Bob Weir & Wolf Bros. – Washington, D.C. (10/05-09/22)

Bobby Weir & Wolf Bros
Best Of National Symphony Orchestra
Kennedy Center Concert Hall
October 05-09, 2022

AT – 943 cards (hat)> Marantz 661
Tracked in WavePad. TLH flac 8
Jim Burchfield

01 – Symphony Overture 10-08
02 – Row Jimmy 10-08
03 – China Cat Sunflower 10-5
04 – I Know You Rider 10-5
05 – Shakedown Street 10-05
06 – Uncle John’s Band 10-5
07 – Wharf Rat 10-06
08 – The Other One 10-8
09 – Lost Sailor 10-06
10 – Saint of Circumstance 10-06
11 – Days Between 10-05
12 – Dark Star 10-05
13 – Bird Song 10-05
14 – Playing in the Band 10-08
15 – Dark Star v1 10-06
16 – Dark Star v2 10 -06
17 – Dark Star v1 10-06
18 – Uncle John’s Band reprise 10-06
19 – Playing in the Band reprise 10-06
20 – Ripple 10-08
21 – Brokedown Palace 10-05
22 – Not Fade Away 10-06
23 – Terrapin Station Suite 10-09

Remastered and Edited

Bela Fleck – Dublin, Ireland (02/03/24)

Bela Flack
My Bluegrass Heart
2024-02-03
Vicar Street
Dublin, Ireland

Source Zoom H2 internal mics cdwav/tlh 8 usued audacity to raise the volume whoopers at the end of some of the songs
music unaffected

Fun night full house

Set 1
Blue Mountain Hop
Vertigo
Hug Point
Bound to Ride
Big Country
Our Little Secret
Cold on the Shoulder
Boulderdash
Rhapsody in Blue

Set 2
Psalm 136
Strider
Dark as the Night, Blue as the Day
Hunter’s Moon
Slippery Eel
The Time Has Come
The Over Grown Waltz
Hunky Dory
Baptist Pumpkin Farm
Old Home Place / Whitewater

Encore:
Stomping Grounds

U2 – Street Mission (1979-1982)

U2
Street Mission
Planet Records/Trichant Records
Catalog: CD DE 1006
Made in Japan ’96 1995

  1. The Dream Is Over
  2. Out Of Control
  3. Boy-Girl
  4. Stories For Boys
  5. A Day Without Me
  6. Street Mission
  7. Shadows And Tall Trees
  8. The Fool
  9. The Magic Carpet (Lost On The Silent Planet)
  10. Twilight
  11. Another Time, Another Place
  12. 11 O’Clock Tick Tock
  13. Touch
  14. Another Day
  15. Speed Of Light
  16. False Prophet
  17. Out Of Control – removed NAL-List
  18. Stories For Boys – removed NAL-List
  19. Boy-Girl – removed NAL-List
  20. Another Day – removed NAL-List

    Source:
    1, 14: 1979-12-XX – London, England, CBS Studios
    2-5: 1979-Mid – Dublin, Ireland, Windmill Lane Studio
    6-8: 1978-11-01 – Dublin, Ireland, Keystone Studios
    9-11: 1979-02-XX – Dublin, Ireland, Eamon Andrews 4-Track Studio
    12-13: 1980-04-4/5 – Dublin, Ireland, Windmill Lane Studio
    15-16: 1978-1979 – Early CBS Demos
    17: 1979-09-XX ’96 U2 Three, 1st Irish only single
    20: 1980-02-XX \’96 Another Day, 2nd Irish only single

    Original Silver CD > flac (Toast Titanium) – Covers inside}

U2 – The Silent Side of U2

U2
“The Silent Side of U2”
Manufacturer: Unknown
Catalog: LION 28 (Side label says LION 26)
Matrix: LION 26 (95341218)
Barcode: None

Conversion: Original Silver CDs > Exact Audio Copy (0.9b1)
[Secure Mode] > WAV > mkwACT (0.97b1) > SHN
Conversion by: Noel Fiser
Hardware: Plextor PlexWriter 12/10/32S (+98 Read Offset, +AC, -C2)

Disc One [74:31]

01 Angel Of Harlem
02 Dancing Queen
03 Redemption Song
04 Stay (Faraway, So Close!)
05 Satellite Of Love
06 One / Unchained Melody
07 Dirty Old Town
08 Wild Rover
09 Springhill Mining Disaster
10 Slow Dancing
11 She’s A Mystery To Me
12 All I Want Is You
13 MLK
14 October
15 Mother Of The Disappeared
16 Luminous Times
17 Walk To The Water
18 Van Dieman’s Land
19 Love Rescue Me
20 Tomorrow
21 Lucille
22 Lost Highway
23 Country Medley

Source:
(1, 2): June 11, 1992. Stockholm, Sweden. Globen.
(3, 7, 8, 14, 20, 23): Unknown.
(4, 5, 6): August 28,1993. Dublin, Ireland. Royal Dublin Society Showgrounds.
(9, 15): April 29, 1987. Chicago, IL. Rosemont Horizon.
(10, 18): January 10, 1990. Rotterdam, Holland. Sport Paleis Ahoy.
(11): January 6, 1990. Rotterdam, Holland. Sport Paleis Ahoy.
(12, 13): December 31, 1989. Dublin, Ireland. The Point Depot.
(16, 17): “With Or Without You” UK CD Single.
(19): December 26, 1989. Dublin, Ireland. The Point Depot.
(21, 22): September 8, 1987. American Radio: ‘Trip Through Your Wires’.

