Tag: 1999

Bruce Hornsby & Bela Fleck – Danbury, CT (08/21/99)

Bruce Hornsby & Bela Fleck
8/21/99
Ives Concert Park – Danbury, CT

Transfer: Neumann KMR-82i > Sonosax SX-M2 > DA-P1
Transfer: Tascam DA-30 MKII > Tascam DR-680 > Audacity > WAV > Traders Little Helper > FLAC
Taped by David Keller
Transferred & Seeded by Bill Graves

  1. Charles Ives Sonata >
  2. Western Skyline >
  3. When I Paint My Masterpiece >
  4. Western Skyline
  5. Cheeseballs in Cowtown
  6. Crown of Jewels
  7. White-Wheeled Limousine
  8. Across the River >
  9. I Know You Rider
  10. Talk of the Town >
  11. Hot ‘Lanta >
  12. Big Boss Man >
  13. Dixie Chicken
  14. Instrumental
  15. Every Little Kiss
  16. Tangled up in Blue >
  17. Jam >
  18. Tangled Up in Blue
  19. China Doll
  20. In the Wee Small Hours
  21. Valley Road

~ Encore ~

  1. Crowd / Banter
  2. Mandolin Rain >
  3. Fortunate Son
  4. King of the Hill

Huge thanks to David Keller for the use of his archives

This show is a Boiler in the Basement Installment –
http://boilerinthebasementmusic.wordpress.com/

Gregg Allman – Ventura, CA (05/27/99)

Gregg Allman & Friends
5/27/99
Majestic Ventura Theater
Ventura, CA

Neumann AK-40’s (x/y) >LC3 >KM-100’s >Beyer MV-100 >Tascam DA-P1
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters (HHb Gold Discs) >FLAC (Level 8) Via xACT 2.28

FOB, 2nd Tier, Center Table. Microphones On 10ft Stand

Recorded, Transferred, FLAC’d, Tagged, & Front Cover Artwork By OldNeumanntapr

Set I

  1. Hot ‘Lanta
  2. I’m No Angel
  3. Slip Away
  4. Rendezvous With The Blues
  5. Midnight Rider
  6. Love The Poison
  7. These Days
  8. I’ve Been Hurt Real Bad
  9. House Of Blues

Set II

  1. Demons
  2. Born Under A Bad Sign
  3. Just Before The Bullets Fly
  4. Back To Daytona
  5. Melissa
  6. Whipping Post
  7. Trouble No More
  8. Please Call Home

OldNeumanntapr Notes:

This ‘review’ I had originally posted to DAT-Heads soon after the show in 1999

Just back from Greg Allman and Friends at the Ventura Theatre.
The theatre people gave me the usual run around even though I had a print
out of the ABB web page which stated the taping policy. I finally went
directly to Robert, the manager, who is a friend of a friend of mine.
He was cool and said he didn’t mind but someone would have to personally
ask the road manager. I relayed this to one of the security people outside
who came back 5 minutes later with a long face and said, ‘sorry dude. You
can’t’. I told him that Robert had already given his OK but they would
have to talk with the road manager. This guy then said he would go back
and ask again. I figured I was just going to get the run around so I
walked down the street and found an open side door near back stage. The
road manager was outside talking to this same security kid. I walked up
and smiled and the security guy looked at me then looked at the road
manager and said, ‘oh yeah. One other thing. You can answer this guy’s
question. You Don’t allow recording do you?’ He asked expecting the answer
no. ‘Sure. Audio, no video’ was his response.

I thanked him and went to go in. The door people were a little alarmed at
my mic stand and wanted to know what it was. All the tables on the floor
were reserved for dinner except for 4 seats on the center table, second
tier. Myself and another taper sat down. He had already paid for dinner, I
hadn’t. Immediately the floor manager was all over me telling me I
couldn’t set up here because it was for dinner people only, blah blah
blah. So I had to pay the $20 on the spot for dinner but got to keep my
killer FOB center location. Right where I wanted to be anyway.

