David and the Dorks – San Francisco, CA (12/20/70)

“David and the Dorks”
(David Crosby, Jerry Garcia, Mickey Hart, Phil Lesh)
12/20/70
The Matrix
San Francisco, CA

This is flac encoded & tagged version of shnid: 4499

Disc 1 (7 tracks, 53:54)

1. Bertha
2. Deep Elem Blues
3. Drop Down Mama
4. Cowboy Movie
5. Triad
6. The Wall
7. Motherless Children

Lineage: SBD>Rn>DAT>CD>EAC>SHN

[note: Rn = unknown number of reel generations]

DAT to CD/SNH conversion done by Glenn Tremblay
(glenntremblay@charter.net)
Please forward any show/setlist corrections.

The Who – Paris, France (01/16/70)

The Who
16th January 1970
Thetre des Champs-Elysees
Paris, France

Disc One:

01 – Heaven And Hell
02 – I Can’t Explain
03 – Fortune Teller
04 – Tattoo
05 – Young Man Blues
06 – A Quick One While He’s Away
07 – Overture
08 – It’s A Boy
09 – 1921
10 – Amazing Journey
11 – Sparks
12 – Eyesight To The Blind
13 – Christmas
14 – The Acid Queen
15 – Pinball Wizard
16 – Do You Think It’s Alright
17 – Fiddle About
18 – Tommy Can You Hear Me
19 – There’s A Doctor
20 – Go To The Mirror
21 – Smash The Mirror

Disc Two:

01 – Miracle Cure
02 – Sally Simpson
03 – I’m Free
04 – Tommy’s Holiday Camp
05 – We’re Not Gonna Take It
06 – Summertime Blues
07 – Shakin’ All Over
08 – My Generation

Source 1:

Lineage: No Fiddlesticks Silver CD -> EAC v0.95 beta 4 (Secure Mode) -> WAV
-> FLAC Frontend v1.1.2a (Level 5)

Silver: Shout To The Top STTP 193/194

Notes: Liberated by hntgzr. Many thanks to whitecity for supplying the original Silver
CD to rip and share! Kudos also to ooru, a definitive source of ‘oo knowledge during times
of uncertainty.

Stage banter transcription by Tom Pratt!

This is quite possibly a mixture of two AM Radio recordings. It has the same quality and feel
as many other 60’s AM radio shows. The recording is mono. It was the first of many early
1970’s Opera House concerts showcasing Tommy.

No amendments were made to the audio files after the rip. Some tape anomalies and cuts are
present.

Tattoo contains a tape anomaly at 1m 12s. Young Man Blues contains a dropout at 7m 04s during
Pete’s banter about A Quick One and again at 8m 32s. The dropouts are for milliseconds. There
is a noticable dip in sound quality during Overture at 55s – this is where the second tape
source possibly starts. Go To The Mirror has a slight cut at the end (no music is lost, just
crowd noise). The first few seconds of My Generation suffers from tape flutter.

According to Anyway Anyhow Anywhere, the show from the 17th was broadcast on Europa 1. The
actual date of this particular boot may well be from the 17th, however, the Concert File book
lists Pete’s stage banter as being from the 16th.

Artwork, Disc Scans, EAC Rip Logs, FLAC Fingerprints and MD5 Verification File all included.

Brought to you by: Long Live Rock
http://www.longliverock.org/downloads

FREE TRADE ONLY
NOT FOR SALE

Enjoy!
hntgzr

Source 2:

Lineage: unknown – FLAC files received in trade. Fits on 1 cd.

