The Cure – Chicago, IL (02/25/00)

The Cure
Vic Theater
Chicago, Illinois
25 February 2000

Source: Soundboard
Lineage: FM (WXRT) -> ? -> CDRs -> CDEx -> Wavelab -> FLAC v1.7.1 etree edition – level 6 with verify -> FLAC
Conversion by: superblast!

Size: 820MB

Setlist:

Disc 1
01 out of this world
02 watching me fall
03 want
04 fascination street
05 the last day of summer
06 maybe someday
07 from the edge of the deep green sea
08 inbetween days
09 if only tonight we could sleep

Disc 2
01 39
02 prayers for rain
03 one hundred years
04 bloodflowers
05 a strange day
06 a forest
07 just like heaven
08 boys don’t cry
09 the figurehead
10 disintegration

Notes from the original uploader:
—–
I got this show in a trade a couple of years ago. This is from the Bloodflowers promo tour where the band played in smaller venues than usual. I tried to get tickets for the show but they were sold out within a couple of seconds here. Doh! I’m pretty sure I have the correct venue information and I’m also pretty sure it was recorded off of WXRT in Chicago. The discs I received had sector boundary errors between each track so I fixed those and some sloppy edits in Wavelab. Overall, this is an excellent sounding show but there’s a couple of issues with One Hundred Years. There’s a couple of dropouts at around one minute into the song. It looks like it happened during the broadcast but I’m not sure. Also, not long after the dropouts, the song fades out and Bloodflowers begins. It seems like an unnatural end to the song and I’d be surprised if it was performed that way.

Van Morrison – Chicago, IL (06/12/99)

VAN MORRISON
Guinness Fleadh
Motor Speedway at Sportman’s Park
Cicero, Chicago, USA
12 June, 1999

Tracklist:
01. Moondance
02. Back On Top
03. Cleaning Windows
04. Goin’ Down Geneva
05. Vanlose Stairway => Trans-Euro Train
06. New Symphony Sid (4:55)
07. In The Afternoon => Joe Turner Sings => Don’t You Make Me High => Sex Machine
08. Star of the County Down
09. Precious Time
10. Help Me
11. Jackie Wilson Said *
12. Gloria *

* w/Elvis Costello, backing vocals

Comment:
Van Morrison was the second-to-last performer on the main stage at this festival.
Other acts included Lucinda Williams, Steve Earle, The Saw Doctors, Taj Mahal, Elvis Costello, and, curiously enough, Hootie and the Blowfish.

(Hootie was technically the “headliner” of the show, as the last performer of the evening. The promoter’s explanation was that they wanted to avoid a crush for the exit, and therefore put the *least* appealing artist on last so that fans would stream out in a leisurely fashion during their set. As one might expect, Hootie’s opening notes merely prompted a premature rush for the parking lot an hour before the scheduled conclusion.)

Van appears to hold a grudge against Chicago — this marked his first appearance here since 1984.
(In his subsequent shows here in January 2001, he cut his set on the second night to a mere 70 minutes — reportedly because he was offended by the powerful and positive reaction to opener Lonnie Brooks the previous night. To prevent Lonnie from stealing his thunder in the second show, Van forced him to begin his set as the doors opened — thus preventing the majority of the audience from even seeing any of his performance.)

Source 1:
Lineage: Sonic Studios => Sony D7 => 24-band EQ => CDR => WAV => FLAC => YOU

Source 2:
Sonic Studios => Sony D7 => 24-band EQ => CDR =>
Audio Alchemy Audio Cleaning Lab (for splitting track IDs
and evening out two jumps in levels) => CDR => CDEx ripper =>
FLAC

That said, this is an amazing show — I think it’s got much more energy than the following night
in Roseland. I taped this about five feet from the left speaker stack, so there is minimal crowd
noise (nobody was in front of me) and terrific range. The only flaw was that in my enthusiasm
I accidentally bumped the levels about 15 minutes into the set and didn’t notice my error for another
20 minutes. This has been mostly offset by normalizing the volume on the back end, but one
may notice a couple of level variations — hopefully not enough to hinder anyone’s enjoyment.

This is one of my favorite masters, and I don’t think it’s in wide
circulation — I have only traded it once or twice. There is a much lesser-quality
source circulating in the Elvis Costello community; I don’t know what is around in the VM
trading circles. Hope you like it!

