Grateful Dead – Pittsburgh, PA (03/05/81)

Grateful Dead
March 5, 1981
Stanley Theater
Pittsburgh, PA

–Set 1–
s1t01 – Tuning
s1t02 – Alabama Getaway ->
s1t03 – Greatest Story
s1t04 – Friend of the Devil
s1t05 – C. C. Rider
s1t06 – Althea
s1t07 – Mama Tried ->
s1t08 – Mexicali Blues
s1t09 – To Lay Me Down
s1t10 – New Minglewood Blues
s1t11 – Tennessee Jed
s1t12 – Music Never Stopped

–Set 2–
s2t01 – Jam ->
s2t02 – Passenger
s2t03 – Scarlet Begonias ->
s2t04 – Fire On The Mountain
s2t05 – Playing In The Band ->
s2t06 – Drums ->
s2t07 – Space ->
s2t08 – Not Fade Away ->
s2t09 – Wharf Rat ->
s2t10 – Around and Around ->
s2t11 – Johnny B. Goode

–Encore–
s2t12 – U.S. Blues

Source 1:

This is a tagged version of shnid: 83494

Recording Info:
NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal

Location:
1st Row of lower balcony

Recorded by:
Mason Taylor and Mark Radnor (Radish)

MAC Transfer by:
Adam Gross – Cassette Master > HHB Porta-a-DAT (transferred 1995)
DAT from the collection of Adam Gross

DAT Transfer by:
Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF
interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) ->
Wavelab 6.0
Transferred February 13, 2007

Editing Info-
All editing and mastering by Jamie Waddell
Wavelab 6.0 using Ozone and L2 for dither
March 19, 2007
shnflac@gmail.com

notes-
-sbd shnid 14024 and Jim Wise aud shnid 3290 used for small patches
in Minglewood, the tape flip in drums and a glitch in A&A
-noteworthy version of The Music Never Stopped

a **GEMS** Production http://www.shnflac.net

Source 2:

Set II Only

This is a flac encoded & tagged version of shind: 14024

gd81-03-05.sbd-set2.fink.140024.sbeok.flac16

S : MC > C > D > CDR > EAC > SHN
Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net)
via EAC and MKW.
Proper extraction and sector boundaries verified via EAC and shntool.

Source 3:

shnid: 128300

Recording by Jim Wise:
Master Audience Cassette; 2 Sennheiser 421s > Sony D-5 Center Loge

Transfer and FLAC encoding by David Minches: April 2014
Dolby B decoded Master played back on Nakamichi Dragon >
Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] >
Adobe Audition 3.0 > FLAC encoding

Source 4:

shnid:128378

Recording by Jim Wise:
Master Audience Cassette; 2 Sennheiser 421s > Sony D-5 Center Loge

Bruce Springsteen – Pittsburgh, PA (10/21/95)

Bruce Springsteen with Joe Grushecky and The Houserockers
Nick’s Fat City
Pittsburgh, PA
October 21, 1995

01 DJ Speak
02 Introduction
03 What Did You Do In The War
04 Talkin’ To The King
05 Chain Smokin’
06 Labor Of Love
07 Never Be Enough Time
08 Murder Incorporated
09 Dark And Bloody Ground
10 Intro Band
11 American Babylon
12 DJ Speak End

Notes:
Incomplete show, exellent sounding.
Was broadcasted all over Denmark on national Radio P3, shortly before Bruce played in Copenhagen in 1996.