NOW, THIS ONE’S INTERESTING!
I received this recording claiming it was one of the famed gig in Paris on 9th December 1969. But it is not so.
That gig was always mythical and slightly doubted. On Baba O’Riley’s Bootleg Page (ROIO section), it appears under this date with a very similar track list, just short of My Generation encore. This was one of the strongest motifs for the belief that the show really happened.
However, Joe McMichael and Irish Jack Lyons postpone the date by one day in the Concert File stating:
“Wednesday, December 10, Venue unknown, Paris, France;
According to a Melody Maker news report, The Who were due to pay a three-day visit to Paris for television promotion and possible concerts. However, it’s probable the trip didn’t eventuate, considering the group played two Paris concerts the following month. A recording of a show in Paris has been attributed to this December 1969 date, although it may well be from January 16, 1970.
Pete commented that it was the first Who appearance in Paris for some years, and the first time ‘A Quick One (While He’s Away)’ had been played in the city, let alone Tommy. ‘Substitute’ as played at this show sounded particularly strong.”
Neill and Kent do not mention the stint at all in Anyway Anyhow Anywhere (which is about the most reliable Who chronicle that there is), but for the Paris visit in January next year, there is an important note:
“The show on the 17th was broadcast live at 9:00 p.m. on Europe 1 as a Musicorama special, and news footage was shown on ORTF.”
Therefore the bootlegged FM broadcast (No Fiddlesticks) stemmed from the show on 17th, and not from the 16th as the description of it often said. Another audience recording circulated very lately on Dime is identical with the FM recording (the same stage banter, song list and playing). So both the circulated recordings (AUD and FM) are from the same show and that was the 17th.
Recently, the aforementioned news footage appeared on YouTube, subtitled as a shot from 16th January (https://www.youtube.com/watch?v=w76H9Y3BDEE), providing the last missing piece of the jigsaw puzzle. The commentary in the shot says: “After Covent Garden,……., The Who appeared after four years in Paris at the Theatre of Champs ElysÈes.” (Alright they got it wrong, it was not Covent Garden but the Coliseum; nevertheless, this is evidently a shot taken AFTER their London opera house appearance.) And more importantly, Pete can clearly be heard say: “It’s nice to be back in Paris because last time we were here nobody really knew who we were…” And he would not have said this, had they been in Paris just one month ago!
And he continues, “We’d like to especially dedicate this next song, which is probably the biggest hit in our history, probably bigger than Tommy in its time…”
Listening to this audience recording, you will find exactly the same speech before My Generation! Therefore this is not the recording from 9th or 10th December 1969 because no such show ever happened!
It is a recording of their first Paris gig after 4 years, on 16th January 1970.
Mystery solved! Another Who myth busted! Enjoy!

Pink Floyd – Stony Brook, NY (04/11/70)

Pink Floyd
11. Apr. 1970
State University of New York, Stony Brook
Long Island, New York, USA

Tracks:

1. Astronomy Domine
2. Careful with that Axe, Eugene
3. Cymbaline
4. Atom Heart Mother
5. Set the Controls for the Heart of the Sun
6. A Saucerful of Secrets

Source 1:
Genuine New York 1970
Label: Monkey Records
Catalogue number: 002
‘A Saucerful Of Secrets’ as recorded at this concert is incomplete, with a convincing edit into the version commercially avaliable on the ‘Ummagumma’ LP.

Source 2:
Trademark Moo
Highland – HL630
(P) 2003 Made in Italy

Notes:

Sounds much better than the other versions available from this recording and is much
longer, including more tune-ups and announcements too (not only the intro to
Astronomy Domine actually, but more!)

Again, the recording itself would not deserve more than a VG/VG+ and the taper and the
lady talk really a lot (all it is clearly audible here, from this would be possible to pull out
an accurate transcription maybe, if you’ll be ever interested in knowing what they were
talking about) but this is a real low gen.

Sourced version, once you get this you’ll trash the rest!

A Saucerful of Secrets is obviously cut.

Van Morrison – 1970 Demo Session

Van Morrison
1970 Demo Session

You Got the Power
Bit By Bit
Coming Down to Joy

Notes taken from the artwork.

The three songs on this disk originate from a reel-to-reel demo tape which was found in 2003 at a flea market in the USA. Apparently the buyer had no idea about the rarity of the tape and offered it for sale at an auction. Starting price was $9.99 and the tape was finally sold for $16.05 to the only collector noticing the item and knowing what it was about – if only the actual contents of the tape matched the label placed on the outside of the box. Luckily it did, and despite the age of the recording and the first part of the tape being in a mess, it was generally found to be in good shape.

