Tag: 1998

Joe Ely – Santa Barbara, CA (10/03/98)

Joe Ely
10/03/98
Lobero Theatre
Santa Barbara, CA

6th Row Center: Nyquist Omnis >Sony TCD-D7

DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Master >FLAC (Level 8) Via xACT 2.35

(Recorded, Transferred, FLAC’d, Tagged (xACT 2.53) & Front Cover Artwork By OldNeumanntapr)

  1. Up On The Ridge
  2. Gallo Del Cielo
  3. Ranches And Rivers
  4. Workin’ For The Man
  5. Behind The Bamboo Shade
  6. All Just To Get To You
  7. Twistin’ In The Wind
  8. Letter To Laredo
  9. Me And Billy The Kid
  10. My Eyes Got Lucky
  11. Oh Boy!
  12. I’m 1,000 Miles From Home

Encore:

  1. The Road Goes On Forever

Joe Ely – Acoustic Guitar, Vocals
Jesse Taylor – Electric Guitar
Teye – Flamenco Guitar
Gary Herman – Bass
Donald Lindley – Drums

OldNeumanntapr Notes:
I believe that this was my first Joe Ely concert. I was really impressed with this show, and I came away with a real appreciation of Ely’s ‘Americana’-based music. This was the first time that I had heard the song ‘Gallo Del Cielo’ and, though I am definitely not in favor of cock fighting, I really liked the imagery of desperation and hardship and hope that the song exemplified. Joe told some humorous stories, one in particular about a roofing job that Jesse ‘Guitar’ Taylor hooked him into where they were fired for tearing the roof off the wrong house in the hot Texas summer. ‘We only missed it by one’. Too funny!

The Lobero is a beautiful small theatre with wonderful acoustics and I am lucky to have recorded there so many times over the years. This might have been the last time I used the Nyquist omni microphones at the Lobero because I bought my first set of Neumanns, KM184s, shortly after this show. Thanks, as always, to my friend Dave for getting me a ticket for this show and urging me to see Joe Ely. As luck would have it, I was able to get tickets to see Joe Ely for two consecutive nights, with the following night at the Forum on Marsh in San Luis Obispo.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Van Morrison – Malaga, Spain (07/10-12/98)

Van Morrison
A Celtic Soul Production
Teatro Cervantes
Malaga, Spain
Selections from July 10, 11 & 12, 1998

Celtic Soul Productions Volume 4

Did Ye Get Healed **
It’s All In The Game **
Ain’t That Lovin’ You Baby **
That’s Life **
Russian Roulette **
Crazy Jane On God *
I Have Finally Come To Realize *
Western Plains **
Alabamy Bound (w. LD) **
Long John (w. LD) **
Muleskinner Blues **
John Henry (w. LD) ***
Frankie & Johnnie (w. LD) ***
Help Me ***
Vanlose Stairway **
See Me Through **
Total time: (72:58)

Who Can I Turn To? *
Foggy Mountain Top ***
Satisfied **
In The Afternoon / Joe Turner Sings **
Baby Please Don’t Go / Parchman Farm *
My Lonely Sad Eyes *
Friday’s Child *
It’s A Man’s Man’s Man’s World *
Jackie Wilson Said ***
Just Like A Woman ***
Lonely Avenue ***
Tupelo Honey / Crazy Love ***
Full Force Gale ***
Have I Told You Lately **
The Healing Game **
Total time: (74:00)

  • July 10, 1998
    ** July 11, 1998
    *** July 12, 1998
    Special Guest: Lonnie Donegan

Notes:
“The last song we did was slightly esoteric, it was all the way back to them. We seem to be getting fed up doing the same songs all the time… so we keep changing…”

Van, after Friday’s Child, gave us the theme for this weekend of three Spanish shows. Three contrasting and rich feasts of Van music where the rules were broken yet again, just as they should be. Who would expect 43 different songs over three 90 minute shows with 4 debuts off Philosopher’s Stone, 2 THEM tracks rarely if ever heard, a great reworking of Frankie & Johnnie, and only 10 songs repeated over the weekend.