Moral to the story is it helped having the printout of the web page but it
also helped more being able to go right to the manager. But still I had to
work to get my gear inside because I basically had to ask the band’s road
manager myself. I couldn’t believe I was the only stand in the room!
I was expecting more tapers in Ventura. Especially since it was so close
to LA.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Allman Brothers Band – Mountain View, CA (08/01/99)

Allman Brothers Band
Aug 1,1999
Shoreline Amphitheatre
Mountain View, CA

*Neumann AK-40’s (x/y) >LC3->KM-100’s >Beyer MV-100 >Tascam DA-P1,
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
Taiyo Uden CD Masters >WAV Via xACT 2.35 >Audacity (Minor Edits, Minor Selective Compression [To Repair Wind Noise] >FLAC (Level 8) + Tags Via xACT 2.44

Recorded, Transferred, FLAC’d, Tagged, & Front Cover Artwork By OldNeumanntapr

*SEC 202, Row H (Some Minor Wind Noise / Distortion during first couple of songs.

Disc I:

  1. True Gravity
  2. Ain’t Wastin’ Time No More
  3. You Don’t Love Me
  4. Good Times (Don’t Fade Away)
  5. Midnight Rider
  6. Good Clean Fun
  7. Blue Sky
  8. End Of The Line

Disc II:

  1. Seven Turns*
  2. Melissa*
  3. J.J.’s Alley
  4. Trouble No More
  5. Stormy Monday**
  6. In Memory of Elizabeth Reed >***
  7. Bass Jam >In Memory Of Elizabeth Reed
  8. Revival

Encore:

  1. No One To Run With

*acoustic
**w/Susan Tedeschi on guitar and vocals
***w/Martin Fierro on saxophone

Susan Tedeschi Opened

OldNeumanntapr Notes:
This was my third Allman Brothers Band recording at Shoreline, and at least by now the venue staff was clued into tapers and let us bring microphone stands into the venue. Whereas the Dead had a designated tapers section, the Allman Brothers would let you record wherever your seat was. This was both good and bad, because even though you could record from up front if you had the ticket, you were still at the mercy of the crowd around you. It’s why they say ‘safety in numbers’. In the tapers section you could be helped by like-minded individuals who all had the common goal of recording, but the Allman Brothers tapers were scattered hither and yon and your neighbors could make or break your recording. At least I was able to run my microphone capsules on the stand with the active cables so they took up as little room as possible. I remember people yelling to security about tapers with larger mics that were obscuring their view and they made them lower their stands. I think this was the only time that I was able to see Martin Fierro play. He added so much to Jerry Garcia’s funk band ‘Legion Of Mary’. I loved his playing.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Wilco – Cincinnati, OH (11/05/99)

Wilco
November 5, 1999
Bogart’s – Cincinnati, OH

Source: SBD
Lineage: CD-R (unknown generation)->EAC(V0.95)->WAV->FLAC Frontend,level 8(1.7.1)->FLAC

DISC 1

  1. Via Chicago 5:24
  2. Candy Floss 3:00
  3. Summerteeth 3:25
  4. I’m Always in Love 3:38
  5. I Must Be High 3:25
  6. How to Fight Loneliness 4:48
  7. Hotel Arizona 4:04
  8. Red Eyed and Blue> 3:10
  9. I Got You 3:41
  10. Nothingsevergonnastandinmyway (again) 4:00
  11. She’s a Jar 4:55
  12. Shot in the Arm 5:50
  13. We’re Just Friends 3:26
  14. Misunderstood 7:13
  15. My Darling 4:01

