Miles Davis – New York, NY (05/02-03/52)

Miles Davis And His All-Stars
Birdland
New York, NY
1952-05 (02-03)

Mega-rare restored LP – speed-corrected and rejoined – featuring Don Elliot on vibes – great stuff!

Another great one from the Boris Rose collection. This album is bebop played at such breakneck speed that you need repeated listening just in order to figure out what’s being played. Jazzdisco.org does not indicate another release for this date, so with fingers crossed, here we go again!

I’ve been asked who Boris Rose is. Was actually (1918-2000, RIP). He was a die-hard fan, recorder and collector mainly known for priceless unreleased early live jazz which he either taped off the radio or got handed the acetates pre-air as they were going out. He managed to worm his way into every environment during bebop’s golden age. He was also a consummate bootlegger, producing hundreds of bootleg LPs during the 1960’s to 1970’s of mostly country and jazz concerts. He was widely known for what he did, but was mostly tolerated rather than prosecuted. Most of his recordings do not exist in any other form. It was said (but I can’t verify) that the records he produced from his acetates were done prior to their beginning to deteriorate, and that they are the best representation of what he made available to the public.

A bit of a scoundrel in relation to his recordings, to create confusion he deliberately spread some concerts over different record labels (ie most of the recording would be on the Alto label, but some would also be on the Ozone label. This even though there was plenty of room to include the whole thing on one disc) almost never indicating where and when they were recorded.

As of a couple of years ago, his widow still owned all (over 10,000) live recordings and was trying to sell the collection (now in very fragile condition) without success.

This recording is also sourced from acetate, and the first portion appears to have been taped from off the air. The second portion may or may not be pre-air, it sure sounds good though. The entire set required major speed correction. I had some trouble to identify the song titles as the cover and label are both wrong. I now believe this to be the correct order:

Personnel:

Miles Davis tp
Jackie McLean as
Don Elliot vib, mel
Gil Coggins p
Connie Henry b
Connie Kay d

Setlist:

1952-05-03

Wee Dot
The Chase
It Could Happen To You
Out Of The Blue

1952-05-02

Out Of The Blue
Confirmation

Lineage: Ozone 8 LP ->Sound Forge ->click and crackle removal ->speed-correction (different for the two dates)->FLAC via TLH level 6, sectors aligned and verified, FLAC integrity checked.

Enjoy!

A DoinkerTape

Led Zeppelin – Los Angeles, CA (03/27/75)

Led Zeppelin
March 27, 1975
Los Angeles, CA
LA Forum

Deep Throat III
Recorded by Mike Millard

1 Introduction by Linda Lovelace
2 Rock And Roll
3 Sick Again
4 Over The Hills And Far Away
5 In My Time Of Dying
6 The Song Remains The Same
7 The Rain Song
8 Kashmir
9 Since I’ve Been Loving You

1 No Quarter
2 Trampled Underfoot
3 Moby Dick

1 Dazed And Confused
2 Stairway To Heaven
3 Whole Lotta Love
4 Black Dog

Derek & The Dominos – Santa Monica, CA (11/20/70)

Derek and the Dominos
“Stormy Monday”
Civic Auditorium
Santa Monica, California
November 20, 1970

Paddington Records – PADD 040/041/042

Contrast Clause: an alternate version is at
http://www.dimeadozen.org/torrents-details.php?id=290409 *

Disc 1:

Got to Get Better in a Little While
Key to the Highway
Why Does Love Got to Be So Sad
Blues Power
Have You Ever Loved a Woman
Tell the Truth
All Night Long – Derek’s Boogie
Let it Rain

Disc 2:

Tuning
Got to Get Better in a Little While
Key to the Highway
Why Does Love Got to Be So Sad

Disc 3:

Tuning
Blues Power
Stormy Monday
Tell the Truth
Let it Rain
Every Day I Have the Blues

Band Lineup:
Eric Clapton Guitar, Vocals
Carl Radle Bass
Jim Gordon Drums
Bobby Whitlock Keyboards, Vocals