Bruce Springsteen – Chicago, IL (10/11/80)

Bruce Springsteen & The E Street Band
Uptown Theatre
Chicago, Illinois
October 11, 1980

01 Prove It All Night
02 Badlands
03 Tenth Avenue Freeze-Out
04 For You
05 Darkness On The Edge Of Town
06 Wreck On The Highway
07 Factory
08 Jackson Cage
09 Out In The Street
10 The Promised Land
11 The River
12 Racing In The Street
13 Thunder Road
14 Jungleland
15 Good Rockiní Tonight
16 Cadillac Ranch
17 Fire
18 Sherry Darling
19 Here She Comes > I Wanna Marry You
20 The Ties That Bind
21 Point Blank
22 Crush On You
23 Ramrod
24 You Can Look (But You Better Not Touch)
25 Because The Night
26 Stolen Car
27 Backstreets
28 Rosalita (Come Out Tonight)
29 Born To Run
30 Detroit Medley
31 Raise Your Hand

(1st Generation via the DS Archives)
Transfer: 1st Generation Tape > Nakamichi DR-1 (azimuth adjusted) > MacBook Pro > Audacity > Peak Pro XT (volume smoothing / tweak / edit / index) > xACT 2.21 > FLAC

From the original uploader:
This is the first in a series of potential upgrades from longtime taper/trader, Dan Scripsema. First, a little history behind Dan and his archives, Dan began taping & trading in the mid 1970ís after noticing a taper at a Bob Seger show in 1976. He decided heíd purchase a deck himself and give it a go but the cheap deck he bought at the time did not give him the desired results. So, in 1978 , he upgraded to an Aiwa deck with an external mic which improved his quality, however, this rig was short lived after being caught in Kalamazoo, MI and the deck was damaged in the ensuing, as Dan describes it ìconfrontationî. Around this same time he began making contact with other traders and amassing a collection.

In 1979 he invested in a Sony D5 with a shotgun mic but with Bruce off the road at that time it wasnít until 1980 he was really able to put the new rig to use. It was during this time that he and some of his fellow trading buddies organized a national tape traders directory, he obtained vital information from fellow tapers/traders, categorized it and an early version of the tape traders tree was born. This set the group up for the early October start of the River tour. As the River tour took off, Dan covered most of the shows within driving distance of his home in West Michigan. The band of tapers which included such legendary tapers well known here, think Persic, Kivak, JEMS, etc., continued into the summer of 1981.

Before the Detroit shows in July of 1981 there was a gathering of the group at Danís house. From a personal aspect this was a very important gathering for Dan, the group bussed down to Detroit for the shows and it was on this bus trip that Dan met his wife of 33 years. Incidentally, Danís friend and fellow taper Lou Hill met his future wife on this same bus trip.

The collaboration continued for the Born In The USA Tour but as Tunnel Of Love hit the stores the responsibilities of family and fatherhood took over so everything was packed up and put away.

We fast forward to 2005 with things unchanged until a water pipe burst in Danís basement and much of his collection was lost. Luckily for us though, most of the Bruce archives were stored separately and survived.

That brings us to the second night in Chicago 1980, having to miss the first night due to work responsibilities a friend in Chicago hooked him up with tickets for the second night. He decided due to the venue size, not knowing where his seats were located and the fact he already had a friend taping that he would not be taping this show. The friend taping is the source of this 1st generation tape.

The two sold out October Chicago shows in the 4800 seat Uptown Theatre were part of a handful of early River tour theatre shows. These two shows prompted the addition of an arena show on November 20th due to the large number of fans who werenít able to get in to either show.

The early River shows donít seem to suffer from the same sound issues as the early Darkness shows, Clair Brothers Audio didnít appear to have any problems going from arenas to theatres and the sound is dialed in pretty quickly on this night, being the second night in the same venue couldnít have hurt either.
The show itself follows the basic set list for the first leg of the tour and is heavy in River material, the LP having just been released the day before. One slight addition to this show was an early set tour debut of ëFor Youí followed by a songs of despair mini set of ëDarkness On The Edge Of Towní, ëWreck On The Highwayí and ëFactoryí. Two nights later ëWreck On The Highwayí would be moved to its’ permanent place in the second set. Another tour premiere opens the second set in the high energy ëGood Rockiní Tonightí. Any personal recollections of the show have faded with the years.