DISC 2

  1. Hesitating Beauty 2:55
  2. Christ for President 4:41
  3. Banter 0:13
  4. Passenger Side 3:41
  5. Can’t Stand It 4:09
  6. Banter 1:39
  7. Forget the Flowers 2:39
  8. Buried Alive 4:34
  9. New Madrid 3:44
  10. The Lonely One 3:55
  11. California Stars 4:36
  12. Monday 4:04
  13. Any Major Dude Will Tell You 4:23
  14. Kingpin 8:12
  15. Casino Queen 4:42
  16. Drums 4:19
  17. Outtasite (Outtamind) 4:05
  18. No Romance 1:38

Ripped and encoded by scottjh

Tom Waits – Boston, MA (09/21/99)

Tom Waits
Orpheum Theater
Boston, MA
September 21, 1999


Recorded by Unwanted Man Music

AT853H -> Sony D7 -> Tascam CD-RW750 -> EAC -> FLAC

Disc 1

  1. Lucky Day/Black Rider Intro
  2. Down, Down, Down
  3. Jesus Gonna Be Here
  4. Earth Died Screaming
  5. Get Behind The Mule
  6. Chocolate Jesus
  7. Jockey Full Of Bourbon
  8. Hold On
  9. Step Right Up/Eyeball Kid
  10. Tango ëTill Theyíre Sore
  11. Cemetery Polka
  12. Invitation To The Blues
  13. Hang Down Your Head
  14. Christmas Card From A Hooker In Minneapolis
  15. Innocent When You Dream

Disc 2

  1. Sixteen Shells From A Thirty-Ought Six
  2. Gun Street Girl
  3. Black Market Baby
  4. Straight To The Top
  5. Iíll Shoot The Moon
  6. Filipino Box Spring Hog
  7. Whatís He Building?
  8. Strange Weather
  9. Pony

Bob Dylan – Duluth, MN (07/03/99)

BOB DYLAN
Bayfront Park
Duluth, Minnesota
July 3, 1999

lineage: audience tape traded to me on CDR>EAC FLAC

PART ONE:

  1. Oh Babe, It Ain’t No Lie
  2. Don’t Think Twice, It’s Alright
  3. Masters Of War
  4. It’s All Over Now, Baby Blue
  5. Tangled Up In Blue
  6. All Along The Watchtower
  7. Tryin’ To Get To Heaven
  8. Stuck Inside Of Mobile
  9. Make You Feel My Love
  10. Highway 61 Revisited

PART TWO:

  1. Like A Rolling Stone
  2. Blowin’ In The Wind
  3. Not Fade Away

With Paul Simon:

  1. The Sound Of Silence
  2. I Walk The Line/Blue Moon Of Kentucky
  3. Knockin’ On Heaven’s Door

Bob Dylan – vocal, guitar
Charlie Sexton – guitar
Larry Campbell – guitar, mandolin, pedal steel guitar, electric slide guitar
Tony Garnier – bass
David Kemper – drums

Bob Dylan – Anaheim, CA (06/20/99)

Bob Dylan
6/20/99
Anaheim, California
Arrowhead Pond Of Anaheim

1CDR

LB-857, (72min), incomplete, levels low, very good sound, downloaded from a.b.m.s.d. 2/03

Missing: Hallelujah, I’m Ready To Go, Mr. Tambourine Man, Masters Of War, Knockin’ On Heaven’s Door (Duet with Paul Simon)

pop/discontinuity on left channel t2 0:02, 0:44, t3 0:58, t5 0:01, 0:03, 0:42; brief level drop d1t7 4:2x, t10 0:20, a little mic noise at begin of t10, t11

1 It’s All Over Now, Baby Blue
2 Tangled Up In Blue (with harp)
3 All Along The Watchtower
4 Just Like A Woman (with harp)
5 Stuck Inside Of Mobile With The Memphis Blues Again
6 Not Dark Yet
7 Highway 61 Revisited
8 Like A Rolling Stone
9 encore
10 Not Fade Away
11 The Sound Of Silence (Duet with Paul Simon – Bob on harp)
12 I Walk The Line/Blue Moon Of Kentucky (Paul Simon)