Probably, this is a first generation copy of a master tape from a session at the Warner Bros. demos studio for songwriters. Whoever the engineer, he does not seem to have had one of his better days. Especially the bass seems in places somewhat distorted, and at one point on “You Got the Power” the speed gets a little uneven. The label on the outside of the box lists the three tracks and appears to have been printed for a 45rpm record. However, this is a bit of a mystery. The recordings on this tape were clearly not intended for release and even if a few copies were pressed and handed out to artists interested in recording one of the songs, it seems unlikely that you could fit 14 minutes of music on on 7 inch and 45rpm records were not available at the time.

Concerning the time of the recordings, it seems likely that these tracks with a small band of bass, drums, piano and organ accompanying Morrison have been recorded in late 1970, possibly 1971. The late bearing the mark of Warner Bros. sets the date to be after Morrison’s signing a contract with Warner Bros. during the early summer of 1968. The sound seems gospel-influenced which suggests the time of the session to have been around the recording of “His Band and Street Choir” during the fall of 1970. Furthermore, the rather rhythmic piano in my ears tends to sound like Alan Hand (who joined Morrison’s band not long before recording “His Band and Street Choir”) and John Klinberg seems to be the most likely guess as part of the band from that album. The lack of a guitar player on the recordings makes it even more obvious that it should be this band. Morrison’s guitar player at the time, John Platania is known to have had a falling out with him for a short period in the Autumn of 1970 (and even if he does appear on “His Band and Street Choir”, he was not present for the photo session for the cover of the album). The missing guitar could also indicate that it might be Morrison himself play9ng the piano but it does not seem likely.

All three tracks on this CD were previously unavailable. All three songs are written by Van Morrison. A later recording of “You Got the Power” was released as a b-side of “Jackie Wilson Said” in 1972 and an acoustic version of “Bit by Bit” can be found on several bootlegs. Interestingly country singer Roy Head, around 1971 released his versions of both “You Got the Power” and “Bit by Bit” probably after hearing the demos versions on this very tape. “Coming Down to Joy” is the real gem of this demo session. The title has never been mentioned anywhere – and no recording of this Van Morrison has ever surfaced until now. In fact Morrison does not even seem to have had this song registered for copyright.

Jay – August 2003

Two Track Stereo Analog Tape converted to digital using Revox A77 and Son SBM1. Mastering on Macintosh.

New Riders of the Purple Sage & The Grateful Dead – Cambridge, MA (05/07/70)

 Grateful Dead
New Riders of the Purple Sage
05/07/1970
Dupont Gymnasium, M.I.T.
Cambridge, MA

–Grateful Dead Acoustic set–
101-d1t01 – Intro
102-d1t02 – Don’t Ease Me In
103-d1t03 – I Know You Rider
104-d1t04 – level setting
105-d1t05 – Friend of the Devil
106-d1t06 – level setting
107-d1t07 – Me & My Uncle
108-d1t08 – Deep Elem Blues
109-d1t09 – Candyman
110-d1t10 – banter and jokes
111-d1t11 – Cumberland Blues
112-d1t12 – New Speedway Boogie
113-d1t13 – tuning and crowd
114-d1t14 – Black Peter
115-d1t15 – Uncle John’s Band

* David Nelson introduced on guitar for Black Peter

–New Riders Of The Purple Sage Set–
201-d2t01 – Whatcha Gonna Do?
202-d2t02 – tuning and crowd
203-d2t03 – Six Days on the Road
204-d2t04 – tuning and crowd
205-d2t05 – I Don?t Know You
206-d2t06 – crowd and tuning
207-d2t07 – Portland Woman//
208-d2t08 – Henry
209-d2t09 – crowd and tuning
210-d2t10 – Workin’ Man Blues
211-d2t11 – tuning and crowd
212-d2t12 – All I Ever Wanted
213-d2t13 – Fair Chance To Know//
214-d2t14 – Last Lonely Eagle
215-d2t15 – Lodi
216-d2t16 – Bob Weir introduced and tuning
217-d2t17 – The Race Is On #
218-d2t18 – //Seasons #
219-d2t19 – Mama Tried #
220-d2t20 – Saw Mill #
221-d2t21 – Honky-Tonk Woman #