Lineage: Cassette Tapes BASF CE II Crome Extra High Position IEC II 120 -> Technics M260 Stereo Cassette DecK -> Transfert with Cable -> Nero Wav Editor -> wav -> THL -> Flac (level 6) Align on Sector Boundaries

Bob Dylan – Pittsburgh, PA (11/06/00)

Bob Dylan
2000-11-06
A.J. Palumbo Center
Pittsburgh, Pennsylvania

Lineage: Trade Audio CDR’s -> EAC (secure/offset correct) -> WAV -> TLH – FLAC Level 8

CD1

01. Duncan And Brady (acoustic)
02. Mr. Tambourine Man (acoustic)
03. It’s Alright, Ma (I’m Only Bleeding) (acoustic)
04. Love Minus Zero/No Limit (acoustic)
05. Tangled Up In Blue (acoustic)
06. Searching For A Soldier’s Grave (acoustic) (Larry on mandolin)
07. Country Pie
08. Standing In The Doorway
09. Stuck Inside Of Mobile With The Memphis Blues Again (Larry on acoustic guitar)
10. Just Like A Woman
11. Drifter’s Escape (Bob on harp)
12. Leopard-Skin Pill-Box Hat

(encore)
CD2

13. Things Have Changed
14. Like A Rolling Stone
15. If Dogs Run Free (acoustic) (Larry and Charlie on electric guitar)
16. All Along The Watchtower
17. Forever Young (acoustic)
18. Highway 61 Revisited
19. Blowin’ In The Wind (acoustic)

Based on “d1 t11 :14 ‘you got the binoculars?”
this is a differant recording then LB-6572
that was uploaded by our friend “blindwilly”
http://www.hungercity.org/details.php?id=11859&dllist=1#seeders

Steve Kimock – Pittsburgh, PA (12/31/11)

Steve Kimock & Friends
2011-12-31
The Rex Theater
Pittsburgh, PA

Source: AT4050 > V2 > M10 24/44.1
Transfer: M10 > USB 2.0 > Cool Edit Pro 2.1(Normalize/Fades/) > CDWave Editor > Traders Little Helper/flac24
Placement: FOB/DFC/25′ from stage @ 9 ‘ high
Notes: ** 24 bit file**

Recorded and Transferred by Kevin Kistler

Set 1:

1. Five B4 Funk
2. Tangled Hangers
3. Thing One
4. Berm > In Time > Berm
5. Ice Cream
6. Tongue N Groove

Set 2:

1. A New Africa > Auld Lang Syne > “Happy New Year”
2. I Wanna Thank You > Simple Song > I Wanna Thank You
3. 54 – 46 Was My Number > Lively Up Yourself > 54 – 46 Was My Number
4. Got A Thing On My Mind
5. Get Down
6. Do That Stuff
7. This Must Be The Place (tease)
8. Red Hot Mama

9. Stella Blue

Steve Kimock – guitar
Bernie Worrell – keys
Bobby Vega – bass
John Kimock – drums
Camille Armstrong – special guest vocalist
Miles Kimock – guitar

Depeche Mode – Pittsburgh, PA (06/24/90)

Depeche Mode
1990-06-24
Star Lake Amphitheater
Pittsburgh, PA, USA

Set list

Kaleid
World In My Eyes
Halo
Shake The Disease
Everything Counts
Master And Servant
Never Let Me Down Again
Waiting For The Night
I Want You Now (*)
World Full Of Nothing (*)
Clean
Stripped
Policy Of Truth
Enjoy The Silence
Strangelove
Personal Jesus
Black Celebration
A Question Of Time
Behind The Wheel
Route 66

Notes
Nitzer Ebb was the support act.

While we’re hanging out in the 80’s I thought I’d share another show from one of the decade’s biggest bands. Violator was huge when I was in high school yet there was still some kind of alternative-ness to them (and that was even before alternative was cool.) I don’t know how to explain that actually. I look at it now and the album sold millions of copies, was all over MTV and yet there was this hipness to them, at least where I lived. Maybe that was because a few of the popular kids at my school dug them before they had become huge and so when they did become huge it still felt like it was a secret. Or something.

This is another weird type show in that I have never before seen a bootleg from these guys. Honestly I can’t swear to the awesomeness of the show. Not only have I not given it a big listen, 80s synth bands don’t tend to translate that well to concert recordings. As my wife says “I’d rather hear the studio versions, they sound cleaner.”

If you love the 80s and you cant’ hear “Personal Jesus” enough, this shows for you.