Special Guests:

Delaney Bramlett on all songs, except “Everyday I have the blues”
Toe Fat on “Everyday I have the blues”

Derek & The Dominos – Berkeley, CA (11/18/70)

Derek and the Dominos
“EC Shuffle Blues”
Community Theatre
Berkeley, California
November 18, 1970

Buffalo Stomp (!) – BS-002-1DD – Aud 3 (Scale 1-6)

Track List:
1) Got to Get Better In a Little While
2) Blues Power / Have You Ever Loved a Woman?
3) Tell the Truth
4) Presence of the Lord
5) Why Does Love Got to Be So Sad?
6) Everyday I Have the Blues
7) Little Queenie / Sweet Little Rock and Roller (*)

Band Lineup:
Eric Clapton Guitar, Vocals
Carl Radle Bass
Jim Gordon Drums
Bobby Whitlock Keyboards, Vocals

Special Guest: (a 16-year-old) Neal Schon

(*) Bonus Track recorded at the Community Theatre, Berkeley, California, on November 19, 1970 (following evening).

(!) “Buffalo Stomp” is the ROIO label name, this should not be confused with the Clapton ROIO of the same name (Silver Horse – SH 8201 A/B)

Geetarz Comments:

Derek and the Dominos played two consecutive nights at the Community Theatre in Berkeley, California, and this recording represents the first of those two nights.

Sitting in with the band that night was a 16 year old Neal Schon. In a 1995 “Off the Record” (Westwood One) interview, this was Schon’s recollection:

“You know, I had been doing a lot of playing in San Francisco … I had lived in the Bay area … I didn’t have a driver’s license … so a good friend of mine, Jackie, that ended up working for Journey later, would come and pick me up on weekends and I’d go play on Broadway … I’d play at [Mike Bloomfield’s] club,and it became this thing, there was like, this ‘buzz’ in the city, about this kid [Schon].

I was in the studio with the Santana band, and we were just jamming, you know, getting high and jamming, and staying up until the wee hours of the morning, and just trying to create some music, and Eric Clapton walked in. You know, Eric Clapton at that time, was like, and before that time, had been like a god to me, a guitar hero, and he walked in and I didn’t even say ‘hello’, I was like so scared he was in the room … and we played all night, and without even saying goodbye to or anything to him he walked out, and I was just still like …in shock.

So I went home, went to sleep at some ungodly hour, got up at 3 or 4, went back to Wally Heider’s in San Francisco where we were rehearsing, and I had a message there waiting at the front desk, and it was from Clapton, and he was playing at the [Berkeley] Community Theatre there that night, and he invited me to play with him.

So, I didn’t have a car, I didn’t have a license … I can’t remember exactly who drove me there … I forget too many things these days, too many drugs (laughs) … but, she drove me, I remember she drove me over there, and I got there about 5 or 10 minutes before he went on stage, and he said “… I’ll go out
and play about two numbers, and then I’ll call you out on stage as a really good friend of mine, and you can stay up the whole rest of the night and play the whole set with me.

I said “yeah, okay … no problem”, because I knew all his songs, all his guitar solos, from record, note-for-note … I wasn’t scared to do it, because I knew all his material, like the back of my hand, I had studied it for so many years … I went on, and just ripped the place up, and he loved it.

He [Clapton] invited me back to his hotel later that evening, and basically was asking me ‘who do you listen to?’, and I said “well, I listen to YOU” and he said bleep, ‘I don’t believe it’, he didn’t believe it and there was this little acoustic guitar in his room, and I played him note-for-note ‘Live Crossroads’
or something, and he was like “I can’t believe that, you’ve taken it where I left it”.

And that’s still [like] the ultimate compliment for me at this point in my life, coming from any guitarist, and I’ll never forget that, a highlight of my life!”

