Bruce Springsteen – Buffalo, NY (11/22/09)

Bruce Springsteen
Greetings From Buffalo Dream Night Upgrade
Crystal Cat Records, CC 978-980
HSBC Arena
Buffalo, NY, USA
November 22 2009

Original Silver Discs –> EAC (Secure) –> Waw –> Flac Level 8 & Align
EAC Log Files, md5 Files (Flac & Waw), Disc Scans Included

101 – Intro
102 – Wrecking Ball
103 – The Ties That Bind
104 – Hungry Heart
105 – Working On A Dream
106 – Introducing Greetings
107 – Blinded By The Light
108 – Growin’ Up
109 – Mary Queen Of Arkansas
110 – Does This Bus Stop At 82nd Street
111 – Lost In The Flood
112 – The Angel
113 – For You
114 – Spirit In The Night
115 – It’s Hard To Be A Saint In The City

201 – Waitin’ On A Sunny Day
202 – The Promised Land
203 – Restless Nights
204 – Surprise Surprise
205 – Green Onions
206 – Merry Christmas Baby
207 – Santa Claus Is Comin’ To Town
208 – (I Don’t Want To) Hang Up My Rock And Roll Shoes
209 – Boom Boom
210 – My Love Will Not Let You Down
211 – Long Walk Home
212 – The Rising
213 – Born To Run
214 – Tenth Avenue Freeze Out

301 – Intro
302 – I’ll Work For Your Love
303 – Thunder Road
304 – American Land
305 – Dancing In The Dark
306 – Rosalita
307 – Higher And Higher
308 – Rockin’ All Over The World
309 – My Generation*
310 – The Wrestler*
311 – This Life*
312 – Detroit Medley*
313 – Wooly Bully*

* = Bonus Tracks

309-313 Bryce Jordan Center, Penn State University, University Park, PA, USA, May 08 2009

Bruce Springsteen – Dublin, Ireland (05/06/06)

Bruce Springsteen
Silent T – The Seeger Sessions in Dublin
Point Depot
Dublin, Ireland
5-May-2006

CD-R (taper, equipment unknown) > CDEX > FLAC

Setlist
01 – O Mary Don’t You Weep
02 – John Henry
03 – Johnny 99
04 – Old Dan Tucker
05 – Eyes on the Prize
06 – Jesse James
07 – Adam Raised a Cain
08 – Erie Canal
09 – My Oklahoma Home
10 – Mrs. McGrath
11 – How Can a Poor Man Stand Such Times and Live?
12 – Jacob’s Ladder
13 – We Shall Overcome
14 – Open All Night
15 – Pay Me My Money Down
16 – My City of Ruins
17 – Buffalo Gals
18 – You Can Look (But You Better Not Touch)
19 – When the Saints Go Marching In

From the original uploader:
Here, somewhat belatedly, is the first European show, and arguably the first show of the tour proper.

I was there and it was an amazing show, real fun, with a very eager audience.

The title is a reference to the correct pronunciation of “McGrath”. He explains how he was chastised about this in the intro, which is at the end of the track with ‘My Oklahoma Home’. The pronunciation regressed on the subsequent BBC concert, so while the setlist may not be unique, this show may be only one with him getting that surname right!

The sound quality is ok, but could do with some improvement. Rather than fiddle with it, I have left this exactly as on the CD-Rs, so someone with better software and mixing skills will have an untainted source. If someone would like to do a remix, here are some areas in need of attention:
* The volume level is low and need normalising.
* May need more bass.
* There is some hiss on ‘s’ sounds, I noticed this on ‘My City of Ruins’

Bruce Springsteen – Mobile, AL (02/21/81)

Bruce Springsteen
February 21, 1981.
Municipal Auditorium
Mobile, AL

A Night Of Singing, Dancing & Howling
‘Label’: Ev2

Source:
Master Cassettes (TDK-SA-90)> 1G safety copy TDK-SA-90>
TEAC cassette deck> JVC 5010 standalone> TDK Audio CDR’s (0)
Conversion: TDK Audio CDR’s (0) > EAC (Secure Mode) > TLH > Flac