With new keyboard player James Delaney, who debuted at Weimar the week before, and Pee Wee playing flute, it was like a new band, constantly on their toes, as Van demanded new twists to the music, or worked Delaney into songs he was unfamiliar with. Full credit to James then, for accomplishing so much so quickly and for creating a superb atmosphere in Help Me on the last night.

Reprinted without permission from the official Wavelength Magazine site: July, 1998

Administration & Liners:
Tree administration for this tree was by Celtic Soul Productions.

Van Tree Policy:
Please respect the efforts and the wishes of the dedicated bands of volunteers who put countless hours of time and energy into producing and treeing these rare live performances: please do not offer any of these tree volumes for sale.

Van Morrison – Halifax, Canada (09/21/98)

Van Morrison
Halifax, Nova Scotia
Metro Centre
September 21, 1998

Disc 1
01-Fire In The Belly
02-Wonderful Remark
03-Bright Side Of The Road
04-Vanlose Stairway
05-For Mr Thomas
06-Rough God Goes Riding
07-Satisfied
08-In The Afternoon

Disc 2
01-Jackie Wilson Said
02-Cleaning Windows
03-Here Comes The Night
04-Tupelo Honey-Crazy Love
05-Sometimes We Cry
06-Send In The Clowns
07-Summertime In England
08-Have I Told You Lately

Lineup: John Savannah – keyboards, Liam Bradley – percussion, Nicky Scott – bass,
Geoff Dunn – drums, Johnny Scott – guitar, Pee Wee Ellis – horns,
Matt Holland – trumpet

Rating-8.0

Ratings are based on
Audience-setlist-venue-backup band-taping job and
finally Van’s mood in increasing order of importance

Audience taping

Many thanks to the taper

Completely reworked from a clone first generation source
Normalized-deglitched and retracked

A pretty good show and Van’s only ever appearance in Halifax
Features a fairly rare outing of For Mr Thomas
and one of two performances of Here Comes The Night in 1998

Enjoy!!!!!!!!!!

Artwork included

David Crosby – Santa Barbara, CA (05/22/98)

David Crosby
Performing as CPR
5/22/98
Lobero Theatre
Santa Barbara, CA

Front Row Center:
Nakamichi CM-300 CP-2 Omnis >Sony TCD-D7

DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.28

[Remastered By Tom In 2014 With No Info As To What Process Was Used.]

(Recorded, Transferred, FLAC’d, Tagged (Via xACT 2.53) & Front Cover Artwork By OldNeumanntapr)

Set List:

Disc I:

  1. Introduction
  2. Morrison
  3. Tracks In The Dust
  4. Triad
  5. Band Introductions
  6. One For Every Moment
  7. That House
  8. Homeward Through The Haze
  9. Little Blind Fish
  10. Time Is The Final Currency
  11. Rusty And Blue

Disc II:

  1. Radio
  2. At The Edge
  3. It’s All Coming Back To Me Now
  4. Yvette In English
  5. In My Dreams
  6. Thousand Roads
  7. Deja Vu
  8. Eight Miles High

Personnel:

David Crosby – Guitar, Vocals
Jeff Pevar – Guitar
James Raymond – Keyboards and Vocals
Andrew Ford – Bass and Vocals
Steve DiStanislao – Drums

OldNeumanntapr Notes:
This was the last show that I recorded with my Nakamichi CM-300s before I sold them to buy the Neumanns. This was another ‘Sings Like Hell’ series show at the Lobero. The introduction is
by Peggy Jones, who puts on the ‘Sings Like Hell’ shows. She announced David Crosby as having been ‘thrown out of every school that he attended in Santa Barbara,’ and my friend Rick said in a low voice, ‘And he’s Proud of that!’

