Bob Dylan & Mark Knopfler – The Complete Recording Sessions 1979-1986

Bob Dylan & Mark Knopfler
The Complete Recording Sessions 1979-1986
Compilation Soundboard/Audience

LB-11559

DISC ONE (the outtakes):
1. Trouble in Mind 4.51
2. Ye Shall Be changed 4.09
3. Blind Willie McTell (acoustic version) 5.53
4. Someone’s Got A Hold Of My Heart 4.33
5. Tell Me 4.25
6. Lord Protect My Child 3.57
7. Foot of Pride 5.58
8. Death Is Not The End 5.10
9. Julius And Ethel 4.47
10. This Was My Love 4.09
11. Blind Willie McTell (electric version) 4.56
12. Angel Flying Too Close 4.46
13. Straight A’s In Love 2.23
14. Clean Cut Kid 6.49
15. Don’t Fly Unless It’s Safe 3.16
16. Dark Groove 2.48
17. Trouble in Mind 4.16

Total time: 77:08

Track #1: This is the uncut version with an extra verse.
Perfect sound quality. Never officially released.
Track #2-8: Perfect sound quality.
Track #9-11: The sound quality varies. Never officially released.
Track #12 b-side.
Track #13-16: The sound quality varies. Never officially released.
Track #17: b-side. Same recording as track #1 but with one verse cut.

DISC TWO (the alternative versions):
1. Jokerman 6.22
2. Sweetheart Like You 4.15
3. Neighbourhood Bully 4.38
4. License To Kill 3.31
5. Man Of Peace 6.35
6. Union Sundown 5.06
7. I and I 4.30
8. Don’t Fall Apart On Me Tonight 5.48
9. Foot Of Pride (version #2) 6.01
10. Someone’s Gotta Hold of My Heart (version #2) 5.05
11. Tell Me (version #2) 4.35
12. Lord Protect My child (version #2) 4.41
13. Death Is Not The End (version #2) 5.02
14. Angel Flying Too Close (version #2) 4.06
15. This Was My Love (version #2) 3.46
16. Julius and Ethel 4.41

Total time: 78:53

Tracks #1-8: Alternative versions of the Infidels songs.
Tracks #9-15: Alternative versions of outtakes.
Track #16: Mono version, same take as the other one. The lead
guitar has almost disapeared.
All tracks; Never released officially. Sound quality varies.

DISC THREE (rehearsels and live):
1. I and I (version #2) 5.00
2. Sweetheart Like You (version #2) 4.08
3. Union Sundown (version #2) 6.49
4. Sweetheart rehearsals 28.14
5. Blowin’ In the Wind 5.55
6. Rock ‘Em Dead 4.43
7. Knocking On Heavens Door 3.50
8. All Along The Watchtower 4.37
9. Leopardskin Pillbox Hat 4.24
10. License To Kill 4.48
11. Knocking On Heaven’s Door 5.32

Total time: 78:03

Tracks #1-3: Alternative versions. Sound quality varies.
Track #4: Sweetheart Like You rehearsals. Alternative takes,
talking, improvisations. Sound quality varies.
Track #5-7: Mark Knopfler joining Bob Dylan at a concert in
Sydney, Australia, February 10, 1986. The backing band is
Tom Petty & The Heartbreakers. Poor sound.
Track #8-11: Dylan joining Dire Straits at a concert in
Melbourne, Australia, February 19, 1986. Poor sound.

Bruce Springsteen – Unsatisfied Heart – Remastered Born in the U.S.A. Outtakes

Bruce Springsteen
Unsatisfied Heart – Remastered Born In The U.S.A. Outtakes
Ev2
1982 – April 1984
The Hit Factory / The Power Station, New York City, NY

Disc 1:
01 Born In The U.S.A.
02 Murder Incorporated
03 Downbound Train
04 Glory Days
05 This Hard Land
06 My Love Will Not Let You Down
07 Johnny Bye Bye
08 Frankie
09 I’m Goin’ Down
10 Working On The Highway
11 I’m On Fire

b-sides:
12 Sugarland
13 Follow That Dream
14 Dont Back Down
15 One Love
16 Little Girl