Notes (�1999 http://www.u2-flom.de): A (mostly) acoustic collection, but with some outstanding tracks that aren’t easy to find. Personally, “Dancing Queen”, “Springhill Mining Disaster”, “Lucille”, and “Lost Highway” are the highlights.
Track 8 is listed as “Whiskey In The Jar”. I’d strongly recommend picking thisup, should you happen upon it. Even if you don’t like it, it is strong trading material.

The Who – Pontiac, MI (12/07/79)

The Who
7th December 1979
Silverdome
Pontiac, Michigan

Disc 1:

  1. Substitute
  2. Can’t Explain
  3. Baba O’Riley
  4. The Punk And The Godfather
  5. Boris The Spider
  6. Sister Disco
  7. Behind Blue Eyes
  8. Music Must Change
  9. Drowned
  10. Who Are You
  11. 5:15
  12. Pinball Wizard
  13. See Me Feel Me
  14. Long Live Rock

Disc Time: 77:47

Disc 2:

  1. My Generation
  2. I Can See For Miles
  3. Dancing In The Streets
  4. Sparks
  5. Won’t Get Fooled Again
  6. Magic Bus
  7. Summertime Blues
  8. How Can You Do It Alone

Talking Heads – Sydney, Australia (06/08/79)

Talking Heads
Sydney State Theatre
Sydney, Australia
08 June 1979
Triple J FM Broadcast (FLAC)

Bet you haven’t got this one?! GREAT SHOW!

Rebroadcast by Triple J in January 2005 as part of their “Live At The Wireless” celebrations.

I kept the whiny Australian announcer intact as she may provide some amusement.

01 – Whiny Announcer.flac 8,312,220
02 – The Book I Read.flac 34,060,385
03 – Paper.flac 19,619,633
04 – Mind.flac 31,291,803
05 – Found A Job.flac 35,211,156
06 – Memories Can’t Wait.flac 27,137,256
07 – Psycho Killer.flac 43,712,130
08 – Take Me To The River.flac 45,721,980

Source:

ANALOGUE FM > AUDIO CDRW > EAC > WAV > FLAC 8 > YOU

This is my first torrent. Please don’t be afraid to shoot me down for errors/
ommisions. 🙂

Eric Clapton & Mark Knopfler – Auburn Hills, MI (09/16/88)

Eric Clapton & Mark Knopfler
1988-09-16
The Palace-Auburn Hills, MI

Recorded By: Robert Mullen

Source: Audience Master Cassettes

Equipment/Lineage: 2 DAK-5245 Mics>Sony D6c Cassette Recorder
(Dolby C on)>Master Cassette’s (TDK-SA-X90’s)>Yamaha Double Cassette
Deck K-902 (Dolby C off)>CD Wave Editor>THL flac level 8.

Comments: Here is a really nice recording of Eric and Mark back from 1988.
We were in the 1st row of the upper deck, near center…nice sound for this arena that had been opened up a month at that point in time. This has neverbeen traded and is uncirculated.

Please: Only Convert To Lossy Format For Personal Use.
Please: Do Not Buy Or Sell This Recording.
Please: Trade Freely
Please: Relax and Enjoy!

Please: Feel Free To Create Art Work For This Recording And Share

Tracklist:

01-Crossroads
02-White Room
03-I Shot The Sheriff
04-Lay Down Sally
05-Wonderful Tonight
06-Tearing Us Apart
07-After Midnight
08-I’m Wasted and I Can’t Find My Way Home
09-Badge
10-Same Old Blues
11-Band Introductions>
12->Band Introductions Cont>Cocaine
13-Layla
14-Money For Nothing
15-Sunshine Of Your Love

Last Song From Opening Show: Buckwheat Zydeco

16-Why Does Love Have To Be So Sad-Buckwheat Zydeco w/ Eric Clapton

…REMEMBER IT’S ONLY A MEMORY IF IT WAS NOT RECORDED…

The Who – Lenox, MA (07/07/70)

The Who
Koussevitzky Music Shed
Tanglewood Music Center
Lenox MA
1970-07-07

Wolfgangs Vault 192 kbps stream > Audio Hijack(capture to 44.1/16 aiff) > Peak (editing) >
xACT (flac – ffp – tagging)

2014 – V242 remastering:
flac files > Adobe Audition CC > Master section (see windowpic) > flac