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

John Mayall & Dan Hicks – Pozo, CA (10/11/98)




Dan Hicks And His Acoustic Warriors
John Mayall & The Bluesbreakers
10/11/98
Pozo Saloon
Pozo, CA



John Mayall Info

FOB; Nyquist Omnis >Sony TCD-D7
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.39

Recorded, Transferred, FLAC, Tags (Via xACT 2.53) & Front Cover Artwork By OldNeumanntapr

Disc I:

  1. Out Of Our System (1)(2)
  2. Mayall Intro >I’m A Sucker For Love
  3. Dead City
  4. band intros
  5. A Hard Road
  6. Oh Pretty Woman
  7. Jacksboro Highway (2)
  8. Maydell
  9. I Don’t Mind

Disc II:

  1. One In A Million
  2. Hideaway (3)
  3. Padlock On The Blues
  4. Room To Move

Encore:

  1. Ain’t No Brakeman

Comment
John Mayall – Vocals, Keyboards, Guitar, And Harmonica
Buddy Whittington – Guitar And Vocals
John Poulos – Bass
Joe Yuele – Drums

(1) Band Only
(2) Buddy – Lead Vocals
(3) with many teases

Dan Hicks And The Acoustic Warriors, And Iron Butterfly Opened (Middle Billed)

OldNeumanntapr Notes:
I recorded several shows at the old Pozo Saloon, which is a 100-year old former stage coach stop miles in the country east of Santa Margarita. In the early days of concerts there, the ‘stage’ was nothing more than the back porch of the saloon, but by this show the promoters had built a larger stage back that sat in the back pasture behind the saloon. There were several large trees that obscured site lines when the stage was on the back porch so to get a good spot to see the bands you had to get there early and get upfront.

This was the show that Dan Hicks and the Acoustic Warriors opened. I was always asking Bill, the house soundman, for permission to record from the board, and he always gave me the same answer. ‘They’ll NEVER go for it.’ When I asked him to please ask Dan Hicks, Bill came back shocked and said, ‘He said yes!’ So, I have a board recording through Bill’s Panasonic SC-3700 DAT of the Dan Hicks opener, but I had to stealth record the other sets in the audience.

I was using the Nyquist hat for all my stealth shows in the 1990s, before i purchased my Neumann microphones. The Nyquist’s were custom-loaded capsules in a baseball-type hat, built by an out of work electrical engineer in Denver. They had pretty good sound but lacked decent bass response, and had a tendency to distort if the PA was really loud. A few of my recordings with this set up have extreme brick-walling and could not be salvaged, so I learned to keep the levels down in those situations.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Dan Hicks Info:

Digital Soundboard; Panasonic SV-3700
Master DAT Transferred: Tascam DA-P1 >S/PDIF >HHb CDR 800 PRO
Master CD >FLAC (Level 8) Via xACT 2.37 Tags Via xACT 2.53

Recorded, Transferred, FLAC, Tags, & Front-Cover Artwork By OldNeumanntapr

01. Up! Up! Up!
02. Hummin’ To Myself
03. Topsy > Swing 42
04. Peach Pickin’ Time In Georgia
05. Long Come A Viper
06. Ukulele Lady
07. Caravan > Four Brothers
08. I Scare Myself
09. How Can I Miss You When You Won’t Go Away
10. Four Or Five Times
11. Strike It While It’s Hot
12. The Buzzard Was Their Friend
13. The Simple Life

4:13. Fits On One Disc.

Dan Hicks And The Acoustic Warriors, Followed By Iron Butterfly, Opened For John Mayall & The Bluesbreakers.

OldNeumanntapr Notes-

My friend Bill Gaines, the soundman, was amazed that Dan Hicks agreed to a board patch. I would ask Bill time and time again to ask the band if I could patch in. He would always look at me like I was an idiot, but I told him that it never hurts to ask. Bill came back from backstage and looked shocked. He told me that Dan said yes, so I used Bill’s Panasonic SV-3700 DAT recorder because it was already plugged in to the effects rack, and left my D7 and microphones in my bag and ready for John Mayall’s set. I’ve seen a lot of shows at the old Pozo Saloon. It is a 100 + year-old Stage stop out in the middle of Nowhere, about 16 miles from Santa Margarita. The shows are always outdoors on the lawn in the back of the saloon. In later years they built a big stage in the pasture out back, but in the old days the shows were held on the back porch of the saloon. Supposedly, when Bruce Springsteen wanted to meet with Clarence Clemons, Bruce suggested the Pozo Saloon because it was midway between Los Angeles and San Francisco. The story I heard was that they sat and talked for hours and not a soul recognized them!