Disc 2:
01 None But The Brave
02 Murder Incorporated #2
03 (Drop On Down And) Cover Me
04 Janey Don’t You Lose Heart
05 My Love Will Not Let You Down #2
06 Cynthia
07 Darlington County
08 Protection
09 TV Movie
10 County Fair

Solo:
11 Shut Out The Light
12 Richfield Whistle
13 Fugitives Dream
14 Delivery Man
15 The Klansman
16 Unsatisfied Heart

Disc One (1) details:

Recording details:
– Track 11 recorded at The Hit Factory, Feb 1982.
– Tracks 1,3,4 recorded at The Hit Factory, March or April 1982.
– Track 2 recorded at The Power Station, April or May 1982.
– Track 10 recorded at The Hit Factory, April 1982.
– Track 5 recorded at The Hit Factory, May 11, 1982.
– Track 8 recorded at The Hit Factory, May 14, 1982.
– Track 6 recorded at The Hit Factory, May 5, 1982.
– Track 9 recorded at The Power Station, November 9th 1983.
– Track 13 recorded at Thrill Hill West, LA, CA, January 30, 1983.
– Track 14 recorded at Thrill Hill West, LA, CA, January 4, 1983.
– Tracks 7,12,15,16 recorded at Thrill Hill West, mid Jan to mid Feb 1983.

Source details:
– Tracks 1,2,3,4,5,6,8,10,11 from ‘This Hard Land’, BS2002
– Tracks 9,12 from ‘Lost Masters XIX’, LOVE 019
– Tracks 7,17 from ‘Lost Masters XVII’, LOVE 017
– Tracks 14,15,16 from ‘Lost Masters XVI’, LOVE 016

Track descriptions:
01 Contains a different Springsteen vocal overdub and a very long, extended jam ending.
02 This track has the original Van Zandt background vocals.
03 Slighly different version / mix.
04 Unedited, contains an entire extra verse (about Bruceís dad) that was cut from the officially released version.
05 One of his finest studio performances. For some bizarre reason Springsteen & The E Street Band re-recorded the
song in 1995 and released that re-recording on ‘Greatest Hits’ ñ but it pales in comparison to this original.
06 Different mix than on the one released on ‘Tracks’.
07 Bruce borrowed the first two lines from Chuck Berryís song ìBye Bye Johnnyî (as well as the play on the title),
which is why itís registered as a Springsteen-Berry composition.
08 Originally recorded for “Darkness”, and recorded again here, this was considered for the ‘Greatest Hits’ collection but was finally dropped.
09 Full, unedited version that includes lyric changes and the complete raucous ending. This track runs nearly a full 1:30 longer than the released version.
10 Slighly different version / mix.
11 A bit longer version.
12 Beautiful keyboards by Danny and Roy augment some fine acoustic guitar playing by Bruce.
13 Presented in best-ever quality, this unreleased gem far eclipses any current circulated versions.
14 Unreleased studio outtake.
15 Wonderful tune with a killer chorus – note the bass line similar to the Human Touch B-side ’30 Days Out’
16 Short but energetic rocker.

* ‘Thrill Hill West’ is Springsteenís home studio in Los Angeles (aka ‘Hollywood Hills Garage Studio’).
* Most band tracks are E Street Band backing versions from so-called ìelectric Nebraska sessionî
—

Disc Two (2) details:

Recording details:
– Track 1 recorded at The Hit Factory, from the April-June 1983 sessions.
– Track 3 PROBABLY recorded at The Hit Factory during Jan or early Feb 1982. May be from later.
– Track 2 recorded at The Power Station, April or May 1982.
– Track 4 recorded at The Hit Factory, June 16, 1983
– Track 5 recorded at The Hit Factory, May 5, 1982.
– Track 6 recorded at The Hit Factory, April 20, 1983.
– Track 7 recorded at The Power Station during April or May 1982.
– Track 8 recorded at The Hit Factory, Feb 1982.
– Track 9 recorded at The Hit Factory, June 13, 1983.
– Track 10 recorded at The Hit Factory, April or May 1983.
– Tracks 11,13 recorded at Thrill Hill West, August 1982 through April 1983.
– Tracks 12,14,16 recorded at Thrill Hill West, January through May 1983.
– Track 15 recorded at Thrill Hill West, January 4, 1983.