# with Bob Weir:

–Grateful Dead Electric Set–
301-d3t01 – Good Lovin?
302-d3t02 – Cold Rain & Snow
303-d3t03 – Dire Wolf
304-d3t04 – Easy Wind
305-d3t05 – Beat It on Down the Line
306-d3t06 – High Time
307-d3t07 – Cryptical Envelopment ->
308-d3t08 – Drums ->
309-d3t09 – The Other One >
310-d3t10 – Cryptical Envelopment ->
311-d3t11 – Cosmic Charlie
312-d3t12 – Casey Jones
313-d4t01 – I’m a King Bee
314-d4t02 – //Frozen Logger
315-d4t03 – Drums
316-d4t04 – Not Fade Away ->
317-d4t05 – Turn on your Lovelight

Source 1:

This is a tagged version of shnid: 32276
main source:
AudMC > ? > 7″ R > DAT > HD > SHN
Taper, mics, and deck unknown
A > D transfer by Noah Weiner – noahbw@home.com

this is a remaster of shnid 5439
gd70-05-07.aud.remaster-SirMick.32276.sbeok.flac16
– I hve repaired a great many very small dropouts which occured mostly on d1
and d3
– the static that is present in d1t03 has been greatly reduced
– the staic that was present in d1t04 has been removed
– the intermittent static in d2t08-d2t12 hs been reduced so that it is now
almost inaudible
– the following patches have been made using the source seeded by David
Hollister (shnid 19525)
d1t15 – 0:45-0:47
d3t06 – 1:52-1:54, 3:57-4:05
d4t05 – 4:35-4:425
– a number of volume adjustments have been made
– some noise reduction has been applied
– remastering done with iZotope Oxone and Waves plugins
– d1t05 has large dropouts at 0:31 for 1 second and at 2:37 for 8.5 seconds
which are not repairable.
– I re-tracked d2 and also decided to leave Lovelight as one glorious chunk
of music!

SIRMick
January 2006

Source 2:
shnid 141093

Source: Audience Cassette Master > Reel > PCM (Sony HG) – Provided by Tim Dalton
Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 – Transferred By Charlie Miller

New Riders Of The Purple Sage

Source: Audience Cassette Master > ? > 7″ Reel > DAT
Transfer: DAT > HD > SHN – Transferred by Noah Weiner

Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16

Source 3: New Riders Only

This is a tagged version of shnid: 97270

AudMC > ? > 7″ R > DAT > HD > SHN
Taper, mics, and deck unknown
A > D transfer by Noah Weiner – noahbw@home.com
Audience Devotional Tree Round 4 – September, 2001

NOTE- This is the NRPS set from GD shn set id 5439.
The sector errors were fixed and the shn’s coverted to flac.

shn>flac16 – level 8

Tracks 01 through 10
note: There is intermittent static clicking running from the end of “Henry” through “Fair Chance To Know.” This clicking is present on two known cassette copies of the
NRPS set, and does not stem from the digital processing of this version.

Van Morrison – New York, NY (09/23/70)

VAN MORRISON
& The Caledonia Soul Orchestra
Fillmore East
New York City
September 23rd 1970

1. Bill Graham Introduction
2. THESE DREAMS OF YOU
3. CYPRUS AVENUE

Source 1:

Welcome To The Fillmore East
SBD
Audio Only

Source 2:

Video and Audio

PRO SHOT

AUDIO VERSION has no Intro Track

VIDEO: MPEG-2, 16×9 Frame/4×3 Image, 720×480, 29.97fps, 5405Kbps
AUDIO: LPCM Stereo, 48000Hz, 1536Kbps

Editing & Authoring, JTT 2015

JTT, June 2015

Pink Floyd – San Francisco, CA (04/29/70)

Pink Floyd
Interstellar Filmore
HRV CDR 016
Recorded live at the filmore west.
April 29th,1970.

