside Johnny)

*** Soundboard sourced ***
CDR –> EAC –> Re-tracked in Adobe Audition –> FLAC Frontend

Van Morrison – Dublin, Ireland (12/18/89)

Van Morrison
12/18/89
The Point Theatre
Dublin, Ireland

Parchman Farm (GF)
Cat’s Eyes (GF)
Time Slips Away (GF)
I Will Be There
Whenever God Shines His Light
Cleaning Windows
It’s All in the Game/Make It Real One More Time
Orangefield
Tore Down a la Rimbaud
When Will I Ever Learn To Live In God
I’d Love To Write Another Song
Moody’s Mood For Love (GF)
Yeh Yeh (GF)
Benediction (Thank God for Self Love)
Help Me
Raglan Road
Carrickfergus
Full Force Gale
Summertime In England
Moondance / Fever
Vanlose Stairway/Trans-Euro Train
Star of the County Down
Northern Muse (Solid Ground)/When Heart Is Open
In The Garden
Have I Told You Lately
These Are The Days
Gloria/Smokestack Lightning
She Moved Through the Fair

Van Morrison – Berlin, Germany (11/14/03)

Van Morrison
11/14/03
Tempodrom
Berlin, Germany
Livin in the Present Time (Swingin’ Pig)

Inarticulate Speech Intro
I Will Be There
All Work and No Play
What’s Wrong with this Picture
Old Side of the Moon
Whatever Happened to PJ Proby
All Saints Day
Sometimes We Cry
Walking My Baby Back Home
Little Village
Early in the Morning

I Like You Like That
Have I Told You Lately
Saint James Infirmary
Precious Time
Jackie Wilson Said
Stop Drinking
It’s All Over Now, Baby Blue
Gloria
You Come Around
Hey Mr. DJ
Meet Me In The Indian Summer

Van Morrison – Coventry, England (12/05-06/02)

 

VAN MORRISON
Two Nights In Coventry
Warwick Arts Centre
Coventry, England
December 5TH & 6TH 2002

SOURCE: CDRs (GS)>EAC>FLAC Level 6 Align on sector boundaries

This recording has not been Normalized or otherwise altered from the original recording

Artwork by JTT for Four Disc Jewel Case included.

First Night: December 5th
DISC ONE
01 All Blues
02 So Complicated
03 Steal My Heart Away
04 Russian Roulette
05 Hey Mr DJ
06 Fast Train
07 Foggy Mountain Top
08 Days Like This
09 Down The Road
10 Rambler’s Blues
11 Don’t Worry About A Thing
12 Sometimes We Cry
13 Walking My Baby Back Home
14 Have I Told You Lately

DISC TWO
01 Beside You
02 All Work And No Play
03 In The Midnight
04 It’s All Over Now Baby Blue
05 And The Healing Has Begun
06 Sitting On Top Of The World
07 Stand By Me
08 Gloria

Second Night: December 6th
DISC ONE
01 All Blues
02 Unknown Instrumental
03 Steal My Heart Away
04 Choppin’ Wood
05 Mule Skinner Blues
06 Brand New Day
07 How Long Has This Been Going On
08 All Work And No Play
09 Don’t Worry About A Thing
10 Talk Is Cheap
11 Real Real Gone

DISC TWO
01 Early In The Morning
02 Brand New Cadillac
03 Jump Jive And Wail
04 Whining Boy Moan
05 Goldfish Bowl
06 Sometimes We Cry
07 Walkin’ My Baby Back Home
08 When You’re Smiling
09 Have I Told You Lately
10 It’s All Over Now Baby Blue
11 Did Ye Get Healed
12 Gloria

Bob Dylan & Mark Knopfler – The Complete Recording Sessions 1979-1986

Bob Dylan & Mark Knopfler
The Complete Recording Sessions 1979-1986
Compilation Soundboard/Audience