Source details:
– Tracks 1,2,3,4,5,6 from ‘Murder Incorporated’, FR03
– Track 7 from ‘This Hard Land’, BS2002
– Tracks 9,10 from ‘Lost Masters XIX’, LOVE 019
– Tracks 14,16, from ‘Lost Masters XVII’, LOVE 017
– Track 12 from ‘Lost Masters XVIII’, LOVE 018
– Tracks 15,11,13 from ‘Lost Masters XVI’, LOVE 016
– Track 8 from ‘Lost Masters IV’, LOVE 004

Track descriptions:
01 The original mix without the new (90’s) vocal track or the overdubbed second guitar on ‘The Essential BS’. One of my favourite tracks, too bad the sound quality is what it is.
02 Different mix permutation of the same core recording as #1.
03 Completely different recording than the released ‘Cover Me’ done in a dramatically different arrangement.
This may actually date from a later period in the sessions than the original ‘Cover Me’.
04 Same core recording as on ‘Tracks’, but has a much longer fade out (very nice) and features Steve Van Zandt on background vocals and guitar.
05 Different mix permutation of the same core recording as #1.
06 Different mix than on the one released on ‘Tracks’.
07 Includes slightly different lyrics and an alternate beginning and ending.
08 This song was given to Donna Summer, who was recording an album at the time at the same studio.
Summerís cover version (with Springsteen on guitar) was recorded in March 1982 (released Aug 82).
Bruce and Donna also recorded a duet vocal version at her sessions ñ it remains uncirculating.
09 Original mix with the saxophone track (deleted on ‘Tracks’).
10 Features Ruth Jackson on background vocals. Possibly recorded at the same session as ‘My Hometown’ (which also features Jackson).
11 By far the definitive version of this song ñ contains an additional, important lyric verse that has been cut from all the other versions.
12 Brilliant song that developed from a 1981-82 work-in-progress composition called ‘James Lincoln Dear’
13 Unreleased studio outtake.
14 Unreleased studio outtake.
15 Compelling song. Features a dark, brooding beat that mirrors the disturbing nature of the lyrics. A nice vocal performance here and we’re left wondering what possessed him to write this one.
16 Add this to the ever expanding list of Bruce’s greatest unreleased songs. A man surveys his life and wonders if he can ever escape the demons of his past.

Keith Jarrett – Aarhus, Denmark (09/15/69) “The Dylan Concert”

Keith Jarrett Trio
The Dylan Concert
TagskÊgget
Aarhus, Denmark
September 15, 1969
FM Broadcast Recording

01 Pretty Ballad (K Jarrett) 5:46
02 Lay Lady Lay (Bob Dylan) 4:33
03 Unknown Title 11:44
04 My Back Pages (Bob Dylan) 6:49

Keith Jarrett, piano, synth
Gus Nemeth, bass
Bob Ventrello, drums

Big O said this:
A surprising recording emerged late last week of the Keith Jarrett Trio playing Bob Dylan tunes. Apparently, back in 1968, Jarrett together with Paul Motian and Charlie Haden did a trio recording for Vortex [Vortex LP 2012] called Somewhere Before and recorded two Dylan numbers – My Back Pages and Lay Lady Lay. This long out-of-print record was issued on CD in 1990 and Amazon still lists it for sale but we haven’t tried yet.

Anyway, this live recording [the original LP was also a live recording but different time and place] is by a different trio that includes Gus Nemeth [bs] and Bob Ventrello [drms]. It took place a year later in Denmark and comes from a very good FM source. This is the fixed version with the correct speed.