Overall, this is an exceptional performance, and a worthwhile
listen for those intrepid enough to brave a fair to poor audience
recording. Once again I invoke Geetarz’ Law, which states “The best
performances are usually captured by the worst recordings, and
vicey versa”.

Lineage:

Silver > Mitsui Silver CD-R > LiteOn iHAP 322 > EAC v. 0.99 Prebeta 5
(Secure, Offset Correct) > You !

Derek & The Dominos – Nashville, TN (11/05/70)

Derek and the Dominos
November 5,1970
Ryman Auditorium
Nashville TN
“Blind Dominos” Liberated Boot
Johnny Cash TV Program

Lineage: Silver CD Studio Recording>eac>wav>flac

Comments: I’ve noticed a lot of D&The D’s showing up on
DIME lately so here’s my humble contribution. This version
is on the fabulous KOKO label. Catalog # 003 Carl Perkins
guests on Matchbox. Enjoy! Dearg Doom

Track List:

It’s Too Late
2.Got to Get Getter In A Little While
Matchbox
Matchbox
Matchbox
Blues Power

Band:

Bobby Whitlock : Keyboard, vocals
Jim Gordon: Drums
Carl Radle: Bass
Eric Clapton: Guitar, vocals

This is a doomed recording.

Info file View Info file (0.63 KB)
Visible No (dead)
Banned Yes
Category Rock
Last seeder Last activity 4d 00:23:47 ago
Size 180.54 MB (189,315,106 bytes)
Overall speed 0.00 KB/s
Added Fri 14th May, 2010 23:25 GMT
Views 340
Hits 104
Snatched 72 time(s)
Upped by DeargDoom

Torrent #303870 Derek and the Dominos November 5,1970 Nashville TN
“Blind Dominos” Liberated Boot
Torrent file Derek & The Dominos Nov 5, 1970 Nashville, TN.torrent
Downloads as Derek & The Dominos Nov 5, 1970 Nashville, TN
Info hash bcc4662c4415e0a5e5dc0b03658564c4d4cfc99c

Bruce Springsteen – Born in the USA Outtakes

Bruce Springsteen
Unsatisfied Heart – Remastered Born In The U.S.A. Outtakes
Label: Ev2
Format: 2CD
Source: Studio
Date: 1982 – April 1984
Location: The Hit Factory / The Power Station, New York City, NY

Disc 1:
01 Born In The U.S.A.
02 Murder Incorporated
03 Downbound Train
04 Glory Days
05 This Hard Land
06 My Love Will Not Let You Down
07 Johnny Bye Bye
08 Frankie
09 I’m Goin’ Down
10 Working On The Highway
11 I’m On Fire

b-sides:
12 Sugarland
13 Follow That Dream
14 Dont Back Down
15 One Love
16 Little Girl

Disc 2:
01 None But The Brave
02 Murder Incorporated #2
03 (Drop On Down And) Cover Me
04 Janey Don’t You Lose Heart
05 My Love Will Not Let You Down #2
06 Cynthia
07 Darlington County
08 Protection
09 TV Movie
10 County Fair

Solo:
11 Shut Out The Light
12 Richfield Whistle
13 Fugitives Dream
14 Delivery Man
15 The Klansman
16 Unsatisfied Heart

Disc One (1) details:

Recording details:

Track 11 recorded at The Hit Factory, Feb 1982.
Tracks 1,3,4 recorded at The Hit Factory, March or April 1982.
Track 2 recorded at The Power Station, April or May 1982.
Track 10 recorded at The Hit Factory, April 1982.
Track 5 recorded at The Hit Factory, May 11, 1982.
Track 8 recorded at The Hit Factory, May 14, 1982.
Track 6 recorded at The Hit Factory, May 5, 1982.
Track 9 recorded at The Power Station, November 9th 1983.
Track 13 recorded at Thrill Hill West, LA, CA, January 30, 1983.
Track 14 recorded at Thrill Hill West, LA, CA, January 4, 1983.
Tracks 7,12,15,16 recorded at Thrill Hill West, mid Jan to mid Feb 1983.

