Persona (1966)

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I am not a great intellectual. I’m not even that smart. When I talk about movies I try to impart at least some sense of their themes and meaning, but I’m not very good at it.

I tend to connect to movies with my gut not my brain. I talk about them from an emotional standpoint not necessarily an intellectual one. I don’t know if that’s good, or bad, but that’s the way it is.

I love Ingmar Bergman’s films. He is, perhaps, one of the most intellectual filmmakers to have ever made a film. I do connect to them emotionally, but I have a difficult time understanding why. Persona is one of his most difficult films to understand, and yet I love it still.

I struggled with my review over it because I felt I needed to talk about it from an intellectual point of view, and yet I’m not sure I understood anything about what it means. You don’t have to. It stands on its own as a beautiful mystery.

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