RIP Dan Hicks (Feb. 2016)

David Lindley – San Luis Obispo, CA (12/06/98)

David Lindley & Wally Ingram
12/06/98
Cuesta College Auditorium
San Luis Obispo, CA

[Feb 2016 REMASTER]

2nd Row Center:
Neumann KM-184’s (ORTF On T-Bar)>Custom XLRs >PSC Phantom Supplies >TCD-D7

Master DAT Transferred: Sony PCM-R500 >S/PDIF >Tascam HD-P2 (16 Bit/48khz) >
WAV >Audacity (Track Splits, Downsample To 16 Bit 44.1k, Minor Edits, Normalize) >FLAC (Level 8) + Tags Via xACT 2.53

Recorded, Audacity, FLAC’d, Tagged, & Front Cover Artwork By OldNeumanntapr
Master DAT Transferred By Terry Watts

  1. Old Coot From Tennessee
  2. Cat Food Sandwiches
  3. The Meatman
  4. Do You Want My Job?
  5. Tijuana
  6. Well Well Well
  7. I Am A Patriot
  8. New Minglewood Blues >.45 Pistol Blues
  9. Pay Bo Diddley
  10. Bon Temps Rouler

Encore:

  1. Quarter Of A Man

OldNeumanntapr Notes-
My second attempt at stealth with the Neumann KM-184’s, the first being two nights previously at the Lobero Theatre in Santa Barbara. I loved the acoustics of the old Cuesta Auditorium. I was the first person to but tickets for this show, and I wanted 2nd row center, so that the first row of people would help hide the microphones from view. Mr. Dave and Wally both talked a lot about the previous night’s show in Santa Cruz when they had to suffer through a power failure and play by candle light without the benefit of a PA. As usual, this show has lots of good music and good stories. (The old Cuesta Auditorium, on the old campus of the CA National Guard army base, has been shut down since the mid 2000s because it was not deemed worthy to retro fit to California earthquake standards. It had peeling paint, a leaky roof, looked like hell but had awesome acoustics.)

Feb. 2016 ONT Notes- This is a complete remaster, starting with a fresh digital transfer of the master DAT by Terry Watts. Dennis Orr initially did some post processing on this one, but there was some kind of anomaly in the processing that we couldn’t iron out, which sounded like a channel imbalance going on, so I chose to work on the transfer that I got from Terry. Thanks for your efforts Dennis. I think this remaster still sounds better than the previous version. This version has no CD generation, so split into discs as you see fit.)

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Dick Dale – San Luis Obispo, CA (07/31/98)

Dick Dale
The Forum On Marsh
San Luis Obispo, CA
July 31, 1998

FOB, 15 Feet In Front Of Right PA Stack:
Nyquist Omnis >Sony TCD-D7

DAT Master Transferred Via:
Tascam DA-P1 >S/PDIF >HHb CDR 800 PRO
CD Masters >FLAC (Level 8) Via xACT 2.41

FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Amplify By 4.65db, EQ [Roll Off Frequencies below 250 hertz] Re-Track On Original Index Points) >FLAC (Level 8) + Tags Via xACT 2.53

Recorded, Transferred, Audacity, FLAC, Tags, & Front-Cover Artwork By OldNeumanntapr

Some Minor Distortion (Made Better By Post Production) In Places And Loud Obnoxious Crowd Toward End Of Show.

