The Friday Night Horror Movie – Awesome ’80s in April Edition: Night of the Demons (1988)

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These days I meticulously log all the films I watch on Letterboxd. Before that I used to have a blog post where I listed out everything I watched. I also marked the films on IMDB as I watched them, and I often tried to remember everything I had ever seen and marked them as watched and rated them as best I could remember. 

Often, after I’d watch a movie, I’d click on an actor and then scroll through all the films they’d ever been in, carefully marking the ones I’d seen as watched and rating them. It wasn’t a perfect system. I’m sure there are lots of films I never marked down – movies that I watched as a kid and have long since forgotten, etc. And there are probably some movies I marked as watched that maybe I hadn’t actually seen. Memories are weird like that.

As I get older, I find there are a lot of films I’ve marked as watched, but then when I sit down with them again I realize not a single scene is familiar. I have no idea if I actually did watch them and have just forgotten everything in the film, or if I somehow thought I had seen it but actually had not.

Night of the Demons is a film I would have sworn that I had seen before. I remember watching it. Okay, I remember watching some of it.  Well, alright, I remember one particular scene in which one of the actresses got topless.  What can I say? I would have been about 14 at the time, pubescent and horny.

But watching it tonight there wasn’t a single moment that seemed familiar. Most of the actresses do get topless, but none of them rang that memory bell. And it seems like I would have probably remembered multiple instances of sex and nudity and not just one scene. So maybe I watched one of the sequels.  Or maybe it was something else and I somehow conflated it with this film.  Possibly I remember the movie poster for this (which I definitely saw many times at the local video store) and watched something else and my memories of the film got mixed in with the cover art.  Or maybe I just watched part of the movie and had to turn if off for some reason (possibly my mother caught the nudity and yelled at me for watching it).

None of this matters, of course.  You’re probably wondering why I’m spending so much time talking about this. I’m just forever fascinated by how my brain processes all the movies I’ve seen.

The film itself is a silly bit of 1980s horror. Some dumb teenagers (all played by actors who are clearly well out of high school) go to a party in an abandoned funeral parlor and accidentally unleash a demon which, one-by-one, possesses them and does a bit of light murdering.

The film isn’t big on specifics. There are some vague murmurings about the place being haunted due to some crazy murder taking place there sometime in the past. They unleash the demon by doing a half-assed seance and looking into a mirror. 

The kids are all paper thin in their development and they are almost all obnoxious.  Especially Stooge (Hal Havins) who loudly complains all the time, calling all the girls, “Bitch.” 1980s horror icon Linea Quigley is probably the most interesting, but that might just be because I know her from other films.  

But the special effects are good. I’m a sucker for practical horror effects and there are some good ones here. Quigley’s character has a scene where she rubs red lipstick over her chest in circles and then pushes it completely into her breast. Which has got to be the most low-budget 1980s horror special effect ever.

I have no idea if I watched this movie back when I was a kid. But I’ll definitely be watching it again. It is by no means a great movie, or even a good one. The plot is barely there, the characters are annoying, but it’s still quite entertaining in that dumb ’80s horror way.

The Awesome ’80s in May: Castle in the Sky (1986)

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I feel like I don’t talk enough about Studio Ghibli. As I say this I look back and see that I’ve written about four of their films and not a single movie from Pixar so maybe I’m not quite telling the truth. But I do love Ghibli and I watch their films over and over again, moreso than pretty much any studio.

Castle in the Sky was the very first film produced by Studio Ghibli and it was directed by one of its founders (and its most famous name) Hayao Miyazaki. It was not the first film directed by Miyazaki (he’d been in the industry by this point for over a decade, working in television and as an animator in movies – he’d also directed a few feature films) but it was still early days in terms of him having full control over what he wanted to make.

You can already see the themes and characterizations he’d carry with him throughout his career being formed. This is a film that is anti-war, pro-nature, with a strong female protagonist. It also does something really interesting with its antagonist. It begins making you think one group of pirates are the enemies, but soon enough they’ve become friends with our heroes. Miyazaki is famous for having sympathetic antagonists. Here he does find some true enemies, but that switch with the pirates is wonderful.

I actually wrote about the time I got to see this film on the big screen a few years ago for Cinema Sentries so I don’t feel I need to talk about it much more, but it is a wonderful film and I do recommend it highly.

V-Cinema Essentials: Bullets & Betrayals

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I grew up in the late 1980s/early 1990s and I have many, many fond memories of going to the video rental store looking for something interesting to watch. I went enough that I had generally seen all the big new releases so I often went digging through the old stuff. I loved finding weird, low-budget genre films full of sex, and violence, and goofy action.

In Japan these straight-to-video releases were called V-Cinema and Arrow Video has just put out a cool little boxed set full of them. You can read my full review at Cinema Sentries.

The Last of Us: Season One

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Just in time for Season Two hitting the small screen Season One of this terrific television series dropped a couple of weeks ago in a swell looking 4K UHD steelbook.

If you don’t know, The Last of Us is based on a popular video game series about a zombie like apocalypse and how two people – a middle-aged man and a teenage girl – survive it. I’ve never played the game but I love the series. You can read my full review over at Cinema Sentries.

Tombstone 4K UHD Is the New Blu-ray Pick of the Week

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My admission with this week’s pick is that I’ve never been a huge fan of Tombstone. I remember when it came out all of my friends just loved it. They constantly quoted it. I was late to watching it and I remember when I finally caught up with it I thought to myself, “this is it?” I’ve seen it a couple of times since then and it has grown on me.