Bruce Springsteen – Philadelphia, PA (09/25/99)

Bruce Springsteen
FIRST UNION CENTER
PHILADELPHIA, PA
1999-09-25

SET ONE

  1. INCIDENT ON 57TH STREET 11:09
  2. THE TIES THAT BIND 03:47
  3. PROVE IT ALL NIGHT 06:24
  4. TWO HEARTS 03:14
  5. ATLANTIC CITY 06:52
  6. FACTORY 03:54
  7. POINT BLANK 08:25
  8. YOUNGSTOWN 06:23
  9. MURDER INCORPORATED 06:04
  10. BADLANDS 07:20
  11. OUT IN THE STREET 07:13
  12. TENTH AVENUE FREEZE-OUT 19:31
  13. SHERRY DARLING 07:21
  14. STREETS OF PHILADELPHIA 03:42
  15. NEW YORK CITY SERENADE 10:47
  16. LIGHT OF DAY 12:31

FIRST ENCORE

  1. JUNGLELAND 10:57
  2. BORN TO RUN 06:10

SECOND ENCORE

  1. THUNDER ROAD 06:31
  2. IF I SHOULD FALL BEHIND 06:25
  3. LAND OF HOPE AND DREAMS 10:09
  4. RAISE YOUR HAND 05:34

Bruce Springsteen – Lead vocals, guitar, harmonica; Roy Bittan – Piano, keyboards; Clarence Clemons – Tenor and baritone saxophones, percussion, backing vocal; Danny Federici – Organ, keyboards; Nils Lofgren – Guitar, pedal steel, backing vocal; Patti Scialfa – Guitar, percussion, backing vocal; Garry Tallent – Bass; Stevie Van Zandt – Electric and acoustic guitars, mandolin, backing vocal; Max Weinberg – Drums
Recorded by Toby Scott and Ross Petersen
Mixed by Jon Altschiller from multi-track digital masters; Additional engineering by Danielle Warman
Mastered by Jon Altschiller
Post Production by Brad Serling and Micah Gordon
Art Design by Michelle Holme; Cover Photo by Danny Clinch
Tour Director: George Travis
Jon Landau Management: Jon Landau, Barbara Carr, Jan Stabile, Alison Oscar

Tom Waits – Boston, MA (09/19/99)

Tom Waits
the Orpheum Theatre
Boston, MA
SEPT 19,1999

SchoepsMK4 Mics and Sony D7>clone to me>Clone to disc
using a Tascam Stand alone and optical cables>EAC>TLH8

Dolphinsmile Producer
for the Dolphinsmile Archive

Jockey Full of Bourbon
Jesus Gonna Be Here
Earth Died Screaming
Get Behind the Mule
Chocolate Jesus
Down, Down, Down
Hold On
Step Right Up
Eyeball Kid
Tango Till They’re Sore
Johnsburg, Illinois
Invitation to the Blues
The Ocean Doesn’t Want Me
The Briar and the Rose
Innocent When You Dream
16 Shells from a Thirty-Ought Six
Walking Spanish
What’s He Building?
Gun Street Girl
I’ll Shoot The Moon
Filipino Box Spring Hog
Swordfishtrombone
Strange Weather
Come On Up to the House
Lucky Day

Bob Dylan – I Got Rosie On My Chest, Summer & Fall Tour 1999

Bob Dylan
1999 I GOT ROSIE ON MY CHEST
Pink Panther Records
the 1999 summer & fall “Paul Simon” concerts

As always (even when I forget to mention her) thanks to Nellie over at Expecting rain.

Bob played 49 concerts between 6/5 Denver & 9/18 Dallas.

These concerts were mainly double-header concerts with Paul Simon (where they alternated opening for each other every night),
along with some breakout club shows which were performed without Paul Simon,
along with the Crossroads benefit concert in New York with Eric Clapton.