Source details:

Tracks 1,2,3,4,5,6,8,10,11 from ‘This Hard Land’, BS2002
Tracks 9,12 from ‘Lost Masters XIX’, LOVE 019
Tracks 7,17 from ‘Lost Masters XVII’, LOVE 017
Tracks 14,15,16 from ‘Lost Masters XVI’, LOVE 016

Track descriptions:
01 Contains a different Springsteen vocal overdub and a very long, extended jam ending.
02 This track has the original Van Zandt background vocals.
03 Slighly different version / mix.
04 Unedited, contains an entire extra verse (about Bruceís dad) that was cut from the officially released version.
05 One of his finest studio performances. For some bizarre reason Springsteen & The E Street Band re-recorded the
song in 1995 and released that re-recording on ‘Greatest Hits’ ñ but it pales in comparison to this original.
06 Different mix than on the one released on ‘Tracks’.
07 Bruce borrowed the first two lines from Chuck Berryís song ìBye Bye Johnnyî (as well as the play on the title),
which is why itís registered as a Springsteen-Berry composition.
08 Originally recorded for “Darkness”, and recorded again here, this was considered for the ‘Greatest Hits’ collection but was finally dropped.
09 Full, unedited version that includes lyric changes and the complete raucous ending. This track runs nearly a full 1:30 longer than the released version.
10 Slighly different version / mix.
11 A bit longer version.
12 Beautiful keyboards by Danny and Roy augment some fine acoustic guitar playing by Bruce.
13 Presented in best-ever quality, this unreleased gem far eclipses any current circulated versions.
14 Unreleased studio outtake.
15 Wonderful tune with a killer chorus – note the bass line similar to the Human Touch B-side ’30 Days Out’
16 Short but energetic rocker.

‘Thrill Hill West’ is Springsteenís home studio in Los Angeles (aka ‘Hollywood Hills Garage Studio’)
Most band tracks are E Street Band backing versions from so-called ìelectric Nebraska sessionî

Disc Two (2) details:

Recording details:

Track 1 recorded at The Hit Factory, from the April-June 1983 sessions.
Track 3 PROBABLY recorded at The Hit Factory during Jan or early Feb 1982. May be from later.
Track 2 recorded at The Power Station, April or May 1982.
Track 4 recorded at The Hit Factory, June 16, 1983
Track 5 recorded at The Hit Factory, May 5, 1982.
Track 6 recorded at The Hit Factory, April 20, 1983.
Track 7 recorded at The Power Station during April or May 1982.
Track 8 recorded at The Hit Factory, Feb 1982.
Track 9 recorded at The Hit Factory, June 13, 1983.
Track 10 recorded at The Hit Factory, April or May 1983.
Tracks 11,13 recorded at Thrill Hill West, August 1982 through April 1983.
Tracks 12,14,16 recorded at Thrill Hill West, January through May 1983.
Track 15 recorded at Thrill Hill West, January 4, 1983.

Source details:

Tracks 1,2,3,4,5,6 from ‘Murder Incorporated’, FR03
Track 7 from ‘This Hard Land’, BS2002
Tracks 9,10 from ‘Lost Masters XIX’, LOVE 019
Tracks 14,16, from ‘Lost Masters XVII’, LOVE 017
Track 12 from ‘Lost Masters XVIII’, LOVE 018
Tracks 15,11,13 from ‘Lost Masters XVI’, LOVE 016
Track 8 from ‘Lost Masters IV’, LOVE 004

