Bruce Springsteen
Stockholm Globe Arena
Stockholm, Sweden
June 15, 1992

(Two Of Us Master Series Volume 229)
Recorder 3

Recording: Shure Mic > Sony WM-D6C
Patch Recording: Sony 929LT Mic > Sony D3

Transfer: Master tapes > Nakamichi DR-01 (azimuth adjusted) > USB Sound Devices > Audacity > iZotope RX / ozone 9 (mastered) > xACT 2.50 > FLAC

01 Better Days (uncirculated Recorder 4)
02 Star Spangled Banner Intro (uncirculated Recorder 4)
01 Born In The USA (first 4:44 patched with uncirculated Recorder 4)
02 Local Hero
03 Lucky Town
04 Darkness On The Edge Of Town
05 If I Should Fall Behind
06 57 Channels (And Nothin’ On)
07 The Big Muddy
08 Living Proof
09 My Hometown
10 Leap Of Faith
11 Man’s Job
12 Roll Of The Dice
13 Gloria’s Eyes
14 Cover Me
15 Brilliant Disguise with Patti Scialfa
16 With Every Wish
17 Souls Of The Departed
18 Real World
19 Light Of Day
20 Human Touch with Patti Scialfa
21 Glory Days
22 Working On The Highway
23 Bobby Jean
24 Hungry Heart
25 My Beautiful Reward

Known Faults:
-Better Days: Recorder 4
-Star Spangled Banner: Recorder 4
-Born In The USA: first 4:44 patched with Recorder 4
-Cover Me: last 3 seconds patched with Recorder 4
-Brilliant Disguise: first 14 seconds patched with Recorder 4
-Glory Days: 25 seconds patched with Recorder 4

Between 1983 and 2002 there were not any tapers more active than the “Two Of Us”. For the better part of two decades they taped over 250 artists with an array being taped multiple times.

If you collect Springsteen then you are already familiar with some of their work, “fmcleanboots” has posted a half dozen or so of their “Tunnel Of Love” tour shows but has decided to pass the baton.

What you don’t know is their passion was not just for Springsteen but for music and that passion runs deep. It is astonishing how many artists they taped.

They followed tours taping club shows, theater shows, arena shows, big artists, mid-level artists and local artists.

If they were following a tour and the tour had an off night they’d see who else was playing that night to tape. Always focused on enjoyment of the show as the priority,
tickets were for the most part acquired outside of the venue as they worked to obtain the best possible seats, continually trading up until the correct seats were acquired.

The results of this were the captures are uniformly excellent but on occasion the start of the show was sacrificed as a trade-off for the seats.

The heavy lifting was done by the Sony WM-D6C and an external Shure Mic before moving to DAT for the last couple of years. None of their masters have ever been circulated and
have been safely stored for the past three to four decades in a climate controlled environment. Tapes transferred so far are in pristine condition.

Though we may do some mini releases of a series of shows in order for one portion of a tour for the most part shows will not be released in order, there are just too many of them.

This will be a very exciting series and we hope along the way we upgrade existing circulating audio and offer up shows that do not have any circulating audio, enjoy the ride, this is definitely not a dark ride.