Bridge School Benefit – Mountain View, CA (10/18/98)

Bridge School Benefit
10/18/98
Shoreline Amphitheater
Mountain View, CA

SEC 203, Row P, Seat 22
Nyquist Omnis >Sony TCD-D7
DAT Master Transfered: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.28
FLAC >WAV >Audacity (De-Amplify Countless Close-Proximity Hand Claps, Various Crowd-Noise Reduction, Minor Edits & Fades) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53

(Recorded, Transferred, FLAC, Tags, & Front-Cover Artwork By OldNeumanntapr)

Disc I:
Neil Young:

  1. Looking Forward
  2. I Am A Child

The Eels: (not recorded except for:)

  1. Novocaine For The Soul

Pete Droge/Mike McCready: (not recorded)

Jonathan Richman: (not recorded)

The Wallflowers:

  1. Three Marlenas
  2. One Headlight
  3. Don’t Cry No Tears (Neil Young* Cover)
  4. 6th Avenue Heartache
  5. Invisible City
  6. Heroes (David Bowie Cover)

The Barenaked Ladies:

  1. Old Apartment
  2. Straw Hat And Old Dirty Hank
  3. My Fly Was Undone
  4. It’s All Been Done
  5. Jane
  6. One Week
  7. Brian Wilson
  8. If I Had A Million Dollars >
  9. Memories >
    The Medley

Disc II:
Sarah McLachlan:

  1. Adia
  2. Possession
  3. Elsewhere
  4. I Love You
  5. Angel
  6. Ice Cream
  7. The Path Of Thorns
  8. Building A Mystery (cuts)

Neil Young:

  1. From Hank To Hendrix
  2. Distant Camera
  3. Horseshoe Man
  4. After The Gold Rush
  5. Expecting To Fly
  6. Powderfinger
  7. Ambulance Blues

Disc III:
R.E.M.:

  1. Losing My Religion
  2. New Test Leper
  3. Country Feedback (w/Neil Young)
  4. Daysleeper
  5. At My Most Beautiful
  6. Electrolite
  7. Everybody Hurts
  8. Man On The Moon

Disc IV:
Phish:

  1. Hello My Baby
  2. Billy Breathes
  3. Piper
  4. Roggae
  5. Loving Cup (Rolling Stones Cover)
  6. Albuquerque (Neil Young Cover)
  7. The Old Home Place (Dillards Cover)
  8. Guyute
  9. Brian And Robert
  10. Sad Lisa (Cat Stevens Cover) w/Sarah McLachlan

Neil Young & Cast:

  1. Four Strong Winds
  2. I Shall Be Released

*Not Recorded (except for ’Novocaine Of The Soul’

OldNeumanntapr Notes:
This was the last Bridge School Benefit that I recorded, and the first with the custom hat-loaded Nyquist Omnis. We had a seat this time, as compared to the first two years in 1991 and 1992 when I froze my behind off up on the lawn. Shoreline can get cold for the Bridge shows, especially because they are always in October or November. I had seen The Barenaked Ladies before, in Avila Beach, and I knew they were good and funny as well. I hadn’t ever seen The Wallflowers, R.E.M., Sarah McLachlan, or Phish before so that was a treat. I really liked the acoustic Phish show, much more than when I saw them play electric. They really seemed to be having fun during their set. I really enjoyed hearing Sarah and Phish sing the Cat Steven’s song ‘Sad Lisa’. I noticed that when REM played there was someone recording with large diaphragm microphones, which could have been AKG 414s. I’ve never seen that source circulate before however. My friends Dave and Brian were with me, and my ex-wife Nikki, at this show. I think Dave had a single seat down in the 100 sections, but Brian was seated next to me on my right. At the end of the Phish show I turned to Brian and said, “I was waiting for you to say, There’s that scruffy guy with the hat again”, which is what he said, referring to Neil Young, at a previous Bridge School Benefit.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Random Shuffle (09/05/06) – Billy Bragg, Merle Haggard, The Muppets, The Wallflowers & Warren Zevon

Originally posted on September 05, 2006

“New England” – Billy Bragg
From 10-14-96

Billy Bragg is an old-school folkie who wears his politics on his sleeve. He often allows his political ideas to take over his music and his songs come out like platforms rather than carrying a tune. But when he nails it he creates a wonderful collaboration between ideas and killer folkiness.

This is a great example of his cleverness. In its original form, it’s a bit of a break-up song by way of a single guy looking for fun and not love. Live, and many years after it was originally written, he has changed many of the lyrics to reflect his own life now. Having settled down with a girl and a son, lines about singlehood have morphed into lines about fatherhood. It’s all in good fun, and the audience gets a kick out of it and sings out the final chorus.

Good stuff.

“Theme From Dukes of Hazzard” – Merle Haggard
From Ladies Love Outlaws

As a kid, my mother would never let me watch the Dukes of Hazzard on TV. She was concerned that it depicted cops as being bumbling crooks and ex-convicts as the good guys. This, it seems, would have corrupted my own morals. Fair enough, Mom, but I often slipped over to the neighbors and watched it.

The theme song remains a classic. It always reminds me of a guy named Adam who would play this song over and over in college, right along with anything Lynard Skynard.

“Moving Right Along” – The Muppets
From the Muppet Movie

I went to see Muppets from Space with a carload of friends in a little, tiny, dinky theatre in Prattville, Alabama. It had originally been a one-screen theatre and they cut it in half to create two screens. The door into the theatre was one of those swinging bar things and the hinges made obnoxious screeching noises when they swung.

Worst movie experience ever.

Except that I sat by Julie Austin, whom I had the biggest crush on. Nothing came of it, she married Mr. Knapp and I moved to Texas.

That has nothing to do with the wonderful first Muppet Movie or this song from it, but that’s what I always think of when I think of Muppets.

This is a great little song that’s full of humor and grace, much like the Muppets themselves.

“I’m Looking Through You” – the Wallflowers
From the I Am Sam soundtrack

The idea of filling a soundtrack with covers of Beatles songs sounds like a good one to me. On the I Am Sam disk it works about half the time. Some of the covers are just too close to the original to make any impression, others try to reinvent the psychedelic madness of their later albums but just don’t get it. The Wallflowers manage to do very little new with the song, but it still comes out all right.

They’ve pepped it up a little, and Jakob Dylan’s vocals have enough of a rock edge to make it interesting. It is really a testament to the power of the Beatles song than anything. I wouldn’t exchange this for the original, but it’s fun and something slightly different, and sometimes that’s alright too.

“Werewolves of London” – Warren Zevon
From Excitable Boy

I have to admit that I don’t actually own this album, but I did download the single. I also have to admit this is the only Zevon song I know. They say he was a good guy who wrote great songs, and I’m sorry I don’t know him better.

This is a great freaking song. I always wonder if it has anything to do with the movie and I’m always too lazy to look it up. I love the light-hearted feel, and the great sing-along quality to lyrics about a murderous rampage. It makes me think of Teen Wolf too (Not Teen Wolf Too) with Michael J Fox as a cool werewolf.