What was Jarrett thinking playing Bob Dylan in Europe? Clearly the free jazz movement had failed to gather mass appeal, not that that was its intent. Even Miles Davis by ’69 was conceding that jazz was no longer “king” and concessions had to be made to rock music.

But the less than energised reading of the two Dylan tunes suggests that Jarrett was uncomfortable covering rock. It was to be a difficult time for jazz musicians. In hindsight, their golden age had passed and the ’70s offered a marriage of convenience called jazz fusion. Even worse, along came jazz lite and Kenny G.

Since that time even more concessions have been made. Classical music and jazz. A whole new constellation of jazz singers with an eye on pop singles. Jazz as conservative music. Whatever happened to the shock and awe of free jazz?

This was originally shared by ricola. In turn it was speed corrected by Perv/twat Production. Thanks to all who shared this rarity. Never officially released before.
– Professor Red

Bruce Springsteen – Milwaukee, WI (10/02/75)

Bruce Springsteen & The E Street Band
‘The Milwaukee Bomb Scare Show’
goody Remaster
1975-10-02
Uptown Theater
Milwaukee, Wisconsin

Disc 1: (51:32)

01. Little Queenie (8:44)
02. The E Street Shuffle (24:07)
03. It’s Hard To Be A Saint In The City (6:08)
04. Sha La La (3:04)
05. Jungleland (9:25)

Disc 2: (51:33)

01. Kitty’s Back (18:37)
02. Rosalita (Come Out Tonight) (13:23)
03. Detroit Medley (5:10)
04. 4th Of July, Asbury Park (Sandy) (7:15)
05. Quarter To Three (7:05)

This is a goody Remaster of the bootleg.
Thank you to all involved in the various stages in the life of this recording.
(That includes you, Bruuuuuuuuuuuuuuce, and all your musical cohorts!)

From the original seeder’s notes:

Label: Mistral Music Format: 2CD
Catalog #: MM9226/27 Source: Soundboard
Total Time: 106:41 Sound: 8.4/58
Date: October 2, 1975 Performance: 8.6/57
Location: Uptown Theater, Milwaukee, Overall: 8.4/58
Wisconsin

Original Silvers -> WAV -> FLAC (level 8, allign border sectors & verify) >

goody > dBpowerAMP > Cool Edit Pro (Pitch Bender, Amplify) > TLH (FLAC Level 8, abs)

All tracks Amplified by +6db
All tracks Disc 1, & Disc 2, Tracks 1-3: Pitch raised 64 cents
For some strange and unknowable reason, Disc 2, Track 4 was playing at the correct speed!
Disc 2, Track 5: Pitch raised 89 cents

Original Seeder’s Notes:

– “Jungleland” & “Kitty’s Back” were actually played that night in reverse order
– Disc 2 Track 1 some drop out in the first minute

Info taken from Brucebase:

02/10/75 – UPTOWN THEATRE, MILWAUKEE. WI

MEETING ACROSS THE RIVER (start cut)(2.53)/ 10TH AVENUE FREEZE OUT (3.43)/ SPIRIT IN THE NIGHT (6.20)/
PRETTY FLAMINGO (8.48)/ SHES THE ONE (5.03)/ BORN TO RUN (4.11)/ THUNDER ROAD (5.33)

First set interupted by a bomb scare in the theatre.

LITTLE QUEENIE (fades in) (8.43)/ E ST SHUFFLE (intro. 14.20) (song 10.20)/ SAINT IN THE CITY (5.20)/
SHA LA LA (2.49)/ JUNGLELAND (9.41)/ KITTY’S BACK (18.34)/ ROSALITA (10.40)/ DETROIT MEDLEY (4.11)/
4TH JULY ASBURY PARK (SANDY) (6.40)/ QUARTER TO THREE (7.20)

Audience tape of first part of show. The famous bomb scare show (aka “Are you loose?”) Entire second set after
clearing the building was put on a soundboard. This is the first known Little Queenie and is hilarious as the band
had been in the bar for about 2 hours. The second set also exists on a audience shot film. CD releases “Milwaukee
Bonb Scare Show” (Mistral Music) & “We Had Too Much To Drink Last Night” (BS).