  1. Bill Graham Introduction
  2. Heaven And Hell
  3. I Can’t Explain
  4. Water
  5. I Don’t Even Know Myself
  6. Young Man Blues
  7. Overture
  8. It’s A Boy
  9. 1921
  10. Amazing Journey
  11. Sparks
  12. Eyesight To the Blind
  13. Christmas
  14. The Acid Queen
  15. Pinball Wizard
  16. Do You Think It’s Alright?
  17. Fiddle About
  18. Tommy Can You Hear Me?
  19. There’s A Doctor
  20. Go To The Mirror
  21. Smash The Mirror
  22. Miracle Cure
  23. I’m Free
  24. Tommy’s Holiday Camp
  25. We’re Not Gonna Take It
  26. See Me Feel Me
  27. My Generation
  28. Bill Graham outro/closing announcements

The Who – Detroit, MI (07/05/70)

The Who
1970-07-05
Detroit, MI
Cobo Arena

Source: Audience
Lineage: master cassettes>Nakamichi 670 pitch & azimuth-adjusted playback deck>Wavelab 96/24>Izotope 44.1/16>flac
Taping Gear: Dictation-type Cassette Recorder w/Built in Mic
Taped By: Friend Of JEMS
Transferred By: JEMS

Band Members
Pete Townshend – vocals, guitar
Roger Daltrey – vocals, harmonica
John Entwistle – bass, vocals
Keith Moon – drums, vocals

Setlist:

  1. Intro
  2. Heaven & Hell
  3. I Can’t Explain
  4. Water
  5. I Don’t Even Know Myself
  6. Young Man Blues
  7. Overture
  8. It’s a Boy
  9. 1921
  10. Amazing Journey ->
  11. Underture ->
  12. Sparks
  13. Eyesight to the Blind
  14. Christmas
  15. The Acid Queen
  16. Pinball Wizard (slightly cut at beginning due to tape flip)
  17. Do You Think it’s Alright?
  18. Fiddle About
  19. Tommy Can You Hear Me?
  20. There’s a Doctor
  21. Go to the Mirror
  22. Smash the Mirror
  23. Miracle Cure
  24. I’m Free
  25. Tommy’s Holiday Camp
  26. We’re Not Gonna Take It
  27. Summertime Blues
  28. Shakin’ All Over (cuts in, inc. Spoonful)
  29. My Generation

Length: 105:30

Notes:
This was a master acquired by JEMS many years ago. Sadly, it seems Cobo Arena, always known to me as Cobo Hall, has seen it’s last show. It was a Great place to see a show , and this was the first of three Who appearances there, the others being the ’71 and ’73 tours. This tape starts with 40 seconds of distortion at the beginning of Heaven and Hell before settling down to a slightly overloaded sound for the rest of the show. It was recorded close to the stage, on John’s side.

tapeboy for JEMS

Here is an exerpt of a review of this show by Jeff Geml taken from thewholive.de website.

“Of all the shows I saw during the 1960’s and 1970’s this sticks as the most memorable.

The event was a sellout and the crowd was really free. Skimpily dressed chicks and long-haired “freaks” passing joints and bottles of wine were the order of the day. Everybody was cool. No fights that I saw. No OD’s either. We were lucky to get great seats with a good vantage point for viewing the entire stage.

The lights dimmed and then suddenly Joe Walsh and the James Gang walked onstage. They had a pretty solid repertoire of hits and played them masterfully. I would have bought a ticket just to see them play for an hour or so. At the end of their last song there was a couple of second quiet “lull” as the crowd did not exactly know if the song was over, somebody way up in the stands yelled “you stink”. Joe Walsh did the right thing, he gave the guy his middle finger and said “F… You!”

After about a 15 or 20 minute break the lights went out and the stage was eerily quiet for a full 30 seconds. Suddenly a spotlight zeroed in on a figure wearing a white “milkman’s” suit descending from about 10 or 12 feet in the air (did he jump off something?) and landing on the stage floor with a wild swing of his arm tearing into his guitar strings and shattering the silence with a deafening roar. (Peter Townshend, of course). He swung that arm like a fast-moving pendulum while firing off guitar notes and riffs. He played every fret from one end of that guitar to the other like it was an extension of himself. A third leg or a third arm.

The band played song after song, hit after hit. Roger Daltrey swinging the microphone like a lariat and catching it in the nick of time, every time, on cue. Keith Moon with drumsticks twirling and bouncing off drumheads 20 maybe 25 feet in the air, only to fall back caught in his hand and played without missing a beat. John Entwistles’ bass permeating every bone in my body. I swear fillings came loose. The band would individually solo from time-to-time showcasing each players talents, but then come back and play tightly together, every time.

The light show that accompanied the performance was psychedelic but did not overpower the show. Not like Alice Coopers’ gimmickry nor the opposite, Jethro Tulls’ boring non-light show (where I swear they lip-synced the entire concert).
No sir, no lip-syncing by the Who. Their clothing was drenched with sweat as they poured their hearts and talent into each and every song. The group did not destroy their equipment at the end of this show, as was their trademark. I personally would have been in tears to see such fine instruments that gave us more than two hours of great music and memories smashed into pieces.

Boy was I lucky to have bought a ticket to see the show. What an event! I’ll never forget it.”