Disc I

  1. Announcement
  2. Tuning
  3. Shredded Heat
  4. Nitrus
  5. Trail Of Tears >
  6. Smoke On The Water >
    Peter Gunn Theme >
    Smoke On The Water
  7. Take It Or Leave It
  8. Taco Wagon
  9. Ghost Riders In The Sky >
  10. Hot Links: Caterpillar Crawl / Rumble
  11. Fever
  12. Misirlou
  13. Belo Horizonte*
  14. Front Porch Blues*

Disc II

  1. Mexico / Esperanza*
  2. The Wedge Paradiso**
  3. Mr. Peppermint Man
  4. Cherry Pie >
  5. Haji
  6. The New Victor
  7. My Baby
  8. House Of The Rising Sun
  9. Summertime Blues >
    Band Intro >
    Jam >
  10. The Wedge
  11. Shake And Stomp
  12. Third Stone From The Sun
  13. Scalped
  14. Walk Out

Dick Dale – Guitar, Vocals, Trumpet**
Ron Eglit – Bass
Dusty Watson – Drums

*Acoustic

OldNeumanntapr Notes:
This was one of two concerts that I saw / recorded at The Forum On Marsh in San Luis Obispo. The other one was Joe Ely, also in 1998. I’m not sure how long this club was in business, but it was formally a bank. I don’t think it was around for more than a year or so, maybe less. The crowd at this show was mostly drunk college kids, and a few of them were really unruly, as you can hear by the story on the way out of the club at the end of the show. I went to this one, as usual, with my friends Dave and Brian. It was standing room only and fairly packed. I had to keep the recording levels low because the Nyquist Omni hat had a tendency to distort if the levels were too high. I had to work on this one a bit in Audacity but I think it sounds much better now, with the bass rolled off. This was a little before I had the Neumann microphones so I had to make do with the Nyquist Omnis, which were custom made by an out-of-work electrical engineer in Denver. The microphones used a battery box, powered by a nine-volt battery, that would step up the signal to line level.

I loved seeing Dick Dale because he was such a legend. My dad told stories about going to see Dick Dale and The Del-Tones at the Rendezvous Ballroom in Balboa, CA, in 1961 and ’62. The Rendezvous was an old ballroom from the 1930s in the big band era, and it was right at the beach. He said that at high tide the surf would come all the way up to the front steps and get your feet wet upon entry. My dad was a young blonde surfer and loved Dale’s surf guitar sounds. Apparently there was an ordinance in Balboa that forbade concert goers from attending a performance without wearing a tie, so the staff would loan you one at the door and and you had to take it off when you exited.

This was taken from Wikipedia:
Dale was one of the most influential guitarists of all time and especially of the early 1960s. Most of the leading bands in surf music, such as The Beach Boys, Jan and Dean and The Trashmen, were influenced by Dale’s music, and often included recordings of Dale’s songs in their albums. His style and music influenced guitarists such as Jimi Hendrix, Pete Townshend, Eddie Van Halen and Brian May.

He has been credited with popularizing tremolo picking on electric guitar, a technique that is now widely used in many musical genres (such as extreme metal, jazz fusion, etc.). His speedy single-note staccato picking technique was unrivaled until guitarists like Eddie Van Halen entered the music scene.

He is cited as one of the fathers of heavy metal for pushing the limits of amplification. Working together with Leo Fender, Dale also pushed the limits of electric amplification technology, helping to develop new equipment that was capable of producing thick and previously unheard volumes including the first-ever 100-watt guitar amplifier. Dale also pioneered the use of portable reverb effects.

The use of his recording of “Misirlou” by Quentin Tarantino in the film Pulp Fiction led to his return in the 1990s, marked by four albums and world tours. He was also nominated for a Grammy in the Best Rock Instrumental Performance category for the song “Pipeline” with Stevie Ray Vaughan.[10] In “Rolling Stone’s 100 Greatest Guitarists of All Time”, Dale was ranked 31st in 2003 and 74th in the 2011 revision.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Van Morrison – Wiesen, Austria (07/04/98)

Van Morrison
07/04/98
International Jazz Festival
Wiesen, Austria

Days Like This – Missing
Crazy Jane On God
I Have Finally Come To Realize
Cleaning Windows
In The Afternoon > Joe Turner Sings
Baby Please Don’t Go
Sometimes We Cry
Wonderful Remark
Raincheck
Moondance
Satisfied
Vanlose Stairway > Trans-Euro Train
See Me Through > Soldier Of Fortune > Thank You (Falletin Me Be Mice Elf Agin)
Have I Told You Lately
I’ve Been Working > Cold Sweat
The Healing Game

incomplete tape in circulation

Lineup: James Delaney, Liam Bradley, Nicky Scott, Geoff Dunn, Johnny Scott; Guest: Candy Dulfer

Received in a trade with no source information Converted WAV to FLAC using xACT. Created new checksums.