Not only is this a nice material upgrade in sound, though far from perfect and should not be considered a top tier River show quality wise, but the between song edits found on the circulating versions are completely in tack here making for a much more pleasant and accurate listening experience. This in combination with the theatre setting gives this one a real ìyou are thereî feel absent from the previous releases of this show. The richness of Bruceís vocals comes through nicely, particularly on the slower songs. Samples provided.

At this point there are a handful of people we need to give some thanks to for helping to bring this show to you. First, earlmv for making the initial contact with Dan through Jungleland in regards to this specific show, earlmv put the word out that Dan wanted to get his archives into general circulation but someone was needed in the states to cut down on the cost. Next, oats1jvo picked up the ball with a follow up contact with Dan on how the best way to proceed would be. Oats1jvo put Dan and I in contact with each other and we are off and running. As with all my non JEMS postings, a huge thanks to E from JEMS for the lending of his backup DR-1 so more shows can continue to get into circulation.

And lastly, the biggest thanks to Dan for hanging onto his archives for all those years and his generosity in wanting to share it with us all. Please show your appreciation to all these folks in your comments.

Iím not sure whatís in store down the road but this is a worthy addition and upgrade to Bruceís River Tour legacy.

Wilco – Chicago, IL (12/08/14)

Wilco
2014-12-08
The Riviera
Chicago, IL.

Source: SP-BMC-2 Binaural Microphones on my hat Second Railing Balconey just Left of Center > SP-SPSB-11 Battery Box > Tascam DR-100mkII > SDHC 16/44
Transfer: SDHC > PC > Audacity > FLAC

Set I

01. Wilco (The Song)
02. Company in My Back
03. Hell Is Chrome
04. War on War
05. Pot Kettle Black
06. Sunken Treasure
07. No More Poetry*
08. Cars Can’t Escape
09. Pieholden Suite**
10. Misunderstood
11. Someday Soon
12. Summer Teeth
13. It’s Just That Simple
14. You and I
15. Someday Some Morning Sometime>
16. Laminated Cat
17. Airline to Heaven
18. Feed of Man
19. Box Full of Letters
20. Passenger Side
21. Walken**
22. I’m the Man Who Loves You**
23. Spiders (Kidsmoke)
24. Encore: You Never Know**
25. Can’t Stand It**
26. Monday**
27. (Call Back)
28. Encore 2: Too Far Apart***
29. New Madrid***
30. Dawned on Me***
31. Dreamer in My Dreams***

*Tweedy solo acoustic
**with Total Pros Horns
***Acoustic

Bob Dylan – Chicago, IL (01/03/74)

Bob Dylan & The Band
Chicago Stadium
Chicago, Illinois
3rd January 1974

01. Hero Blues
02. Lay Lady Lay
03. Tough Mama
04. The Night they Drove Old Dixie Down (the Band with Dylan)
05. Stage Fright (the Band with Dylan)
06. It Ain’t Me Babe
07. Leopard-Skin Pill-Box Hat
08. Share your Love With Me (the Band with Dylan)
09. All Along The Watchtower

10. Holy Cow (the Band)
11. King Harvest (has surely come) (the Band)
12. Ballad Of A Thin Man
13. Up on Cripple Creek (the Band)
14. I Don’t Believe You (Bob Dylan with the band)

01. The Times They Are A-Changin’ ñ (Bob solo)
02. Song To Woody ñ (Bob solo)
03. The Lonesome Death of Hattie Carroll ñ (Bob solo)
04. Nobody ‘Cept You ñ (solo)
05. It’s Alright Ma (Iím Only Bleeding) ñ (Bob solo)

06. Life is a Carnival (the Band)
07. The Shape I’m in (the Band)
08. When you Awake (the Band)
09. Rag Mama Rag (the Band)

10. Forever Young
11. Something There Is About You
12. Like A Rolling Stone
13. The Weight (the Band)
14. Most Likely You Go Your Way

Notes:

Live debuts of:

– Tough Mama
– All Along The Watchtower
– Nobody ‘Cept You
– Forever Young
– Most Likely You Go Your Way (And I’ll Go Mine)
– Something There Is About You.

This was the only time that Dylan played during The Band’s set.