Review (Courtesy of Wanted Magazine)
Wanted – The Bruce Springsteen Bootleg Guide (Volume 1)

This brilliant show has been previously released on “We Had Too Much To Drink Tonight”. Then it was in mono and in
very good soundquality. This release is in stereo and has excellent sound. Unfortunately, the soundquality drops on
disc two. There’s suddenly a hiss presenton the first part. It gets a little better along the way. The two discs
feature the part of the show after the band returned to the from their hotel after the place had been searched for
explosives. Here you find the uncut version of the show. (The first version had blanks between songs.) This preserves
the great atmosphere (partly created because Bruce had one drink too many at the hotelbar). Also the songorder has
not been tempered with so you can fully enjoy this of this part show as it was actually performed.

Packaging: 8,5
Sound: 9 (Soundboard)
Collecting Value: 8,5

Review (Courtesy of The Promise)

I am probably in the minority here, thinking that if Springsteen should ever decide to release one entire show it
should be this one. Actually it is not even an entire show, for the opening few songs (mainly from Born to Run) are
missing.

Some time into the show someone called in a bomb threat and the venue, Milwaukee’s Uptown Theater, was temporarily
evacuated. This set has been registered after the band returned to the building. And “let me tell you, there they
was” pissed like hell. After spending some time in a bar, Springsteen and the gang reopen the show with a rousing
version of Little Queenie preceded by a hilarious introduction during which Bruce repeatedly asks the audience “Are
you loose”? This version of Queenie is in my opinion one of at least three classic performances from this night.
Following is the set, which technically was perhaps far from perfect, but was played like it was the band’s last
performance ever, or last live show on Earth for that matter. E Street Shuffle lazy and chatty as ever and full of
soul, Saint in The City with some chilling guitar licks, then Bruce calls for “moment of silence, Steve’s guitar
broke”: Sha La La follows played at punk speed. Fine performance of Jungleland closes the first disc.

The best version of Kitty’s Back known to this reviewer opens the second disc. It is jazzy, it is messy and drunk,
yet just when you think the whole composition is going to fall to pieces it explodes and returns again, and again,
and again. Classic number two on this great disc. Rosalita together with an early and fine (“the favorite song in the
world!”) Detroit Medley are next and then the main set closes with an always beautiful version of Sandy.

As for the classic performance number three from this night it has to be Quarter to Three. It is played with passion
and the a capella part seems extra long. At some point the band stops and Bruce has some fun with the audience asking
if they “don’t wanna go home?” Bruce ends the song with his famous confession: “I am just a prisoner of rock’n’roll.”
After hearing this show you will be one too.

Soundwise, this is a soundboard, but not a perfect one, for there is some distortion in the beginning of Kitty’s Back
and the louder passages are a bit muffled. Still the sound is clear and bright, very “live,” whatever that may mean.
I guess the best way I can describe it is that as far as live recordings are concerned, this one makes you feel like
you were there in the first row. Boy, I wish. If you are going to own one live recording in your life this has to be
the one.

Sound: 8-
Tracklist: 8
Performance: 9

Enjoy The Show,

Jeff

Leonard Cohen – Zurich, Switzerland (05/21/93)

Leonard Cohen
Kongresshalle, Zurich, Switzerland, 21 May, 1993

“The Ladies Man In Concert” – liberated boot
FM -> ?? -> CD -> EAC secure -> Wav -> Flac Frontend -> Flac (5)

CD 1:
01. Dance Me to the End of Love
02. The Future
03. Ain’t No Cure for Love
04. Bird on the Wire
05. Everybody Knows
06. Anthem
07. First We Take Manhattan
08. Avalanche
09. Chelsea Hotel #2
10. Tower of Song
11. Democracy

CD 2:
01. Waiting for the Miracle
02. I’m Your Man
03. Joan of Arc
04. Closing Time
05. Take This Waltz
06. Sisters of Mercy
07. Hallelujah
08. I Tried to Leave You
09. So Long, Marianne