TAPER: Freezer

Disc One:
01 Prove It All Night
02 Two Hearts
03 Tenth Avenue Freeze-Out
04 Darkness On The Edge Of Town
05 Independence Day
06 Who’ll Stop The Rain?
07 The Promised Land
08 Out In The Street
09 Intro / “Fight To Make This True”
10 This Land Is Your Land
11 Piano Intro
12 The River
13 Badlands
14 Thunder Road

Disc Two:
01 Cadillac Ranch
02 Sherry Darling
03 Hungry Heart
04 Fire
05 You Can Look (But You Better Not Touch)
06 4th Of July, Asbury Park (Sandy)
07 For You
08 Wreck On The Highway
09 Point Blank
10 Candy’s Room
11 Ramrod
12 Rosalita (Come Out Tonight)

Disc Three:
01 I’m A Rocker
02 Jungleland
03 Born To Run
04 Detroit Medley (w/ I Hear A Train)

05 Intro / “I asked Him Where Vietnam Was”
06 The River
07 War
08 The Promised Land
09 I’m On Fire
10 Intro / “My Favorite Elvis Song”
11 Can’t Help Falling In Love

Disc 3 tracks 5 – 10: Memorial Coliseum, Los Angeles, CA. September 29, 1985. (MarkP)

======

A very good audience tape, with the only problem being the taper’s girlfriend shouting and screaming A LOT.
She screams almost all the time through ’10th Avenue’ but other than that, I can’t say it bothers that much –
I’d say it pissed me off the most when she keeps screaming during the quiet parts of Jungleland.
I don’t usually get any recordings with a lot of screaming/shouting near taper, but on this show the good sound makes up for it enough.

Thanks a lot to mr. Freezer for taping the show and sharing this gem.

Little editing note: Reduced volume during some screaming parts between songs. One of the great performances of Sandy.

======

Taper Notes:

I had a girlfriend who wanted to “sing” along all night. And she is LOUD and off-key and out of time
(you’ll love the first few songs in set 2…….) IF I had pulled that whistle out, she’d have
tooted it all night, her singing is bad enough….but it can be ignored IF you’re really a Boss fan….
(I was, this was my 7th show since 1975….in 1976 I had seat ! in row A and he jumped off the
stage in front of me while I was taping, looked at me, laughed and ran out into the audience……)
But as regards my then-girlfriend:
You’ll thrill to her duet with Bruce on Hungry Heart……
You’ll marvel at her version of Sherry Darlin’…..
You’ll be shaking your head as she joins in on the choruses of Fire….
You’ll be pissed off at me for not telling her to shut up…
But, hey, I was “in love” … she was so cute…..but she kept quiet through other shows, bands
like Ramones, Squeeze, John Cale, The Who, Snakefinger……I figured I owed her a night to get
sloppy drunk and sing and dance and howl at a concert…..Now, you too will get a chance to enjoy
her 25 years after the fact……Freezer

Bruce Springsteen – Toronto, Canada (01/21/81)

Bruce Springsteen and the E Street Band
Maple Leaf Gardens
Toronto, ON
January 21, 1981

mackeck master via JEMS

Recording Gear: handheld portable cassette recorder with built-in mic

2013 Transfer: Maxell UD-90 master cassettes > Nakamichi CR-7A (azimuth-adjusted) > Sound Devices USBPre2 (24/96 Audacity 2.0 capture) > iZotope RX 3 click removal and gap fixes > iZotope MBIT+ convert to 16/44.1 .wav > Peak Pro XT (patch / edit / index) > xACT > FLAC

Seamless transfer, suggested CD breaks below…

101 Night
102 Out In The Street
103 Tenth Avenue Freeze-Out
104 Darkness On The Edge Of Town
105 Independence Day (10 second patch)
106 Who’ll Stop The Rain
107 Prove It All Night
108 Two Hearts
109 The Promised Land
110 The Price You Pay
111 The River
112 Badlands
113 Thunder Road
201 Cadillac Ranch
202 Sherry Darling
203 Hungry Heart
204 Fire
205 You Can Look (But You Better Not Touch)
206 4th Of July, Asbury Park (Sandy)
207 Growin’ Up
208 Fade Away
209 Stolen Car
210 Wreck On The Highway
211 Candy’s Room
212 Ramrod
213 Backstreets
301 Rosalita (Come Out Tonight) (7 second patch)
302 I’m A Rocker
303 Jungleland
304 Born To Run
305 Detroit Medley
306 Raise Your Hand