Due to Bob playing with both the Paul Simon & Eric Clapton bands on occasions, some songs are duplicated in this compilation.
Some songs were played jointly with Paul Simon, with backup from the “opening” band.
All 81 songs played on this tour leg are included here.
This is a very misunderstood tour leg, which was widely criticized as a commercial money-grab at the time.

Having listened carefully to the available tracks from best possible sources (& all in FLAC),
I can assure you that the quality of both performance & sound is up there with the best of the NET.

What surprised me most were Bob’s sincere efforts to make the collaborations with Paul Simon interesting. The band alternated each night (depending on who opened), but each joint song also varied in structure from night to night with some great vocals from Bob (doing his best Art Garfunkel impersonation) & some very interesting harmonica. Bob probably drove Paul Simon nuts doing it but it worked. This might sound totally weird but lining up these collaboration songs & playing them one after the other is actually quite interesting!

49 concerts is a lot of concerts for one tour leg, but it holds up from start to finish.

PS – Bob also told a lot of jokes – I’m glad he did nor pursue a career in comedy.

Statistics for this compilation (yes, lies, damn lies & statistics masquerading as facts)

86 ball-tearing, sensational tracks
81 different songs
31 concerts are represented here (from the total of 49 concerts)
8 hours & 33 minutes of music
1 bob

Fillmore Auditorium
Denver, Colorado
5 June 1999

1.Friend Of The Devil (Jerry Garcia – Robert Hunter – John Dawson)
2.Mr Tambourine Man
3.Tomorrow Is A Long Time
4.Rank Strangers To Me (A. Brumley)
5.Cold Irons Bound
6.Just Like A Woman
7.Highway 61 Revisited
8.Maggie’s Farm
9.Blue Moon Of Kentucky (Bill Monroe)
10.Forever Young

Paul Simon (vocal & acoustic guitar) on Blue Moon Of Kentucky and Forever Young.

LB-1573;
xref-01384

General Motors Arena
Vancouver, British Columbia
11 June 1999

11.Tangled Up In Blue
12.Tryin’ To Get To Heaven

LB-5531

Rose Garden Arena
Portland, Oregon
12 June 1999

13.Hallelujah, I’m Ready To Go (trad.)

LB-5547;
Equipment: DAT, clone (?) >
(digital transfer) m-audio delta audiophile 2496 >
Wavelab > cdwave for tracking > tlh

The Gorge Amphitheatre
George, Washington
13 June 1999

14.Stuck Inside Of Mobile With The Memphis Blues Again
15.Love Sick

LB-5540;
Taper: NET Taper G (NTG);
Equipment: DAT clone > (digital transfer) m-audio delta audiophile 2496 >
Wavelab > cdwave for tracking > tlh

Erb Memorial Union Ballroom
University of Oregon
Eugene, Oregon
14 June 1999

16.Cocaine Blues (trad.)
17.My Back Pages
18.Boots Of Spanish Leather
19.A Hard Rain’s A-Gonna Fall
20.Love Minus Zero/No Limit
21.Don’t Think Twice, It’s All Right
22.Down Along The Cove
23.Blind Willie McTell
24.Simple Twist Of Fate
25.Can’t Wait

LB-1683;
Remaster: allalongthewatchtower.dk;
Soundboard-Audience mix

Hollywood Bowl
Los Angeles, California
22 June 1999

26.It’s All Over Now, Baby Blue

LB-6961

Coors Amphitheatre
Chula Vista, California
25 June 1999

27.Highlands
28.I Don’t Believe You (She Acts Like We Never Have Met)
29.It Takes A Lot To Laugh, It Takes A Train To Cry
30.It Ain’t Me, Babe

LB-7562

Garden Arena
MGM Grand
Las Vegas, Nevada
26 June 1999

31.Not Fade Away (Norman Petty/Charles Hardin)