Val Kilmer gives a terrific performance and there is some good stuff in their. I think it was a case of it being hyped so much that it just couldn’t be as good as it had been built up to me in my mind.

I do think it is about time for me to try it again, and this nice looking disc might be the way to do it. You can read all of my thoughts here.

Sadie McKee (1934)

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Sadie McKee is a Pre-Code film starring Joan Crawford and Franchot Tone. It is a weird film in that is profers Crawford three bachelors to choose from, but it seems to want her to love the one most ill-suited to her. He’s a jerk, one who literally leaves her at the altar, but hey its true love so its all okay, I guess.

It isn’t a great film, but Crawford is great in it. You can read my full review at Cinema Sentries.

Film Noir: The Dark Side of Cinema XXV Blu-ray Review

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I’ve reviewed so many of these sets I don’t know what else to say about them. This one has three films from Republic Pictures directed by John H. Auer, whom I’d never heard of before.

The films are The Flame (1947) a melodramatic Double Indemnity-esque caper with too many characters and a couple of blondes I couldn’t tell apart. City That Never Sleeps (1953) is a docu-style drama filled with loads of interesting characters and some terrific noir cinematography. Hell’s Half Acre (1953) is an exotic noir set on the mean streets of Honolulu.

They are all pretty good, actually, and you can read my full review over at Cinema Sentries.

Career Opportunities (1991)

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If you are of a certain age and a certain persuasion the you’ve probably got an image of Jennifer Connelly riding a mechanical horse in a white tank embedded in your brain. The image is from a lesser known John Hughes scripted movie, Career Opportunities. Kino Lorber just dropped the 4K UHD on us and I’ve got the review.

It isn’t a great movie, but it is definitely more than that endlessly Gif’ed image.

You can read the review here.

Five Cool Things and Sturgill Simpson Performing “Ripple”

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I forgot to post this last week. But the Five Cool things included the excellent Max series The Pitt, a very cool comic collection of Batman: Earth One, Season One of the wonderful Apple+ series Slow Horses, the also excellent Apple+ series Ted Lasso, a new collection of film noirs from Kino Lorber and Sturgill Simpson performing “Ripple” with an old recording of Jerry Garcia.

You can read all about it here.

The Awesome ’80s in April: ¡Three Amigos! (1986)

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I loved this movie as a kid. I quoted it endlessly.

“Would you say I have a plethora of pinatas?”
“You dirt-eating piece of slime! You scum-sucking pig! You son of a motherless goat!”

Etc. Me and my friends often did the Three Amigos salute – crossing our arms and gyrating our hips. It was a great movie.

Or so I thought back then. At some point I bought it on DVD via one of those cheap snapcase boxes but I didn’t actually watch it until years later when me and my wife were living in France.

When we first moved to Strasbourg we sublet a tiny little apartment from a young university student. She was spending the year studying in England so she let us the place on the cheap. She only had a single bed so she removed it. We eventually bought a surprisingly comfortable futon but for the first couple of weeks we slept on an air mattress with a tiny hole in it.

We’d blow it up of an evening (using an exhausting to use manual pump) and by morning it would be completely flat. In the middle of the night it would be about half full and the weight of both our bodies kept up slightly above the hard floor. But if someone would get up to go to the bathroom the weight of the other would flatten it leaving the sleeping person confused and irritated.

We only had one chair in that flat, and it was uncomfortable so we spent much of those first two weeks sitting on the floor, backs against the wall. I had brought a couple of those old DVD/CD binders full of movies and we would watch them on our laptop.

One of the first movies we watched was Three Amigos, probably because I had all of those fond memories and we wanted something funny to alleviate our discomfort.

Unfortunately, my memories didn’t match what we were watching and our discomfort remained. It was not an enjoyable viewing. So much so that I haven’t watched it again until last week. And only then because our Internet was crapping out, not allowing us to stream anything and so I needed a DVD from the 1980s.

Sadly, I am unable to say that the unenjoyable viewing in France was not due to our uncomfortable setting. As an adult I just don’t enjoy this film.

It was written by Steve Martin, Lorne Michaels, and Randy Newman (his only screenwriting credit, he also wrote songs for the film) and it has that disjointed SNL movie feel, but also that early Steve Martin throw all the jokes at a wall and see what sticks feel.

Chevy Chase, Steve Martin, and Martin Sheen play three silent movie stars who had a long run as the, you guessed it, The Three Amigos – gunfighters who protect the vulnerable. But their latest box office returns haven’t been great and the studio head sacks them when they demand higher salaries.

Meanwhile in some Mexican village a woman sees one of the Three Amigos films, thinks it is real, and sends a wire to them asking for help and offering a large sum of money. The message gets garbled in translation and our heroes believe she’s offering the cash for a performance.

You can see where this is going. The Amigos arrive put on a show and then the real bandits arrive. At first they decide to split, because they aren’t real heroes, but yada yada yada, they come back and save the day.

That’s a pretty good set up for a funny farce. And there are some good gags. I’m not gonna sit here and pretend I didn’t laugh. But I didn’t find it hilarious.

A movie like this needs a specificity about it, it needs to lay down a solid foundation for the gags to work. There just isn’t much here for the film to work with. We don’t really know the Amigos other than they are actors. Chevy Chase hardly does anything at all. Short and Martin do some funny stuff, all within their wheelhouse, but it never feels more than them just mugging their way through a movie.

And I’m not sure what they are satirizing – silent movies? People who pretend to be heroes but really aren’t? Other than a few funny bits the movie falls flat for me.

I know lots of people love this movie. And I admit I’m weird when it comes to comedy. But after this viewing I’ll be selling my DVD and I hope to never watch it again.