Bob Dylan
London, England
Hammersmith Apollo
13 February 1993

01 – Rainy Day Women #12 & 35
02 – Pretty Peggy-O (trad. arr. Bob Dylan)
03 – All Along The Watchtower
04 – Tangled Up In Blue
05 – Shooting Star
06 – Stuck Inside Of Mobile With The Memphis Blues Again
07 – It Takes A Lot To Laugh, It Takes A Train To Cry
08 – Tomorrow Night (Sam Coslow/Will Grosz)
09 – Jim Jones (trad. arr. by Bob Dylan)
10 – Mr. Tambourine Man
11 – Don’t Think Twice, It’s All Right
12 – Cat’s In The Well
13 – I And I
14 – Simple Twist Of Fate
15 – Highway 61 Revisited

(encore)

16 – What Good Am I?
17 – Everything Is Broken
18 – It Ain’t Me, Babe

Concert # 463 of The Never-Ending Tour.
Concert # 7 of the 1993 Winter Tour Of Europe. 1993 concert # 7.
Concert # 7 with the 9th Never-Ending Tour Band:
Bob Dylan (vocal & guitar),
Bucky Baxter (pedal steel guitar & electric slide guitar),
John Jackson (guitar),
Tony Garnier (bass),
Winston Watson (drums & percussion).

3, 4, 10, 11, 13, 14, 18 Bob Dylan harmonica.
8-11, 18 acoustic with the band.
9, 18 without Winston Watson.
11, 18 Bucky Baxter electric mandolin.
15 David Stewart (electric guitar).

4 new songs (22%) compared to previous concert. 3 new songs for this tour.

Source 1:
LB-05981

Stereo audience recording, 135 minutes.
78min+53min ; 2CDR ; Rating: A
LTA; cut before encore
legendary taper A

?? -> portable DATrecorder – clone -> (digital transfer) m-audio delta audiophile 2496 -> Wavelab -> tlh

I did not harm the sound of the recording in any way

Source 2:
LB-2319

Bob Dylan Righteous To Me : 1993 Preboards London 1993-02-13

Have the strength to get up and take another shot, friends: one more lovely sounding recording from the 93 preboards.

Thanks again to all those burning out their cd-roms to get these out here.

From the Box Set :
Righteous To Me – 1993

Notes:
This show had some ‘dead air’ gaps which have been removed using Cool Edit Pro.
The transitions are not flawless but it’s still a worthy download…for the price.

Bob Dylan
London, England
Hammersmith Apollo
8 February 1993

01 – Maggie’s Farm
02 – Pretty Peggy-O (trad – arr – Bob Dylan)
03 – All Along The Watchtower
04 – Tangled Up In Blue
05 – Under The Red Sky
06 – Stuck Inside Of Mobile With The Memphis Blues Again
07 – She Belongs To Me

08 – Tomorrow Night (Sam Coslow/Will Grosz)
09 – Jim Jones (trad – arr – by Bob Dylan)
10 – Mr – Tambourine Man
11 – Don’t Think Twice, It’s All Right

12 – Cat’s In The Well
13 – I And I
14 – Simple Twist Of Fate
15 – Highway 61 Revisited

(encore)

16 – Ballad Of A Thin Man
17 – Everything Is Broken
18 – It Ain’t Me, Babe

Concert # 459 of The Never-Ending Tour.
Third concert of the 1993 Winter Tour Of Europe. Third 1993 concert.

Third concert with the 9th Never-Ending Tour Band:
Bob Dylan (vocal & guitar),
Bucky Baxter (pedal steel guitar & electric slide guitar),
John Jackson (guitar),
Tony Garnier (bass),
Winston Watson (drums & percussion).

4, 5, 10, 11, 13, 14, 16, 18 Bob Dylan harmonica.
1 Bucky Baxter backup vocal.
8-11, 18 acoustic with the band.
9, 18 without Winston Watson.
11, 18 Bucky Baxter electric mandolin.

