Great British Cinema: Went the Day Well? (1942)

went the day well

George Orwell once stated that All Art Is Propaganda, and after watching Went the Day Well? I wanna ask, is that such a bad thing?

My tongue is planted firmly in my cheek, and to be fair, I’ve never even read that Orwell book, but Went the Day Well? is a piece of wartime propaganda. And it is excellent.

The thought experiment goes – what if the Nazis successfully took over a British town? What if they invaded England? The answer the film proposes is that we’d have to fight back. Sometimes brutally.

In the small village of Bramley Inn a group of what appear to be British soldiers arrive unannounced. They state that they are there to judge the village’s preparedness and ask to be quartered there for a few days.

At first, the villagers believe them and are excited to see some real action (or as real as they think they’ll ever get). The village has done its preparations, they have a Homeguard and have practiced what to do if the war comes to them.

But soon they begin to think these soldiers may not be what they say they are. One of them slips up in their English and another writes his “7s” in the European way. Just as they are trying to decide what to do, the soldiers reveal themselves as Germans setting up the invasion.

The Nazis are ruthless. They mow down the Homeguard without a second’s thought and have no problems shooting anyone else who causes trouble.

The message is clear: the villagers have to be just as tough. In an amazing scene – and I’m sorry for the spoilers on an 80-year-old film – a sweet little old lady is serving dinner to one of the Nazis. She prattles on as she cooks, revealing a surprisingly intimate detail about her life – that she and her husband couldn’t have children and they both blamed the other one. Then, when the Nazi isn’t looking she tosses pepper into his eyes, grabs an axe, and gives him a whack.

It is a surprisingly violent film for a 1942 film, but the message is clear again. The enemy will not hesitate to kill you and the British way of life, and you must be willing to fight back with all you’ve got. Even if you live in a little village that will likely never see any sort of action, you must be prepared.

As a piece of propaganda, it is quite effective. But better yet as a piece of cinema, it is excellent all around.

Great British Cinema Cottage to Let (1941)

cottage to let

Mrs. Barrington, a kook of a woman (Jeanne de Casalis), has agreed to take in child evacuees from London during World War II. She’s also agreed to allow her cottage to become a military hospital. Naturally, she has forgotten to inform her leasing agent of any of this so besides the children and the infirmed she has let her cottage out to a strange man, Charles Dimble (Alastair Sim). Also living at her estate is her husband John Barrington (Leslie Banks) an inventor who is currently working on a new bombsight which is of great interest to the Royal Airforce and Nazi spies.

Cottage to Let is a wonderful little drama filled with mysterious and eccentric characters and enough twists and turns to keep everyone guessing.

Mrs. Barrington might be a bit dotty, but she’s smart enough to realize she only has so many rooms so she only takes one child evacuee, and one soldier in need of attention. Still, that amounts to a large cast of characters. Moreso when the British military higher-ups come into town when John Barrington refuses to come to London to clue them in on his work.

Early on we realize there must be a spy amongst this lot, but we aren’t sure who it could be. The film has a lot of fun insinuating various characters but never quite letting us know who it is.

It is suspenseful in the way Hitchcock’s films are often suspenseful – which is to say it creates some interesting tension while also letting you know no real harm is going to come to our heroes. It is also clever and quite funny.

I found it to be wonderfully delightful.