Jerry Garcia, Bob Weir, Mickey Hart & Phil Lesh – Chicago, IL (11/17/78)

Bob Weir and Friends
11/17/78
Rambler Room, Loyola University
Chicago, IL

Hunger Week Benefit, billed as “Bob Weir and Friends”: Weir, Garcia, Hart, Lesh
Mickey introduced after Tom Dooley
SOURCE: GD Vault master cassette > DAT > Sonic Solutions > CD > CD(this being the disc David sent me)>extraction using adobe audition 1.5>flac level 8 > to you!

This is a tagged version of shnid: 80703

A really great listen and some unusual tunes for 1978, not to mention a couple of rarities! enjoy! thanks joe

01. WHININ’ BOY BLUES
02. TOM DOOLEY
03. THIS TIME FOREVER
04. DEEP ELEM BLUES
05. KC MOAN
06. KNOCKIN’ ON HEAVEN’S DOOR
07. BIG BOY PETE
08. JACKAROE
09. DARK HOLLOW
10. OH BOY

A big thank you to David Gans! http://www.trufun.com/

Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac files.
If converted to wav during processing, all tags will be stripped,
however audio data will remain unaffected.
If you must transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
A Mills 5/12/14

Wilco – Chicago, IL (05/23/97)

Wilco
5/23/97
Riviera Theater
Chicago, IL

Source: SBD/AUD Matrix
Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader’s Little Helper > FLAC
Taper Unknown
Transferred & Seeded by Bill Graves

~ Disc 1 ~
1. Introduction
2. Misunderstood
3. Far Far Away
4. Forget The Flowers
5. That’s Not The Issue
6. Someday Soon
7. New Madrid
8. Red-Eyed And Blue >
9. I Got You >
10. Someone Else’s Song
11. Shouldn’t Be Ashamed
12. Why You Wanna Live
13. I Must Be High
14. Passenger Side (fast)
15. What’s The World Got In Store
16. Passenger Side (slow)
17. Hotel Arizona
18. Monday

~ Disc 2 ~
1. Kingpin
2. Outta Site
~ Encore ~
3. Crowd / Banter
4. The Lonely 1 *
5. Gun
6. Who Were You Thinking Of? @
7. Box Full Of Letters >
8. Ziggy Stardust #
9. Immigrant Song #

*-w/Jesse of The Jayhawks on Fiddle
@-w/Gary Louris & Dan Murphy
#-w/J.P. (stage manager) on vocals

This show is a Boiler in the Basement Installment –
http://boilerinthebasementmusic.wordpress.com/

The Who – Chicago, IL (12/08/79)

The Who
12/08/79
International Amphitheatre
Chicago, IL

soundboard

Lineage: Low generation cassette => Stand-alone Pioneer CD burner => EAC => Magix Audio Cleaning Lab => WAV => FLAC front end (level 8)

Disc 1 (74:37):
(1) Substitute (3:34)
(2) Can’t Explain (2:43)
(3) Roger comments (0:37)
(4) Baba O’Riley (5:13)
(5) Roger/Pete comments (1:37)
(6) The Punk and the Godfather (4:58)
(7) John intro (0:49)
(8) My Wife (6:47)
(9) John comments (2:07)
(10) Sister Disco (5:48)
(11) Behind Blue Eyes (3:48)
(12) Banter (1:32)
(13) Music Must Change (false start) (0:56)
(14) Music Must Change (9:46)
(15) Drowned (10:29)
(16) Who Are You (6:51)
(17) 5:15 (6:54)

Disc 2 (69:43):
(1) Pete Comments (0:38)
(2) Pinball Wizard => See Me Feel Me (9:18)
(3) Long Live Rock (5:09)
(4) My Generation (4:08) =>
(5) I Can See For Miles (4:27)
(6) Sparks (5:48)
(7) Won’t Get Fooled Again (9:40)
(8) Encore break (1:04)
(9) The Real Me (1:45)
(10) Dancing In The Streets (3:48) =>
(11) Dance It Away (4:06) =>
(12) Young Man Blues (5:00) =>
(13) Roadrunner (2:05) =>
(14) Big Boss Man (3:29) =>
(15) How Can You Do It Alone (9:11)

Comments from the original uploader:
This came to me in trade in 1994; I can’t prove the lineage although it was represented to me as a 2nd gen. from the soundboard. It sounds as though it comes from the pro shot video source; whether the generation is counted as being from the original video master or whatever source tape was used down the line. In any case, it is a low generation recording — the fidelity is pretty good and there is minimal tape hiss. There is more crowd than one typically hears in a board tape, but I think the crowd was miked pretty loudly.