Known faults:
-Independence Day: 7 seconds patched with Recorder 2 (pitch corrected)
-Rosalita: 10 seconds patched with Recorder 1 (pitch corrected)
-Several recorder bumps were removed, 1 or 2 remain that could not be seamlessly removed

JEMS is pleased to present a previously uncirculated and complete master recording of the second night of Toronto ’81. It’s also the second show from the work of the taper(s) mackeck.

d.j.mackeck reached out earlier this year to report that his dad had recorded several Bruce shows between 1978 and 1984 in their hometown of Toronto, as well as cities within spitting distance like Detroit and Buffalo. He was kind enough to ship an initial batch of three masters, from which we made fresh transfers here at JEMS South.

The shows were recorded on a small portable recorder with built-in mic (likely a Toshiba or Sony, but memories have faded) in mono. As with the Buffalo ’80 recording, mackeck manages to avoid most audience chatter or noise, yielding a recording that is clear, relatively close, consistent and highly listenable. It only needed two small patches as noted above.

The only material flaw in this new Toronto recording was again micro gaps, like those found on the Buffalo master, only this time there were even more of them. In 50-60 random spots across the three hours, the recorder cuts out momentarily leaving an audible gap.

On the Toronto recording, the micro gaps are all well under a second in length, though absolutely noticeable. But happily for us, it isn’t 1981 but 2013 and audio technology has come a long way. Using iZotope RX and its magical “Spectral Repair” plug in, JEMS was able to repair the gaps in a manner that should make most of them inaudible to all but the most committed and headphone-wearing trainspotter. It was a more challenging tape to repair than Buffalo, but the end result is still quite remarkable. Samples provided.

As for the show itself, the second night of Toronto is obviously not nearly as well known as the first, for which there is an extant 90 minute soundboard recording (we will be doing mackeck’s 1/20/81 recording next). But like a lot of second nights, it is probably the more spirited performance. These would prove to be the fading days for some River classics, as this would be one of the last ten outings for “The Price You Pay” and “Fade Away,” both of which are sublime here, as are other tour stalwarts, “Stolen Car” and “Wreck on the Highway.” This early in ’81 it is still a classic River tour show, just one you haven’t heard very often.

To take this one the last mile and provide the patching is our comrade and the unchallenged king of multiple source recordings, MJK5510. Thanks to him for final finishing and prepping.

Big big thanks to d.j. mackeck and his dad for loaning JEMS their masters and recording the show in the first place.

BK for JEMS

Recorder Information
Recorder 1: River Floor Version / ‘From Asbury Park In Love’
Recorder 2: Incomplete 14 song tape transfer (mjk5510)
Recorder 3: ‘Mackeck’ Master Tape Transfer

Bruce Springsteen – Chicago, IL (10/11/80)

Bruce Springsteen & The E Street Band
Uptown Theatre
Chicago, Illinois
October 11, 1980

01 Prove It All Night
02 Badlands
03 Tenth Avenue Freeze-Out
04 For You
05 Darkness On The Edge Of Town
06 Wreck On The Highway
07 Factory
08 Jackson Cage
09 Out In The Street
10 The Promised Land
11 The River
12 Racing In The Street
13 Thunder Road
14 Jungleland
15 Good Rockiní Tonight
16 Cadillac Ranch
17 Fire
18 Sherry Darling
19 Here She Comes > I Wanna Marry You
20 The Ties That Bind
21 Point Blank
22 Crush On You
23 Ramrod
24 You Can Look (But You Better Not Touch)
25 Because The Night
26 Stolen Car
27 Backstreets
28 Rosalita (Come Out Tonight)
29 Born To Run
30 Detroit Medley
31 Raise Your Hand