Released by Flashback, Luxembourg, 1993: Flash 07.93.0215/1

Bob Dylan – 1974 Soundboard Collection

Bob Dylan
1974 Soundboard Collection

10CD Box Set (Limited Edition 352 / 500)
Label: Wonderland Records
Silver cd>EAC (secure mode)>TLH> flac (Level-8)>md-5>torrent

CD-1
Boston Gardens
Boston, Massachusetts
14 January 1974 ó Afternoon

1.Rainy Day Women # 12 & 35
2.Lay Lady Lay
3.Just Like Tom Thumb’s Blues
4.It Ain’t Me, Babe
5.I Don’t Believe You (She Acts Like We Never Have Met)
6.Ballad Of A Thin Man
7.Stage Fright (Robbie Robertson)
8.The Night They Drove Old Dixie Down (Robbie Robertson)
9.King Harvest (Has Surely Come) (Robbie Robertson)
10.This Wheel’s On Fire (Rick Danko – Bob Dylan)
11.I Shall Be Released
12.Up On Cripple Creek (Robbie Robertson)
13.All Along The Watchtower
14.Ballad Of Hollis Brown
15.Knockin’ On Heaven’s Door

CD-2
Boston Gardens
Boston, Massachusetts
14 January 1974 – Afternoon

1.The Times They Are A-Changin’
2.Don’t Think Twice, It’s All Right
3.Gates Of Eden
4.Just Like A Woman
5.It’s Alright, Ma (I’m Only Bleeding)
6.Rag Mama Rag (Robbie Robertson)
7.When You Awake (Richard Manuel – Robbie Robertson)
8.The Shape I’m In (Robbie Robertson)
9.The Weight (Robbie Robertson)
10.Forever Young
11.Something There Is About You
12.Like A Rolling Stone
13.Most Likely You Go Your Way (And I’ll Go Mine)

CD-3
Madison Square Garden
New York City, New York
31 January 1974 – Evening

1.Most Likely You Go Your Way (And I’ll Go Mine)
2.Lay Lady Lay
3.Just Like Tom Thumb’s Blues
4.Rainy Day Women # 12 & 35
5.It Ain’t Me, Babe
6.Ballad Of A Thin Man
7.Stage Fright (Robbie Robertson)
8.The Night They Drove Old Dixie Down (Robbie Robertson)
9.King Harvest (Has Surely Come) (Robbie Robertson)
10.When You Awake (Richard Manuel – Robbie Robertson)
11.Up On Cripple Creek (Robbie Robertson)
12.All Along The Watchtower
13.Ballad Of Hollis Brown
14.Knockin’ On Heaven’s D oor

CD-4
Madison Square Garden
New York City, New York
31 January 1974 – Evening

1.The Times They Are A-Changin’
2.Don’t Think Twice, It’s All Right
3.Gates Of Eden
4.Just Like A Woman
5.It’s Alright, Ma (I’m Only Bleeding)
6.Rag Mama Rag (Robbie Robertson)
7.This Wheel’s On Fire (Rick Danko – Bob Dylan)
8.The Shape I’m In (Robbie Robertson)
9.The Weight (Robbie Robertson)
10.Forever Young
11.Highway 61 Revisited
12.Like A Rolling Stone
13.Most Likely You Go Your Way (And I’ll Go Mine)
14.Blowin’ In The Wind

CD-5
Alameda County Coliseum
Oakland, California
11 February 1974 – Evening

1.Most Likely You Go Your Way (And I’ll Go Mine)
2.Lay Lady Lay
3.Just Like Tom Thumb’s Blues
4.Rainy Day Women # 12 & 35
5.It Ain’t Me, Babe
6.Ballad Of A Thin Man
7.Stage Fright (Robbie Robertson)
8.The Night They Drove Old Dixie Down (Robbie Robertson)
9.King Harvest (Has Surely Come) (Robbie Robertson)
10.When You Awake (Richard Manuel – Robbie Robertson)
11.Up On Cripple Creek (Robbie Robertson)
12..All Along The Watchtower
13..Ballad Of Hollis Brown
14..Knockin’ On Heaven’s Door