Disc one:

1 Grantchester Meadows
2 Astronomy Domine
3 Cymbaline
4 Atom Heart Mother
5 Embryo

Disc two:

1 Green Is The Colour
2 Careful With That Axe, Eugene
3 Set The Controls For The Heart Of The Sun
4 A Saucerful Of Secrets (1st encore)
5 Interstellar Overdrive (2nd encore)

Miles Davis – New York, NY (07/25/70)

Miles Davis Septet
July 25, 1970
Madison Square Garden
New York, New York

Project ID – LMPP217

Source: Audience
Lineage: Audience Recording > ?? > cdr > Xact > wave > flac lvl 8

Miles Davis (tpt); Steve Grossman (ss, ts); Chick Corea (el-p); Keith Jarrett (org); Dave Holland (el-b); Jack DeJohnette (d); Airto Moreira (perc)

disc 1

d1t01. Introduction
d1t02. Directions
d1t03. Bitches Brew
d1t04. Paraphernalia
d1t05. Sanctuary
d1t06. It’s About That Time
d1t07. Miles Runs the Voodoo Down
d1t08. Spanish Key

Notes:

– d1t07: This track is an absolute mess. The bass is so loud and distorted, you can’t even tell there is other music playing.

– d1t08:Digi pop at :23

– The sound on this is very distant. There really isn’t much sonic value to it. This would be a completists only source IMO. Great performance and a piece of history nonetheless. Thank you to the taper for capturing this moment regardless of the issues.

– QC done by Bgreen

Miles Davis – San Francisco, CA (04/12/70)

Miles Davis Sextet
April 12, 1970
Fillmore West Auditorium
San Francisco, CA

Project ID – LMPP214

Source: Soundboard
Lineage: SBD >? >DAT @ 48 kHz >.wav via S/PDIF and M-Audio Audiophile 2496 digital soundcard >SoundForge 6.0 >CD Wave > FLAC Frontend (level 8, SBE OK)

Miles Davis (tpt); Steve Grossman (ss); Chick Corea (el-p); Dave Holland (b, el-b); Jack De Johnette (d); Airto Moreira (perc)

disc 1

d1t01. It’s About That Time
d1t02. Directions
d1t03. I Fall in Love Too Easily
d1t04. Sanctuary
d1t05. Footprints
d1t06. Agitation
d1t07. No Blues
d1t08. Bitches Brew
d1t09. Spanish Key
d1t10. The Theme

Notes:

From original text file by Milesian June 2005:

“Technical Note: During the transfer from DAT to hard drive the source DAT snapped. The portion remaining after the break was then copied to hard drive and 1:58 from the Miles Trees source was spliced in to complete the recording. Channels were swapped and pitch adjusted on the Miles Trees portion to minimize differences in acoustic character.”

– d1t02: ~5:39 rch pinned / lch some minor high freq noise, ~9:48 rch pinned / lch some minor high freq noise
– d1t05: from ~9:12 thru ~9:41 ~ 16khz carrier appears (not audible)
– d1t07 ~ 0:02 rch pnned / lch some minor high freq noise
– d1t08: ~0:14 two closely spaced discontinuites (maybe a few samples are missing); ~2:08 rch pinned for .2 seconds, lch some high freq noise; ~5:51 brief rch pop/glitch; 9:52 thru ~ 11:53 “hiss” level rises

General comments about source quality:

– source audio signal insigificant above 8kHz,
– hiss level unobtrusive compared to LMPP215
– Poster billed band as “Miles Davis Quintet” though 6 musicians performed
– “Credit to Peter Losin, http://www.plosin.com/” for lineup information
– QC done by mfv

Miles Davis – San Francisco, CA (04/11/70)

Miles Davis Sextet
April 11, 1970
Fillmore West
San Francisco, CA

Project ID – LMPP212

Source: Soundboard recording
Lineage: Unknown

Miles Davis (tpt); Steve Grossman (ss); Chick Corea (el-p); Dave Holland (b, el-b); Jack De Johnette (d); Airto Moreira (perc)

disc 1

d1t01. Directions
d1t02. Miles Runs the Voodoo Down
d1t03. Paraphernalia
d1t04. Footprints
d1t05. I Fall in Love Too Easily
d1t06. Sanctuary
d1t07. It’s About That Time
d1t08. Willie Nelson / The Theme

Notes:

– This is pitched faster and has the LR channels swapped compared to LMPP213
– instruments are localized in left or right channels
– audio signal below 6 khz
– d1t01: pop 3:51,
– d1t02: pop at 5:35
– QC by mfv