(1st Generation via the DS Archives)
Transfer: 1st Generation Tape > Nakamichi DR-1 (azimuth adjusted) > MacBook Pro > Audacity > Peak Pro XT (volume smoothing / tweak / edit / index) > xACT 2.21 > FLAC

From the original uploader:
This is the first in a series of potential upgrades from longtime taper/trader, Dan Scripsema. First, a little history behind Dan and his archives, Dan began taping & trading in the mid 1970ís after noticing a taper at a Bob Seger show in 1976. He decided heíd purchase a deck himself and give it a go but the cheap deck he bought at the time did not give him the desired results. So, in 1978 , he upgraded to an Aiwa deck with an external mic which improved his quality, however, this rig was short lived after being caught in Kalamazoo, MI and the deck was damaged in the ensuing, as Dan describes it ìconfrontationî. Around this same time he began making contact with other traders and amassing a collection.

In 1979 he invested in a Sony D5 with a shotgun mic but with Bruce off the road at that time it wasnít until 1980 he was really able to put the new rig to use. It was during this time that he and some of his fellow trading buddies organized a national tape traders directory, he obtained vital information from fellow tapers/traders, categorized it and an early version of the tape traders tree was born. This set the group up for the early October start of the River tour. As the River tour took off, Dan covered most of the shows within driving distance of his home in West Michigan. The band of tapers which included such legendary tapers well known here, think Persic, Kivak, JEMS, etc., continued into the summer of 1981.

Before the Detroit shows in July of 1981 there was a gathering of the group at Danís house. From a personal aspect this was a very important gathering for Dan, the group bussed down to Detroit for the shows and it was on this bus trip that Dan met his wife of 33 years. Incidentally, Danís friend and fellow taper Lou Hill met his future wife on this same bus trip.

The collaboration continued for the Born In The USA Tour but as Tunnel Of Love hit the stores the responsibilities of family and fatherhood took over so everything was packed up and put away.

We fast forward to 2005 with things unchanged until a water pipe burst in Danís basement and much of his collection was lost. Luckily for us though, most of the Bruce archives were stored separately and survived.

That brings us to the second night in Chicago 1980, having to miss the first night due to work responsibilities a friend in Chicago hooked him up with tickets for the second night. He decided due to the venue size, not knowing where his seats were located and the fact he already had a friend taping that he would not be taping this show. The friend taping is the source of this 1st generation tape.

The two sold out October Chicago shows in the 4800 seat Uptown Theatre were part of a handful of early River tour theatre shows. These two shows prompted the addition of an arena show on November 20th due to the large number of fans who werenít able to get in to either show.

The early River shows donít seem to suffer from the same sound issues as the early Darkness shows, Clair Brothers Audio didnít appear to have any problems going from arenas to theatres and the sound is dialed in pretty quickly on this night, being the second night in the same venue couldnít have hurt either.
The show itself follows the basic set list for the first leg of the tour and is heavy in River material, the LP having just been released the day before. One slight addition to this show was an early set tour debut of ëFor Youí followed by a songs of despair mini set of ëDarkness On The Edge Of Towní, ëWreck On The Highwayí and ëFactoryí. Two nights later ëWreck On The Highwayí would be moved to its’ permanent place in the second set. Another tour premiere opens the second set in the high energy ëGood Rockiní Tonightí. Any personal recollections of the show have faded with the years.

Not only is this a nice material upgrade in sound, though far from perfect and should not be considered a top tier River show quality wise, but the between song edits found on the circulating versions are completely in tack here making for a much more pleasant and accurate listening experience. This in combination with the theatre setting gives this one a real ìyou are thereî feel absent from the previous releases of this show. The richness of Bruceís vocals comes through nicely, particularly on the slower songs. Samples provided.

At this point there are a handful of people we need to give some thanks to for helping to bring this show to you. First, earlmv for making the initial contact with Dan through Jungleland in regards to this specific show, earlmv put the word out that Dan wanted to get his archives into general circulation but someone was needed in the states to cut down on the cost. Next, oats1jvo picked up the ball with a follow up contact with Dan on how the best way to proceed would be. Oats1jvo put Dan and I in contact with each other and we are off and running. As with all my non JEMS postings, a huge thanks to E from JEMS for the lending of his backup DR-1 so more shows can continue to get into circulation.