LB-1711;
xref-00900

Blockbuster Desert Sky Pavillion
Phoenix, Arizona
27 June 1999

32.Watching The River Flow

LB-8779;
Unprocessed (raw) version of Olav ASM LB-3411

Madison Square Garden
New York City, New York
30 June 1999

Eric Clapton & Friends To Benefit Crossroads Centre Antigua

33.Born In Time
34.Leopard-Skin Pill-Box Hat
35.Not Dark Yet
36.Crossroads (Robert Johnson)
37.Bright Lights, Big City (Jimmy Reed)

Eric Clapton (vocal & guitar):
Born In Time,
Crossroads,
Bright Lights, Big City.

Sheryl Crow (vocal & accordion) on Bright Lights, Big City.

LB-10464;
Soundboard

Bayside Festival Park
Duluth, Minnesota
3 July 1999

38.Knockin’ On Heaven’s Door

LB-9640;
Taper: Bt (Net Taper P);
Location: immediately in front of a speaker to the left of the stage;
Equipment: DPA 4061 microphones and Sony TCD-100 DAT recorder;
Original Master DAT > GINA24 digital sound card >
PC (Audacity) > CD Wave > FLAC

Saint Andrews Hall
Detroit, Michigan
6 July 1999

39.Mama, You Been On My Mind
40.Man In The Long Black Coat
41.Just Like Tom Thumb’s Blues

LB-5443;
Location: stage centre right;
Equipment: DPA4061 > M1 > Zefiro ZA2 >
Sound Forge > CDR > EAC > FLAC

Pine Knob Music Theatre
Clarkston, Michigan
7 July 1999

42.Roving Gambler (trad.)
43.Leopard-Skin Pill-Box Hat
44.SeÒor (Tales Of Yankee Power)
45.Like A Rolling Stone
46.That’ll Be The Day (Jerry Allison, Buddy Holly & Norman Petty)
47.The Wanderer (E. Maresca)

Paul Simon (vocal & acoustic guitar) on That’ll Be The Day and The Wanderer.

LB-3259

World Music Theatre
Tinley Park, Illinois
9 July 1999

48.Masters Of War
49.Rainy Day Women # 12 & 35

LB-1540

Bogart’s
Cincinnati, Ohio
11 July 1999

50.Girl Of The North Country
51.You Ain’t Goin’ Nowhere

LB-1836;
Transfer: Doug N;
Equipment: Oade Micro Mics > D8 (44.1);
Transfer:, DA-P1 > Audiophile 2496 > Wavelab 4 > CDWave > FLAC

GTE Virginia Beach Amphitheater
Virginia Beach, Virginia
13 July 1999

52.The Lonesome Death Of Hattie Carroll
53.All Along The Watchtower
54.That’ll Be The Day (Jerry Allison, Buddy Holly & Norman Petty)

Paul Simon (vocal & acoustic guitar) on That’ll Be The Day.

LB-4156;
Taper: Bobby Bourbon (BB);
Equipment: Schoeps MK4V’s > Sonosax SX-M2 >
Sony SBM-1 > Sony TCD-D100

Nissan Pavillion At Stone Ridge
Bristow, Virginia
16 July 1999

55.Somebody Touched Me (trad.)

LB-4302;
Remaster: Schubert

Sony Music Entertainment Center
Camden, New Jersey
17 July 1999

56.Make You Feel My Love

LB-4135;
Taper: Bobby Bourbon & Wklitz;
Location: Section 102 Row A;
Equipment: Schoeps MK4V’s > Sonosax SX-M2 > Sony SBM-1 > Sony TCD-D100

Pepsi Arena
Albany, New York
20 July 1999

57.Oh Babe, It Ain’t No Lie (Elizabeth Cotton)
58.I’ll Be Your Baby Tonight

LB-3075

Tweeter Center For The Performing Arts
Mansfield, Massachusetts
22 July 1999

59.Silvio (Bob Dylan & Robert Hunter)