Track descriptions:
01 The original mix without the new (90’s) vocal track or the overdubbed second guitar on ‘The Essential BS’. One of my favourite tracks, too bad the sound quality is what it is.
02 Different mix permutation of the same core recording as #1.
03 Completely different recording than the released ‘Cover Me’ done in a dramatically different arrangement.
This may actually date from a later period in the sessions than the original ‘Cover Me’.
04 Same core recording as on ‘Tracks’, but has a much longer fade out (very nice) and features Steve Van Zandt on background vocals and guitar.
05 Different mix permutation of the same core recording as #1.
06 Different mix than on the one released on ‘Tracks’.
07 Includes slightly different lyrics and an alternate beginning and ending.
08 This song was given to Donna Summer, who was recording an album at the time at the same studio.
Summerís cover version (with Springsteen on guitar) was recorded in March 1982 (released Aug 82).
Bruce and Donna also recorded a duet vocal version at her sessions ñ it remains uncirculating.
09 Original mix with the saxophone track (deleted on ‘Tracks’).
10 Features Ruth Jackson on background vocals. Possibly recorded at the same session as ‘My Hometown’ (which also features Jackson).
11 By far the definitive version of this song ñ contains an additional, important lyric verse that has been cut from all the other versions.
12 Brilliant song that developed from a 1981-82 work-in-progress composition called ‘James Lincoln Dear’
13 Unreleased studio outtake.
14 Unreleased studio outtake.
15 Compelling song. Features a dark, brooding beat that mirrors the disturbing nature of the lyrics. A nice vocal performance here and we’re left wondering what possessed him to write this one.
16 Add this to the ever expanding list of Bruce’s greatest unreleased songs. A man surveys his life and wonders if he can ever escape the demons of his past.

‘Thrill Hill West’ is Springsteenís home studio in Los Angeles (aka ‘Hollywood Hills Garage Studio’).
Most band tracks are E Street Band backing versions from so-called ìelectric Nebraska sessionî

OK, so I had already done the ‘Born To Run’, ‘Darkness’ & ‘The River’ outtakes, most BITUSA outtake bootlegs only have 1cd
and don’t include as many different tracks as I’d like to. So I just tried to add all important tracks to the same boot.
I know, not every outtake is included and that wasn’t my intention either.

The first disc is supposed to be the original track listing of ‘Murder Incorporated’, the never-released 1983 album which was
(as you can see/hear) a lot darker than ‘Born In The U.S.A.’ Also included are the 5 b-sides Bruce had intended to use. (SEE BELOW)

When burning this compilation, make sure you burn it DAO – without the 2 seconds gaps between each track.

Big thanks to a few people on SPL (reidneile, jumpstone) – I hope you all enjoy this.
This one’s dedicated to ‘richr’ and all his friends over at ‘Thunder Road’.

Thanks to brucebase & theboots.net for some of the song descriptions.

By July 1983 Springsteen was in the final stages of mixing and track selection for the album. There was talk of a pre-Christmas release.
There was certainly no shortage of outstanding material to pick from. A document exists from mid 1983 revealing Springsteenís selection for the BITUSA album,
as well his selections for b-sides. It was as follows:

BORN IN THE USA
MURDER INCORPORATED
DOWNBOUND TRAIN
GLORY DAYS
THIS HARD LAND
MY LOVE WILL NOT LET YOU DOWN
JOHNNY BYE BYE
FRANKIE
IíM GOIN DOWN
WORKING ON THE HIGHWAY
IíM ON FIRE
b-side / SUGARLAND
b-side / FOLLOW THAT DREAM
b-side / DONíT BACK DOWN
b-side / ONE LOVE
b-side / LITTLE GIRL LIKE YOU

Paul McCartney – A Garden Full of McCartney Roses, Vol. 2

Paul McCartney
A Garden Full Of McCartney Roses Volume 2

I have no other source info for this.