LB-11559

DISC ONE (the outtakes):
1. Trouble in Mind 4.51
2. Ye Shall Be changed 4.09
3. Blind Willie McTell (acoustic version) 5.53
4. Someone’s Got A Hold Of My Heart 4.33
5. Tell Me 4.25
6. Lord Protect My Child 3.57
7. Foot of Pride 5.58
8. Death Is Not The End 5.10
9. Julius And Ethel 4.47
10. This Was My Love 4.09
11. Blind Willie McTell (electric version) 4.56
12. Angel Flying Too Close 4.46
13. Straight A’s In Love 2.23
14. Clean Cut Kid 6.49
15. Don’t Fly Unless It’s Safe 3.16
16. Dark Groove 2.48
17. Trouble in Mind 4.16

Total time: 77:08

Track #1: This is the uncut version with an extra verse.
Perfect sound quality. Never officially released.
Track #2-8: Perfect sound quality.
Track #9-11: The sound quality varies. Never officially released.
Track #12 b-side.
Track #13-16: The sound quality varies. Never officially released.
Track #17: b-side. Same recording as track #1 but with one verse cut.

DISC TWO (the alternative versions):
1. Jokerman 6.22
2. Sweetheart Like You 4.15
3. Neighbourhood Bully 4.38
4. License To Kill 3.31
5. Man Of Peace 6.35
6. Union Sundown 5.06
7. I and I 4.30
8. Don’t Fall Apart On Me Tonight 5.48
9. Foot Of Pride (version #2) 6.01
10. Someone’s Gotta Hold of My Heart (version #2) 5.05
11. Tell Me (version #2) 4.35
12. Lord Protect My child (version #2) 4.41
13. Death Is Not The End (version #2) 5.02
14. Angel Flying Too Close (version #2) 4.06
15. This Was My Love (version #2) 3.46
16. Julius and Ethel 4.41

Total time: 78:53

Tracks #1-8: Alternative versions of the Infidels songs.
Tracks #9-15: Alternative versions of outtakes.
Track #16: Mono version, same take as the other one. The lead
guitar has almost disapeared.
All tracks; Never released officially. Sound quality varies.

DISC THREE (rehearsels and live):
1. I and I (version #2) 5.00
2. Sweetheart Like You (version #2) 4.08
3. Union Sundown (version #2) 6.49
4. Sweetheart rehearsals 28.14
5. Blowin’ In the Wind 5.55
6. Rock ‘Em Dead 4.43
7. Knocking On Heavens Door 3.50
8. All Along The Watchtower 4.37
9. Leopardskin Pillbox Hat 4.24
10. License To Kill 4.48
11. Knocking On Heaven’s Door 5.32

Total time: 78:03

Tracks #1-3: Alternative versions. Sound quality varies.
Track #4: Sweetheart Like You rehearsals. Alternative takes,
talking, improvisations. Sound quality varies.
Track #5-7: Mark Knopfler joining Bob Dylan at a concert in
Sydney, Australia, February 10, 1986. The backing band is
Tom Petty & The Heartbreakers. Poor sound.
Track #8-11: Dylan joining Dire Straits at a concert in
Melbourne, Australia, February 19, 1986. Poor sound.

Bruce Springsteen – Unsatisfied Heart – Remastered Born in the U.S.A. Outtakes

Bruce Springsteen
Unsatisfied Heart – Remastered Born In The U.S.A. Outtakes
Ev2
1982 – April 1984
The Hit Factory / The Power Station, New York City, NY

Disc 1:
01 Born In The U.S.A.
02 Murder Incorporated
03 Downbound Train
04 Glory Days
05 This Hard Land
06 My Love Will Not Let You Down
07 Johnny Bye Bye
08 Frankie
09 I’m Goin’ Down
10 Working On The Highway
11 I’m On Fire

b-sides:
12 Sugarland
13 Follow That Dream
14 Dont Back Down
15 One Love
16 Little Girl