CD-6
Alameda County Coliseum
Oakland, California
11 February 1974 – Evening

1.The Times They Are A-Changin’
2.Just Like A Woman
3.Gates Of Eden
4.Don’t Think Twice, It’s All Right
5.It’s Alright, Ma (I’m Only Bleeding)
6.Rag Mama Rag (Robbie Robertson)
7.This Wheel’s On Fire (Rick Danko – Bob Dylan)
8.The Shape I’m In (Robbie Robertson)
9.The Weight (Robbie Robertson)
10.Forever Young
11.Highway 61 Revisited
12.Like A Rolling Stone
13.Maggie’s Farm
14.Blowin’ In The Wind

CD-7
The Forum Inglewood
Los Angeles, California
14 February 1974 – Afternoon

1.Most Likely You Go Your Way (And I’ll Go Mine)
2.Lay Lady Lay
3.Just Like Tom Thumb’s Blues
4.Rainy Day Women # 12 & 35
5.It Ain’t Me, Babe
6.Ballad Of A Thin Man
7.Stage Fright (Robbie Robertson)
8.The Night They Drove Old Dixie Down (Robbie Robertson)
9.King Harvest (Has Surely Come) (Robbie Robertson)
10.When You Awake (Richard Manuel – Robbie Robertson)
11.I Shall Be Released
12.Up On Cripple Creek (Robbie Robertson)
13.All Along The Watchtower
14.Ballad Of Hollis Brown
15.Knockin’ On Heaven’s Door

CD-8
The Forum
Inglewood
Los Angeles, California
14 February 1974 – Afternoon

1.She Belongs To Me
2.It’s All Over Now, Baby Blue
3.The Times They Are A-Changin’
4.Just Like A Woman
5.It’s Alright, Ma (I’m Only Bleeding)
6.Rag Mama Rag (Robbie Robertson)
7.This Wheel’s On Fire (Rick Danko – Bob Dylan)
8.The Shape I’m In (Robbie Robertson)
9.The Weight (Robbie Robertson)
10.Forever Young
11.Highway 61 Revisited
12.Like A Rolling Stone
13.Blowin’ In The Wind

CD-9
The Forum Inglewood
Los Angeles, California
14 February 1974 – Evening

1.Most Likely You Go Your Way (And I’ll Go Mine)
2.Lay Lady Lay
3.Just Like Tom Thumb’s Blues
4.Rainy Day Women # 12 & 35
5.It Ain’t Me, Babe
6.Ballad Of A Thin Man
7.Stage Fright (Robbie Robertson)
8.The Night They Drove Old Dixie Down (Robbie Robertson)
9.King Harvest (Has Surely Come) (Robbie Robertson)
10.When You Awake (Richard Manuel – Robbie Robertson)
11.Up On Cripple Creek (Robbie Robertson)
12..All Along The Watchtower
13.Ballad Of Hollis Brown
14.Mr. Tambourine Man
15.Knockin’ On Heaven’s Door

CD-10
The Forum
Inglewood
Los Angeles, California
14 February 1974 – Evening

1.She Belongs To Me
2.The Times They Are A-Changin’
3.Just Like A Woman
4.Gates Of Eden
5.Don’t Think Twice, It’s All Right
6.It’s Alright, Ma (I’m Only Bleeding)
7.Rag Mama Rag (Robbie Robertson)
8.Endless Highway (Robbie Robertson)
9.The Shape I’m In (Robbie Robertson)
10.The Weight (Robbie Robertson)
11.Forever Young
12.Highway 61 Revisited
13.Like A Rolling Stone
14.Maggie’s Farm
15.Blowin’ In The Wind

Bruce Springsteen – Long Branch, NJ (08/20/94)

Bruce Springsteen
Featuring Joe Grushecky & The Houserockers, John Eddie & Dion.
Marz American Style
Long Branch, NJ
1994-08-20