Tracklist
1-1 Live And Let Die #2
1-2 Call Me Back Again #2
1-3 Picasso’s Last Words – Richard Cory #2
1-4 Bluebird #2
1-5 I’ve Just Seen A Face #2
1-6 Blackbird #2
1-7 Yesterday #2
1-8 You Gave Me The Answer #2
1-9 Magneto And Titanium Man #2
1-10 Go Now #2
1-11 Letting Go #2
1-12 Maybe I’m Amazed #2
1-13 Junior’s Farm (Rehearsal)
1-14 Sally G (Rehearsal)
1-15 Junior’s Farm (Rough Mix)
1-16 Sally G (Rough Mix)
1-17 We’re Open Tonight
1-18 Spin It On
1-19 Old Siam, Sir
1-20 Again And Again And Again
1-21 The Broadcast
1-22 To You
2-1 Your Lucky Day (Laurence Juber On Vocals – Version #1)
2-2 Your Lucky Day (Version #2)
2-3 Blues Improvisation
2-4 Lend Me Your Comb
2-5 Goin’ Back To Tennessee (Columbus Stockade Blues)
2-6 Your True Love – Lend Me Your Comb
2-7 Oh Boy – Peggy Sue
2-8 I’m Gonna Love You Too
2-9 Ain’t That A Shame – I’m In Love Again
2-10 Rockin’ In Your Seat
2-11 Sheik Of Araby
2-12 Robber’s Ball
2-13 My Carnival
2-14 Night Out
2-15 Mama’s Little Girl
2-16 Hey Diddle
2-17 Tragedy
2-18 Same Time Next Year
2-19 Cage
2-20 The Honorary Consul (Paul’s Demo)
2-21 Ou Est Le Soleil? (Early Instrumental Take)
2-22 Somedays (Rough Mix, Alternate Vocal)

U2 – Morrison, CO (06/05/83)

U2
Red Rocks Ampitheater
Morrison, CO
06/05/83

I have no source info or lineage for this.

Disk 1:
Out of Control
Twilight
An Cat Dubh
Into the Heart
Surrender
Two Hearts Beat As One
Seconds
Sunday Bloody Sunday
Electric Co

Disk 2:
I Fall Down
October
New Years Day
I Threw a Brick…
A Day Without Me
Gloria
Party Girl
11 O’Clock Tick Tock
I Will Follow
40

Johnny Cash – I Shall Be Released – Outtakes and Rarities 1972-1993

Johnny Cash
I Shall Be Released
CBS (Cash Bootleg Series) – CBS250, Columbia (2) – CBS250
A Collection Of Outtakes And Rarities 1972 – 1993.

1-1 Kate
1-2 Grandfather’s Clock
1-3 Amazing Grace
1-4 Lily Of The Valley
1-5 Are You Washed In The Blood
1-6 My Ship Will Sail
1-7 Beautiful Memphis
1-8 Sanctified
1-9 Temptation Featuring – June Carter Cash
1-10 Wandering
1-11 I Can’t Go On That Way
1-12 The Greatest Cowboy Of Them All Featuring – Waylon Jennings
1-13 I Still Miss Someone Featuring – George Jones (2)
1-14 I Got Stripes Featuring – George Jones (2)
1-15 I’m Never Gonna Roam Again
1-16 Movin’ Up
1-17 Doin’ My Time
1-18 Do You Ever Feel This Way
1-19 St. Louis Blues
1-20 How Great Thou Art
1-21 It Is No Secret
1-22 When I’m Gray
1-23 Man Gave Names To All The Animals
1-24 I Heard The Bells On Christmas Day
2-1 The General Lee
2-2 Ben Dewberry’s Final Run
2-3 The Battle Of Nashville
2-4 Out Among The Stars
2-5 After All
2-6 The Chicken In Black
2-7 I Drove Her Out Of My Mind
2-8 I Came To Believe
2-9 I Know You Love Me
2-10 If I Told You Who It Was Featuring – Minnie Pearl
2-11 You Give Me Music
2-12 My Elusive Dreams
2-13 Baby Ride Easy Featuring – June Carter Cash
2-14 Call Your Mother
2-15 Man In White
2-16 Love Is A Gambler
2-17 Lady Of Love
2-18 One Wish
2-19 Love Is A Gambler Featuring – Rosanne Cash
2-20 Like A Soldier
2-21 Soldier Boy
2-22 Hello Out There
2-23 Poor Valley Girl
2-24 The Wanderer Featuring – U2