Disc 2:
01 None But The Brave
02 Murder Incorporated #2
03 (Drop On Down And) Cover Me
04 Janey Don’t You Lose Heart
05 My Love Will Not Let You Down #2
06 Cynthia
07 Darlington County
08 Protection
09 TV Movie
10 County Fair

Solo:
11 Shut Out The Light
12 Richfield Whistle
13 Fugitives Dream
14 Delivery Man
15 The Klansman
16 Unsatisfied Heart

Disc One (1) details:

Recording details:
– Track 11 recorded at The Hit Factory, Feb 1982.
– Tracks 1,3,4 recorded at The Hit Factory, March or April 1982.
– Track 2 recorded at The Power Station, April or May 1982.
– Track 10 recorded at The Hit Factory, April 1982.
– Track 5 recorded at The Hit Factory, May 11, 1982.
– Track 8 recorded at The Hit Factory, May 14, 1982.
– Track 6 recorded at The Hit Factory, May 5, 1982.
– Track 9 recorded at The Power Station, November 9th 1983.
– Track 13 recorded at Thrill Hill West, LA, CA, January 30, 1983.
– Track 14 recorded at Thrill Hill West, LA, CA, January 4, 1983.
– Tracks 7,12,15,16 recorded at Thrill Hill West, mid Jan to mid Feb 1983.

Source details:
– Tracks 1,2,3,4,5,6,8,10,11 from ‘This Hard Land’, BS2002
– Tracks 9,12 from ‘Lost Masters XIX’, LOVE 019
– Tracks 7,17 from ‘Lost Masters XVII’, LOVE 017
– Tracks 14,15,16 from ‘Lost Masters XVI’, LOVE 016

Track descriptions:
01 Contains a different Springsteen vocal overdub and a very long, extended jam ending.
02 This track has the original Van Zandt background vocals.
03 Slighly different version / mix.
04 Unedited, contains an entire extra verse (about Bruceís dad) that was cut from the officially released version.
05 One of his finest studio performances. For some bizarre reason Springsteen & The E Street Band re-recorded the
song in 1995 and released that re-recording on ‘Greatest Hits’ ñ but it pales in comparison to this original.
06 Different mix than on the one released on ‘Tracks’.
07 Bruce borrowed the first two lines from Chuck Berryís song ìBye Bye Johnnyî (as well as the play on the title),
which is why itís registered as a Springsteen-Berry composition.
08 Originally recorded for “Darkness”, and recorded again here, this was considered for the ‘Greatest Hits’ collection but was finally dropped.
09 Full, unedited version that includes lyric changes and the complete raucous ending. This track runs nearly a full 1:30 longer than the released version.
10 Slighly different version / mix.
11 A bit longer version.
12 Beautiful keyboards by Danny and Roy augment some fine acoustic guitar playing by Bruce.
13 Presented in best-ever quality, this unreleased gem far eclipses any current circulated versions.
14 Unreleased studio outtake.
15 Wonderful tune with a killer chorus – note the bass line similar to the Human Touch B-side ’30 Days Out’
16 Short but energetic rocker.

* ‘Thrill Hill West’ is Springsteenís home studio in Los Angeles (aka ‘Hollywood Hills Garage Studio’).
* Most band tracks are E Street Band backing versions from so-called ìelectric Nebraska sessionî

Disc Two (2) details:

Recording details:
– Track 1 recorded at The Hit Factory, from the April-June 1983 sessions.
– Track 3 PROBABLY recorded at The Hit Factory during Jan or early Feb 1982. May be from later.
– Track 2 recorded at The Power Station, April or May 1982.
– Track 4 recorded at The Hit Factory, June 16, 1983
– Track 5 recorded at The Hit Factory, May 5, 1982.
– Track 6 recorded at The Hit Factory, April 20, 1983.
– Track 7 recorded at The Power Station during April or May 1982.
– Track 8 recorded at The Hit Factory, Feb 1982.
– Track 9 recorded at The Hit Factory, June 13, 1983.
– Track 10 recorded at The Hit Factory, April or May 1983.
– Tracks 11,13 recorded at Thrill Hill West, August 1982 through April 1983.
– Tracks 12,14,16 recorded at Thrill Hill West, January through May 1983.
– Track 15 recorded at Thrill Hill West, January 4, 1983.