4 new songs (22%) compared to previous concert. 3 new songs for this tour.

Stereo audience recording, 140 minutes.
LB-05884 ; 77min+58min ; 2CDR ; Rating: A
cut before Everything Is Broken
legendary taper A
?? -> portable DATrecorder – clone -> (digital transfer) m-audio delta audiophile 2496 -> Wavelab -> tlh

I did not harm the sound of the recording in any way

Bob Dylan
London, England
Hammersmith Apollo
9 February 1993

01 – Maggie’s Farm
02 – Every Grain Of Sand
03 – All Along The Watchtower
04 – Tangled Up In Blue
05 – I Don’t Believe You (She Acts Like We Never Have Met)
06 – Stuck Inside Of Mobile With The Memphis Blues Again
07 – She Belongs To Me
08 – Tomorrow Night (Sam Coslow/Will Grosz)
09 – Jim Jones (trad. arr. by Bob Dylan)
10 – Mr. Tambourine Man
11 – Don’t Think Twice, It’s All Right
12 – Cat’s In The Well
13 – I And I
14 – The Times They Are A-Changin’
15 – Highway 61 Revisited

(encore)

16 – Ballad Of A Thin Man
17 – Everything Is Broken
18 – It Ain’t Me, Babe

Concert # 460 of The Never-Ending Tour.
Concert # 4 of the 1993 Winter Tour Of Europe. 1993 concert # 4.
Concert # 4 with the 9th Never-Ending Tour Band:
Bob Dylan (vocal & guitar),
Bucky Baxter (pedal steel guitar & electric slide guitar),
John Jackson (guitar),
Tony Garnier (bass),
Winston Watson (drums & percussion).

3, 4, 10, 11, 13, 18 Bob Dylan harmonica.
1 Bucky Baxter backup vocal.
8-11, 14, 18 acoustic with the band.
9, 10, 18 without Winston Watson.
11, 14, 18 Bucky Baxter electric mandolin.
15 David Stewart (electric guitar).

3 new songs (16%) compared to previous concert. 2 new songs for this tour.

Stereo audience recording, 125 minutes.

Source 1:
LB-05895
73min+55min ; 2CDR ; Rating: A

cut before encore

legendary taper A

?? -> portable DATrecorder – clone -> (digital transfer) m-audio delta audiophile 2496 -> Wavelab -> tlh

I did not harm the sound of the recording in any way

bittorrent download 03/08;
same recording as LB-1463 based on similar wav and spectral view except levels
slightly different and this has less above 21k; (did not listen to all of this)

pop d1t8 4:00 caused by discontinuity; drop/cut d2t4 9:08 in crowd

Source 2:
LB-1463
Legendary Tapers Series #6
Off-master copy of a recording by LTB (see also #2 in the series) from the, Hammersmith residency in 1993.; excellent sound

pop d1t8 4:12 caused by discontinuity

Source 3:
LB-2359
Righteous To Me 93 Preboards

Source 4:
LB-8660
1993 Preboard (RTM)
Remaster from Pink Robert

Contrast clause: This differs from Bob Dylan 1993-02-09 London Hammersmith LTA.torrent. The overall Pre-Board sound is identifiably unique.

From the original uploader

I want to thank Pink Robert for passing this remaster to me and also for his great effort. Here is what he writes:

“I am pretty satisfied with the results, although I did not spend
a lot of time in doing this, since all pre-boards suffered from the same
problem: it was too cold, so I put some warmth back by adding three
frequency range I found lacking. Also, I corrected levels which were
occasionally out of control and all gaps I found. All in all, now it is
possible to relax and to listen as very nice soundboard recording, at least a lot of them. I added all missing tracks I had as audience recordings, some with better results, some with worse and I spent most of the time doing the comparisons of pre-boards and audience to make them as close as possible. I doubt that it would be possible to be done better.”