Bridge School Benefit – Mountain View, CA (10/18/98)

Bridge School Benefit
10/18/98
Shoreline Amphitheater
Mountain View, CA

SEC 203, Row P, Seat 22
Nyquist Omnis >Sony TCD-D7
DAT Master Transfered: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.28
FLAC >WAV >Audacity (De-Amplify Countless Close-Proximity Hand Claps, Various Crowd-Noise Reduction, Minor Edits & Fades) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53

(Recorded, Transferred, FLAC, Tags, & Front-Cover Artwork By OldNeumanntapr)

Disc I:
Neil Young:

  1. Looking Forward
  2. I Am A Child

The Eels: (not recorded except for:)

  1. Novocaine For The Soul

Pete Droge/Mike McCready: (not recorded)

Jonathan Richman: (not recorded)

The Wallflowers:

  1. Three Marlenas
  2. One Headlight
  3. Don’t Cry No Tears (Neil Young* Cover)
  4. 6th Avenue Heartache
  5. Invisible City
  6. Heroes (David Bowie Cover)

The Barenaked Ladies:

  1. Old Apartment
  2. Straw Hat And Old Dirty Hank
  3. My Fly Was Undone
  4. It’s All Been Done
  5. Jane
  6. One Week
  7. Brian Wilson
  8. If I Had A Million Dollars >
  9. Memories >
    The Medley

Disc II:
Sarah McLachlan:

  1. Adia
  2. Possession
  3. Elsewhere
  4. I Love You
  5. Angel
  6. Ice Cream
  7. The Path Of Thorns
  8. Building A Mystery (cuts)

Neil Young:

  1. From Hank To Hendrix
  2. Distant Camera
  3. Horseshoe Man
  4. After The Gold Rush
  5. Expecting To Fly
  6. Powderfinger
  7. Ambulance Blues

Disc III:
R.E.M.:

  1. Losing My Religion
  2. New Test Leper
  3. Country Feedback (w/Neil Young)
  4. Daysleeper
  5. At My Most Beautiful
  6. Electrolite
  7. Everybody Hurts
  8. Man On The Moon

Disc IV:
Phish:

  1. Hello My Baby
  2. Billy Breathes
  3. Piper
  4. Roggae
  5. Loving Cup (Rolling Stones Cover)
  6. Albuquerque (Neil Young Cover)
  7. The Old Home Place (Dillards Cover)
  8. Guyute
  9. Brian And Robert
  10. Sad Lisa (Cat Stevens Cover) w/Sarah McLachlan

Neil Young & Cast:

  1. Four Strong Winds
  2. I Shall Be Released

*Not Recorded (except for ’Novocaine Of The Soul’

OldNeumanntapr Notes:
This was the last Bridge School Benefit that I recorded, and the first with the custom hat-loaded Nyquist Omnis. We had a seat this time, as compared to the first two years in 1991 and 1992 when I froze my behind off up on the lawn. Shoreline can get cold for the Bridge shows, especially because they are always in October or November. I had seen The Barenaked Ladies before, in Avila Beach, and I knew they were good and funny as well. I hadn’t ever seen The Wallflowers, R.E.M., Sarah McLachlan, or Phish before so that was a treat. I really liked the acoustic Phish show, much more than when I saw them play electric. They really seemed to be having fun during their set. I really enjoyed hearing Sarah and Phish sing the Cat Steven’s song ‘Sad Lisa’. I noticed that when REM played there was someone recording with large diaphragm microphones, which could have been AKG 414s. I’ve never seen that source circulate before however. My friends Dave and Brian were with me, and my ex-wife Nikki, at this show. I think Dave had a single seat down in the 100 sections, but Brian was seated next to me on my right. At the end of the Phish show I turned to Brian and said, “I was waiting for you to say, There’s that scruffy guy with the hat again”, which is what he said, referring to Neil Young, at a previous Bridge School Benefit.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