And lastly, the biggest thanks to Dan for hanging onto his archives for all those years and his generosity in wanting to share it with us all. Please show your appreciation to all these folks in your comments.

Iím not sure whatís in store down the road but this is a worthy addition and upgrade to Bruceís River Tour legacy.

Billy Joel – Uniondale, NY (12/11/77)

Billy Joel
The Entertainer In New York
December 11, 1977
Nassau Veterans Memorial Coliseum
Uniondale, NY, USA

Main Stream
MSBR-70A/B
Source: Silvers > EAC > WAV > jetAudio > FLAC

Disc 1
01 Soundcheck / Introduction
02 The Mexican Connection
03 The Stranger
04 Somewhere Along The Line
05 Summer, Highland Falls
06 Piano Man
07 Scenes From An Italian Restaurant
08 Travelin’ Prayer
09 Movin’ Out (Anthony’s Song)
10 Still Crazy After All These Years
11 Just The Way You Are
12 Prelude / Angry Young Man
13 New York State Of Mind

Disc 2
01 The Entertainer
02 Vienna
03 Root Beer Rag
04 She’s Always A Woman
05 I’ve Loved These Days
06 Miami 2017 (Seen The Lights Go Out On Broadway)
07 The Ballad Of Billy The Kid
08 Have Yourself A Merry Little Christmas / Captain Jack
09 Say Goodbye To Hollywood
10 Only The Good Die Young
11 Get It Right The First Time
12 Souvenir

Note:
Artwork denotes wrong track list.

Artwork:
Disc 2 Track 8: Have Yourself A Merry Little Christmas
Disc 2 Track 9: Captain Jack

Correction:
Disc 2 Track 8: Have Yourself A Merry Little Christmas / Captain Jack

Eric Clapton – Uniondale, NY (06/28/75)

Eric Clapton
“Union of the Gods”
Uniondale, New York
June 28, 1975

Disc 1:

1. Layla
2. Key to the Highway
3. Badge *Not Included – Officially Released*
4. Bell Bottom Blues
5. Further On Up the Road
6. Better Make it Through Today
7. Blues Power

Disc 2:

1. Sunshine of Your Love
2. Crossroads
3. Tell the Truth
4. Stormy Monday
5. Eyesight to the Blind

Band Lineup (courtesy of ectours.de)
Eric Clapton Guitar, Vocals
George Terry Guitar
Carl Radle Bass
Dick Sims Keyboards
Jamie Oldaker Drums
Yvonne Elliman Backing Vocals
Marcy Levy Backing Vocals

Silver Horse – SH-7502A/B – Aud 3

(Rating Scale 1-6; where 1=awful & 6=perfect)

Geetarz Comments: Disc times are 62:51/44:25.

Also features Carlos Santana and John McLaughlin on guitar, and Alphonze Mouzon on drums, during the encore.

“Badge” and “I Shot the Sheriff” from this concert were officially released on the “Crossroads 2: Live in the Seventies” box set. Please note that this audience recording is not complete, to begin with it was missing “Sheriff” and “Can’t Find My Way Home”. To appease the DIME gods and prevent confusion from anyone stupid enough to confuse an officially released soundboard track with a pretty crappy audience recording, D1T3, “Badge” has been removed from this torrent. More information about the missing track(s) can be discussed on the ClaptonBoots group (http://launch.groups.yahoo.com/group/ClaptonBoots/).

Please note that although I have run across several different lineages of this recording, they have all been missing the same 2 tracks so at this point I think it’s a safe assumption to consider that they were not recorded, or at least the full recording is not to be found in the trading pool. I hope to be proven wrong, but in the meantime this is the best sounding recording of this historic concert that I have encountered.

CD Extraction with EAC (v 0.99, Prebeta 4, Secure Mode) > FLAC (Level 5) > YOU!

Artwork scans, EAC logs, and checksums included.

Upped By Request.

