Tag: neil young
Links of the Day: May 4, 2023: Martin Scorsese, Grateful Dead, and Neil Young
Martin Scorsese Found “the Key” to ‘Killers of the Flower Moon’ By Immersing Himself in the World: Collider
Dave McMurray to Release Grateful Dead Tribute Album Featuring Don Was and Oteil Burbridge: Bass Magazine
Martin Scorsese, David Johansen Talk Making ‘Personality Crisis: One Night Only’ Documentary During Pandemic: Variety
The Grateful Dead to share previously unreleased 1973 concerts in new boxset: NME
Neil Young Pays Tribute to Gordon Lightfoot: ‘His Melodies and Words Were An Inspiration to All Writers’: Billboard
Bob Dylan: The 30th Anniversary Concert Celebration

In 1992 Columbia Records put together a massive collection of artists to celebrate Bob Dylan’s recording career. As I say in my review, at the time it must have seemed like a capstone to a long career. One that seemed like it was dying (I rather like some of Dylan’s output in the 1980s, but from a record company standpoint it certainly wasn’t his strongest decade).
The concert is pretty great, even if I haven’t listened to it since writing this review in 2014. You can read all of my thoughts from back then here.
Watch Molly Tuttle Perform Neil Young’s “Helpless”
Watch Neil Young & Stephen Stills Perform “Helpless” (04/22/23)
Neil Young and Stephen Stills did a concert together recently at the Greek Theater to pay tribute to David Crosby and to earn some money for Autism Speaks.
Links of the Day: February 17, 2023
Wilco Selling Guitars, Century-Old Organ, and Gear From Their Chicago Studio: Pitchfork
Martin Scorsese ‘Killers of the Flower Moon’ is Still Being Edited: World of Reel
New John Lennon and Yoko Ono Documentary Announced: Pitchfork
Listen to isolated vocals of Tom Petty on ‘I Won’t Back Down’: Far Out
‘Jeopardy!’ Stumped Contestants On A Bob Dylan Question, And Their Guesses Were Truly Disheartening: Uproxx
Neil Young Announces First Concert Since Before Pandemic: Pitchfork
Neil Young Sings “Helpless” on Austin City Limits, 1984
Neil Young & Crazy Horse Perform “Cortez the Killer” in 1991
One of the things I really enjoyed when I was posting shows every day was posting certain artists on certain days of the week. I am a man of some organization. I like to have my ducks in a row as my mother likes to say. There was something nice about knowing that on Mondays I’d be posting Bob Dylan shows, and on Wednesdays, I’d post the Grateful Dead, etc. I kind of miss that.
So in my ever-changing plans on what to do with this blog, I thought it would be fun to try to do something similar again. No, I won’t be posting new shows every day and thus I won’t be posting Neil Young shows on Thursdays. But maybe I can post a Neil Young video on some Thursdays. Or links to interesting Neil Young news.
I like the idea anyway. So here’s a terrific version of one of my favorite Neil songs, “Cortez the Killer” in 1991.
Random Shuffle: (08/08/06) – Neil Young, Wilco, George Jones, U2, & The Grateful Dead
“Rockin in the Free World” – Neil Young
From Freedom
The first time I ever heard this song was on an MTV awards show – I assume the VMAs, but I really don’t remember. It was an amazing performance with Pearl Jam as the backup band. It was really quite incredible watching the grandfather of grunge jamming like it was the rapture along with up-and-comers Pearl Jam (this was the early 90s so PJ was still fairly young as a band). It was, and is, one of my favorite all-time live television performances (Editor’s Note: You can watch that performance here.)
Eddie Vedder sang the verse about the addict mother putting her kid away to get a hit. The kid, as the song says will “never go to school/never get to fall in love/never get to be cool.” At the time I felt those lyrics were staunchly pro-abortion perhaps because the rest of the lyrics have a liberal tint and Eddie is quite outspoken on his pro-choice views. Over time I have come to feel that it isn’t as pro-abortion as it is a condemnation of a country that can allow its poor and downtrodden to live in such a way that they’d abandon their children.
This is not in any way meant as a means to debate the abortion issue. Believe me, I never intend to get political here. It’s just when I hear this song I always think of that performance and Eddie singing those lyrics so passionately.
This is a less fiery, acoustic version. I’ve heard Mr. Young perform this song acoustically much more than electric, which seems strange to me since it works so much better wired up.