This show happened at what I think is the peak of the post-Moon era; the performance is great and the band are in great spirits. The show sold out so quickly that the show was broadcast via closed-circuit to movie theaters throughout the Chicago area; Roger, Pete, and John occasionally shout out to the various suburbs with funny comments. I think the heavy crowd miking was for the benefit of the remote audiences to create more a “live” feel.

I burned this onto audio-grade CDRs with a stand-alone CD burner, then used Magix Audio Cleaning Lab to break up the tracks and apply light dehissing. No further processing was done.

The audience version torrented a couple of weeks ago is great for the era; no question. IHMO this version is superior. Perhaps an enterprising person can make a matrix and surpass both.

Wilco – Chicago, IL (11/24/01)

Wilco
November 24, 2001
Riviera Theater
Chicago, IL

DSBD > ? > CD > EAC > FLAC

Disc 2

01 Intro
02 I Am Trying To Break Your Heart
03 War On War
04 She’s A Jar
05 Why Would You Wanna Live
06 A Shot In The Arm
07 Ashes Of American Flags
08 Radio Cure
09 Kamera
10 Pot Kettle Black
11 Misunderstood
12 Pick Up The Change
13 One By One
14 Jesus, Etc.
15 Heavy Metal Drummer
16 I’m The Man Who Loves You
17 I’m Always In Love

Disc 2

01 Sunken Treasure
02 Far, Far Away
03 California Stars
04 Can’t Stand It
05 I Got You (At The End Of The Century)
06 Outta Mind (Outta Sight)

Bob Dylan – Chicago, IL (01/04/74)

Bob Dylan
Chicago, Illinois
Chicago Stadium
4 January 1974

01 – Hero Blues
02 – Lay Lady Lay
03 – Just Like Tom Thumb’s Blues
04 – It Ain’t Me, Babe
05 – Tough Mama
06 – Ballad Of A Thin Man

The Band
07 – Stage Fright (Robbie Robertson)
08 – The Night They Drove Old Dixie Down (Robbie Robertson)
09 – King Harvest (Has Surely Come) (Robbie Robertson)
10 – Long Black Veil (Danny Dill – Marijohn Wilkin)
11 – I shall Be released
12 – Up On Cripple Creek (Robbie Robertson)

13 – All Along The Watchtower
14 – Leopard-Skin Pill-Box Hat
15 – Knockin’ On Heaven’s Door

16 – The Times They Are A-Changin’
17 – Love Minus Zero/No Limit
18 – The Lonesome Death Of Hattie Carroll
19 – Nobody ‘Cept You
20 – It’s Alright, Ma (I’m Only Bleeding)

The Band
21 – Rag Mama Rag (Robbie Robertson)
22 – When You Awake (Richard Manuel – Robbie Robertson)
23 – The Shape I’m In (Robbie Robertson)
24 – The Weight (Robbie Robertson)

25 – Forever Young
26 – Something There Is About You
27 – Like A Rolling Stone
28 – Maggie’s Farm

Second concert of the 1974 Tour of America with The Band.

1-6, 13-15 25-28 Bob Dylan (vocal, guitar, harmonica),
Robbie Robertson (guitar),
Garth Hudson (synthesizer),
Richard Manual (keyboards),
Rick Danko (bass),
Levon Helm (drums).

16-20 Bob Dylan (vocal, guitar, harmonica).

Notes.
– Last live performance of Hero Blues.
– Live debut of Knockin’ On Heaven’s Door.

4 new songs (22%) compared to previous concert. 4 new songs for this tour.

Stereo audience recording.

LB-02636 ; 56min+60min ; 2CDR ; Rating: B+

1/4/74 Chicago Stadium, Chicago, Illinois

from lk aud set; The stereo master contained many, many RH channel ‘drop outs’.
These have been repaired by using the LH channel and adding some ‘ambiance’ – so the mono snippit is less abrupt.
CD > EAC > CoolEdit 2000 > channel repairs > Flac.;

abrupt start on d1t1, background talking d2t2, d2t3, d2t5; has tv band; very good to excellent sound [B+] has a few spots of background scratchiness static like on d2t3 or d2t5 2:16, d2t11 1:3x, 2:0x; drops between many tracks and has some discontinuities