~G

Mark Knopfler – Paris, France (07/11/96)

Mark Knopfler
“FIRST NIGHT IN PARIS 1996”
Le Zenith
Paris, France
1996-07-11.

Source: audience
Format: 2 CDRs
soundquality: 9+ (scale 1-10)

Enlight note:

Very good performance, brilliant to heavenly guitar playing.
Mark knopfler and band with assistance from “The Electra Strings”(On some songs)
Stunning long versions of “The Bug” and “Cannibals”.
Included the rarely played “Vic And Ray”
Nice instrumental “Hawaiian Lullaby” – a folk tune played by Richard on slide guitar joined by Guy and Glenn , very nice which also makes this bootleg a “must have”. (IMHO)

CD 1:

1. Intro
2. Darling pretty
3. Walk of life
4. Imelda
5. The bug
6. Rudiger
7. Je suis desole
8. Calling Elvis
9. I’m the fool
10. Last exit to Brooklyn
11. Romeo and Juliet
12. Sultans of swing

CD 2:

1. Band introduction
2. Done with Bonaparte
3. A love idea
4. Vic and Ray
5. Father and son
6. Golden heart
7. Cannibals
8. Telegraph road
9. Brothers in arms
10. Money for nothing
11. The long highway
12. Going Home
13. Hawaiian lullaby

The band:

Mark Knopfler : guitars and vocals
Glenn Worf : bass and backing vocals
Chad Cromwell : drums
Richard Bennett : guitars
Jim Cox : piano, accordion
Guy Fletcher : keyboards and backing vocals

The electra strings:

Sonia Slany – Violin
Jocelyn Pook – Viola
Dinah Beamish – Cello
Jules Singleton – Violin

comments:J.van ToL (OEB)

Great sounding recording!
The Electra Strings join the band on some songs.
Great to hear the rarely performed songs Vic and Ray
and a live version of the Hawaiian Lullaby played by Guy Fletcher, Glenn Worf and Richard Bennet.

Complete concert.

Simon & Garfunkel – Overs 1964 – 1970: Live, Studio and Demos

SIMON & GARFUNKEL
Overs 1964-1970
Live, studio and demos and studio sessions

Disc One:
1. Bleecker Street
2. Kathy’s Song
3. Bleecker Street
4. Sparrow
5. A Most Peculiar Man
6. Sparrow
7. Tom Wilson Rap
8. Somewhere They Can’t Find Me
9. Bad News Feeling
10. I Wish You Could Be Here
11. Blues Run The Game
12. For Emily, Whenever I May Find Her – take 3
13. For Emily, Whenever I May Find Her – take 4
14. For Emily, Whenever I May Find Her – take 5
15. For Emily, Whenever I May Find Her – take 6
16. For Emily, Whenever I May Find Her – take 7
17. For Emily, Whenever I May Find Her – take 8
18. For Emily, Whenever I May Find Her – take 9
19. For Emily, Whenever I May Find Her – take 10
20. For Emily, Whenever I May Find Her – take 11
21. For Emily, Whenever I May Find Her – take 12
22. For Emily, Whenever I May Find Her – take 13
23. For Emily, Whenever I May Find Her – take 14
24. Overs – take 4
25. Overs – take 5
26. Overs – take 6
27. Overs – take 7
28. Overs – take 8
29. Overs – take 9
30. You Don’t Know Where Your Interest Lies

Disc Two:
1. A Poem On The Underground Wall
2. Red Rubber Ball
3. Blessed
4. Anji
5. A Church Is Burning
6. Intro
7. A Poem On The Underground Wall
8. For Emily, Whenever I May Find Her
9. Overs
10. Anji
11. Patterns
12. The Sound Of Silence
13. Overs
14. A Most Peculiar Man
15. Bye Bye Love
16. Feuilles-Oh
17. Bridge Over Troubled Water
18. Why Don’t You Write Me – instrumental
19. Why Don’t You Write Me – vocal only
20. Why Don’t You Write Me
21. The Only Living Boy In New York
22. Cecilia – early percussive mix
23. Hey Schoolgirl
24. That Silver Haired Daddy Of Mine
25. Lightniní Express