Neil gives it his best shot, and the audience obviously digs it, out-blasting Neil on the final chorus.
“Pot Kettle Black” – Wilco
From Yankee Hotel Foxtrot
Have I mentioned I completely adore this entire album? For ages and ages, I had heard about the album and the whole back story about their record label dropping the band because YHF wasn’t commercial enough.
Ultimately I didn’t actually listen to the album until several years later – last year to be precise. I got a copy of the album and listened to it pretty extensively while on a train through the north of France. Turns out YHF is the perfect album to listen to while on a train in France. Watching the picturesque landscape roll by as Jeff Tweedy and company gently rock is just about as perfect as it gets.
This is a great mid-tempo number that conjures up images of rolling hills, tiny towns with their high church towers, and lots of gorgeous French trees.
“White Lightning” – George Jones
From Super Hits
After listening to countless youngsters with their super-loud car stereos roll by, an old roommate, and good friend proclaimed that he too was going to buy a souped-up stereo, but instead of whatever hip-hop record that was currently a hit, he was going to play some George Jones. He never did buy that stereo, but the idea always brings a smile to my lips.
I know this ode to bootleg liquor because of an East Tennessee band Robinella and the CC String Band. They have a great version on their first album. Robinella’s beautiful, country-changed voice is much more appealing than old Georges, and I love George Jones. Maybe it is George’s rather embarrassing drunkenness over the past few years that makes me prefer this song sung by another. It’s kind of like listening to “Cocaine” by Eric Clapton, knowing he doesn’t play the song anymore since he’s drug-free.
Ah, it’s a good song, and George does a good job of making it fun and silly. But a smooth female voice will always win with me.
“New Year’s Day” – U2
From War
Does Epic Rock get better than this? From the thundering bass to the Edge’s screaming guitars to the haunting, mysteriously political lyrics this song single-handedly solidifies U2 as a great rock band, never mind their dozen or so other great songs. It also makes me forgive them for their excesses and rather suckiness of the last several albums.
One New Year’s Eve my brother swore up and down that VH1 would surely play this song as the clock struck 12. They didn’t, but we sat staring at the TV hoping to hear the song and prove him right. The clock kept ticking and we wondered if they had played it an hour earlier for Eastern time, or would play it later for Mountain and Pacific. I’ll never forget the awkwardness of not only wanting to hear a great song but to prove my brother right. He was so sure they would play it that I felt bad for him when they didn’t.
Funny how songs evoke such memories.
“Brown Eyed Woman” – Grateful Dead
From Dicks Picks 7
During my months in Abilene, TX a liquor store used this song in the background for their commercials on David Gans’ Grateful Dead Hour.
One of Robert Hunter’s great western lyrics. He has this amazing ability to represent the mythos of the old west, while still hitting on contemporary themes. This is a pretty straight-up live version, which is to say it’s rather great.
Neil Young – Silver and Gold

Neil Young’s first acoustic album in seven years, Silver and Gold sounds shamefully thrown together. His last acoustic effort (not counting the MTV Unplugged release) Harvest Moon is one of my all-time favorite albums. There is some lovely songwriting in there, with some nice backup singing by the likes of James Taylor and Linda Ronstadt. It was a throwback to Young’s most successful album, Harvest. And it sounded marvelous.
In the time between Harvest Moon and Silver and Gold, he released some seven albums. He paid tribute to Kurt Cobain, rocked live with Crazy Horse, recorded with Pearl Jam, and wrote the soundtrack to a Jim Jarmusch film, all of which were pretty ragged, electric, and very loud.
I was very excited to get some more acoustic Young, but find myself disappointed with this release. That’s not to say it is a bad album, for there are several really good tunes here. The opening track, “Good to See You“ is a fun, jaunty little thing. His ode to his first band, “Buffalo Springfield Again“ is a great deal of fun, and makes me wish that band really would get back together, though I’ve never been much of a fan.
It is when Young decides to sing a ballad that things get difficult here. Eight of the ten tracks on the album are slower numbers. With the exception of “Silver and Gold“ (a song I included in my wedding reception music) and “Razor Love“, the slow songs are boring. There is nothing to set them apart musically, and the lyrics don’t say anything particularly moving.
It is an album worth buying for the standout tracks. But you would be better off importing those tracks onto a mix tape, or your iPod and then selling back the album to someone else.