01 Lucky Town
02 Darkness On The Edge Of Town
03 Chain Smoke
04 There’ ll Never Be Enough Time
05 Brown Eyed Girl
06 Mustang Sally
07 Atlantic City
08 Diddie Wa Diddie
09 Living Proof
10 Glory Days
11 Around And Around
12 Bama Lama Lama Loo
13 The Wanderer – Kansas City

Bootleg: American Style LIVE 1994
From Original Silver CD
FRONT ROW FM 2115

The Rolling Stones – San Diego, CA (10/17/94)

THE ROLLING STONES
Kiss Your Baby
Jack Murphy Stadium
San Diego, USA
October 17, 1994

Source: Dandelion (DL 085/086) – Released 1999

Quality: Excellent Soundboard, Taken From Video Source.

Lineage: CDR received in a trade -> flac via TLH -> You
[All files checked lossless via EAC – ffp & md5 files included – Artwork included (thanks to rs-covers.com)]

DISC 1

01 Intro
02 Not Fade Away
03 Tumbling Dice
04 You Got Me Rocking
05 Shattered
06 Rocks Off
07 Sparks Will Fly
08 Satisfaction
09 Beast Of Burden
10 Out Of Tears
11 Doo Doo Doo Doo Doo Heartbreaker
12 Love Is Strong
13 Itís All Over Now
14 I Go Wild

dISC 2

01 Miss You
02 Band Introduction
03 Honky Tonk Women
04 Before They Make Me Run
05 The Worst
06 Intro
07 Sympathy For The Devil
08 Monkey Man
09 Street Fighting Man
10 Start Me Up
11 Itís Only RockíNíRoll
12 Brown Sugar
13 Jumping Jack Flash

Bruce Springsteen – Gent, Belgium (05/27/99)

Bruce Springsteen
bootleg: Gent Night
Flanders Expo, Gent, Belgium
Thursday 27 May 1999

01 I Wanna Be With You
02 The Promised Land
03 Two Hearts
04 Prove It All Night
05 Darlington County
06 Mansion On The Hill
07 The River
08 Youngstown
09 Murder Incorporated
10 Badlands
11 Out In The Street
12 Tenth Avenue Freeze-Out

01 I Wanna Be Where The Bands Are
02 Working On The Highway
03 The Ghost Of Tom Joad
04 Jungleland
05 Light Of Day
06 Bobby Jean
07 Hungry Heart ( With Elliot Murphy)
08 Born To Run
09 Thunder Road
10 If I Should Fall Behind
11 Land Of Hope And Dreams

Ripped from original Crystal Cat disc “Gent Night”
EAC (secure) – SHN -> Wav -> Flac (Level 8, Align on SB, Verify)

The Doors – Stockholm, Sweden (09/20/68)

The Doors
Restored 3LP set “The Complete Stockholm 68 Tapes”
Konserthuset Stora Salen
Stockholm Sweden
1968-09-20

From the original uploader:
It’s believed the source material for both those torrents came from this set of LPs. You’ll have to be the judge for that.

These two performances are an eye-opener if you’ve never heard them before. What you get is a wowser recording of an in-shape, ready to kill you Jim Morrison. The man is out for blood and it shows. The only thing wrong here, and it’s the ONLY thing is that Jim is off mike for the first “When The Music’s Over”. The recording is clear enough that you can just about hear him, but alas there is nothing that can be done about that now. The material itself is stellar and the band is in top form. Enjoy this show, it’s a mind-ripper.

Setlist:

Early Show

Five To One
Love Street
Love Me Two Times
When The Music’s Over
A Little Game
The Hill Dwellers
Light My Fire/Persian Night
The Unknown Soldier

Late Show

Five To One
Alabama Song/Mack The Knife
Back Door Man/I Feel Pretty Good
You’re Lost Little Girl
Love Me Two Times
When The Music’s Over
Wild Child
Money
Wake Up!
Light My Fire
The End

Lineage: DOORS68 A-F in MCV-> Sound Forge 6.0 ->Click and Crackle removal tool ->Sound Forge 11.0 for cleanup -FLAC via TLH, level 6, sectors aligned and verified