LB-5731;
Taper: Unwanted Man Music (UMM);
Location: right side, 7th row;
Equipment: AT853H > D7 > Tascam CD-RW750 > CD Wave > FLAC

Tweeter Center For The Performing Arts
Mansfield, Massachusetts
23 July 1999

60.Lay, Lady, Lay

LB-5724;
Taper: Unwanted Man Music (UMM);
Equipment: AT853H > D7 > Tascam CD-RW750 > CD Wave > FLAC

Tramps
New York City, New York
26 July 1999

61.The Times They Are A-Changin’
62.John Brown
63.Visions Of Johanna
64.Seeing The Real You At Last
65.Ballad Of A Thin Man
66.Most Likely You Go Your Way (And I’ll Go Mine)
67.Every Grain Of Sand
68.Tombstone Blues
69.Not Dark Yet
70.Highway 61 Revisited
71.Blowin’ In The Wind
72.Alabama Getaway (Robert Hunter/Jerry Garcia)
73.I Shall Be Released

Elvis Costello (vocal & guitar) on I Shall Be Released.

LB-4136;
Taper: Bobby Bourbon & Mike Inhatt;
Equipment: Schoeps MK4V’s > Sonosax SX-M2 > Sony SBM-1 > Sony TCD-D100

Madison Square Garden
New York City, New York
27 July 1999

74.The Sound Of Silence (Paul Simon)
75.I Walk The Line (Johnny Cash)

Paul Simon (vocal & acoustic guitar) on The Sound Of Solence and I Walk The Line.

LB-6038;
No More Alibis (Rattlesnake / RS 003-4-5)

PNC Bank Arts Center
Holmdel, New Jersey
28 July 1999

76.Lenny Bruce

LB-2970;
Remaster: Schubert

Jones Beach Theater
Jones Beach State Park
Wantagh, New York
30 July 1999

77.Desolation Row
78.Shelter From The Storm

LB-7200;
Remaster: OctopusRider;
SBD/AUD Matrix by OctopusRider;
SBD: Something Is Happening On Mr Jones’ Beach (Rattlesnake) LB-5099;
AUD: Sony D3 Walkman > Sony CDRs > FLAC (A Doinker Tape) LB-5100

Jones Beach Theater
Jones Beach State Park
Wantagh, New York
31 July 1999

79.Positively 4th Street
80.The Sound Of Silence (Paul Simon)

Paul Simon (vocal & acoustic guitar) on The Sound Of Silence.

LB-5209

Coral Sky Amphitheatre
West Palm Beach, Florida
2 September 1999

81.The Heart That You Own (Dwight Yoakam)

LB-10787;
Taper: Dolphinsmile;
Equipment: akg391 > Sony D8 > wav (48/16) > flac (flac 1.2.1) >
wav (TLH w/flac 1.2.1b) > wav (44.1/16) [Adobe Audition 1.5/fix-downsample*] >
flac (TLH w/flac 1.2.1b – align on SB ‘fix’ option – level 8)

First American Music Center
Antioch, Tennessee
8 September 1999

82.I Am The Man, Thomas (Ralph Stanley/Larry Sparks)

Marty Stuart (mandolin) on I Am The Man, Thomas.

LB-3627;
Equipment: neumann km140 > sonosax >
pcm-m1 > trade cdrs > eac > flac

The Pyramid
Memphis, Tennessee
11 September 1999

83.One Too Many Mornings

LB-2007

The Cajundome
University Of Southwestern Louisiana
Lafayette, Louisiana
12 September 1999

84.To Ramona
85.The Boxer (Paul Simon)

Paul Simon (vocal & acoustic guitar) on The Boxer.

LB-1483

Special Events Center Arena
University Of Texas At Austin
Austin, Texas
15 September 1999

86.It’s Alright, Ma (I’m Only Bleeding)

LB-7010