Disc 1:
track 1: 1964 demo
track 2: 1965 demo
tracks 3-7: BBC 1965
track 8: Sound Of Silence sessions 1966 outtake
tracks 9-10: Sound Of Silence sessions 1966 rehearsals
track 11: Sound Of Silence sessions 1966 outtake
tracks 12-23: Parsley Sage Rosemary & Tyme 1966 sessions
tracks 24-30: Bookends 1968 sessions & outtake

Disc 2:
tracks 1-5: Carnegie Hall, New York, 1967
tracks 6-12: FM-Net concert, 1967/68
tracks 13-15: Vermont 1968
tracks 16-22: Bridge Over Troubled Water 1970 demos & sessions
tracks 23-24: Carnegie Hall, New York, 1969
Track 25: Paris 1970

From the original uploader:
This is the stream of the Simon & Garfunkel early period torrents, 1957-1970, mostly in excellent quality, that will last until the beginning of September, still ratio-free. The music is great, so feel free to enjoy your way!

1984 (Featuring Brian May) – Teddington, England (03/31/67)

1984 (featuring Brian May)
31 march 1967
Thames Television, Broom Lane Studio
Teddington UK

01. Hold on I’m coming (Isaac Hayes/ David Porter)
02. Knock on wood (Eddie Floyd/ Steve Cropper)
03. NSU (Jack Bruce)
04. How can it be (Ron Wood)
05. Step on me (take1) (Tim Staffel/ Brian May)
06. Step on me (take2) (Tim Staffel/ Brian May)
07. Purple Haze (Jimi Hendrix)
08. Our love is driftin’ (Elvis Bishop/ Paul Butterfield)
09. Remember (Jimi Hendrix)
10. Sweet wine (Ginger Baker/ Janet Godfrey)

Line up: Dave Dilloway – bass guitar
John Garnham – rhythm guitar/vocals
Brian May – lead guitar
Tim Staffel – vocals/harmonica
Richard Thompson – drums
John Sanger – piano

Taken from QUeenpedia.com:

Also from 1967, and of far more interest, is 1984’s professionally recorded Thames Television demo tape.
During his first-year of study at Twickenham Technical College, Dave Dilloway had made friends with a number of technicians, or trainee technicians, at the Teddington-based ITV Company, which served the London area.
The station had recently invested in new recording equipment, and rather than hire professional musicians at the usual union rate, in a set up similar to the first Queen sessions at the De Lane Lea studios, 1984 were let loose in the studio to record at their leisure.
Dave Dilloway’s carefully preserved tape still plays perfectly, and includes the following songs: “Hold On I’m Coming”, “Knock On Wood”, “NSU”, “How Can It Be”, two early run-throughs of the original May/Staffell composition “Step On Me” (which eventually became the B-side to Smile’s “Earth”), “Purple Haze”, “Our Love Is Drifting'”, and medleys of “Remember”/”Sweet Wine” and “Get Out My Life Woman”/”Satisfaction”.
The session ended with a run-through of “My Girl”.

“What an extraordinary amalgam!” declares Tim Staffell today.
“There’s Tamla, Cream, Hendrix, Lee DorseyÖ ‘Our Love Is Driftin’ ‘, we’d have heard by Paul Butterfield.
I’d forgotten there was such a large soul component in 1984!”

Dave Dilloway has the technical details: “This tape is the most recent, best and most representative of 1984 that I’m aware of.
It is mono, but since it was made on good quality TV studio equipment and was carried out along the lines of a proper studio recording, with separately mixed microphones for each source, it is remarkably good quality for its age.
The material, except for ‘Step On Me’, is all cover versions, but as it dates from the late 1984 era, Brian’s playing is more prominent and effective, with his own style starting to show through.
All the performances are competent – particularly Tim’s vocals and Brian’s guitar; although the mix is a little heavy on John’s rhythm guitar for some reason, probably the ‘ear’ of the recording engineer at the time.
All tracks were laid down in one take, i.e., no overdubbing at all, so the sound is predominantly simple, as per our live versions.”