Source details:
– Tracks 1,2,3,4,5,6 from ‘Murder Incorporated’, FR03
– Track 7 from ‘This Hard Land’, BS2002
– Tracks 9,10 from ‘Lost Masters XIX’, LOVE 019
– Tracks 14,16, from ‘Lost Masters XVII’, LOVE 017
– Track 12 from ‘Lost Masters XVIII’, LOVE 018
– Tracks 15,11,13 from ‘Lost Masters XVI’, LOVE 016
– Track 8 from ‘Lost Masters IV’, LOVE 004

Track descriptions:
01 The original mix without the new (90’s) vocal track or the overdubbed second guitar on ‘The Essential BS’. One of my favourite tracks, too bad the sound quality is what it is.
02 Different mix permutation of the same core recording as #1.
03 Completely different recording than the released ‘Cover Me’ done in a dramatically different arrangement.
This may actually date from a later period in the sessions than the original ‘Cover Me’.
04 Same core recording as on ‘Tracks’, but has a much longer fade out (very nice) and features Steve Van Zandt on background vocals and guitar.
05 Different mix permutation of the same core recording as #1.
06 Different mix than on the one released on ‘Tracks’.
07 Includes slightly different lyrics and an alternate beginning and ending.
08 This song was given to Donna Summer, who was recording an album at the time at the same studio.
Summerís cover version (with Springsteen on guitar) was recorded in March 1982 (released Aug 82).
Bruce and Donna also recorded a duet vocal version at her sessions ñ it remains uncirculating.
09 Original mix with the saxophone track (deleted on ‘Tracks’).
10 Features Ruth Jackson on background vocals. Possibly recorded at the same session as ‘My Hometown’ (which also features Jackson).
11 By far the definitive version of this song ñ contains an additional, important lyric verse that has been cut from all the other versions.
12 Brilliant song that developed from a 1981-82 work-in-progress composition called ‘James Lincoln Dear’
13 Unreleased studio outtake.
14 Unreleased studio outtake.
15 Compelling song. Features a dark, brooding beat that mirrors the disturbing nature of the lyrics. A nice vocal performance here and we’re left wondering what possessed him to write this one.
16 Add this to the ever expanding list of Bruce’s greatest unreleased songs. A man surveys his life and wonders if he can ever escape the demons of his past.

* ‘Thrill Hill West’ is Springsteenís home studio in Los Angeles (aka ‘Hollywood Hills Garage Studio’).
* Most band tracks are E Street Band backing versions from so-called ìelectric Nebraska sessionî

Bob Dylan – Abandoned Desire

Bob Dylan
Title: Abandoned Desire
Dates: July 14 ~ Octber 11, 1975

Source: Sb 5 Stereo Recording
Lineage: Scorpio PCQ 33893 Boot 2CD > EAC > FLAC

Disc.1 – Quadraphonic Desire –
01: ~ 08: Has been deleted because of official source. sorry.
09: Hurricane (Live) Aud 3
10: Romance In Durango (Live) Aud 3
11: Abandoned (Live) Aud 3

Disc.2 – Abandoned Desire –
01: Joey (Previously uncirculated July 14 Version)
02: Rita May (July 14, 1975)
03: Catfish (July 29,1975)
04: Golden Loom (July 30, 1975)
05: Hurricane (Desire Session Version July 30, 1975)
06: Rita May (45 Version July 30, 1975)
07: Abandoned Love (July 31, 1975)
08: People Get Ready (October 1975)
09: Nuggets Of Rain (October 11, 1975)
10: Rehearsal Dialogue
11: Buckets Of Rain