Great British Cinema: Modesty Blaise (1966)

modesty blaise poster

After watching a number of British films from the 1940s all filmed in a more classical style and mostly shot in black and white I wanted something more stylish, more colorful, more ’60s! Modesty Blaise scores highly on all of those charts. Unfortunately, it is also a rather big mess.

Loosely based on a series of comics and clearly trying to cash in on the James Bond craze, Modesty Blaise stars Monica Vitti as Modesty Blaise a criminal mastermind who is nevertheless hired by the British Secret Service to protect a shipment of diamonds headed to the Middle East.

Terence Stamp is her sexy cohort, Willie Garvin and Dirk Bogarde is camp personified as Gabrielle the super-villain.

This is another one of those movies where even though I watched it only a couple of weeks ago I’ve completely forgotten the vast majority of the plot.

It is decked out in those bright, candy-flavored colors certain movies of the 1960s loved. The costumes are amazing and Modesty seems to change clothes every few minutes, even if she’s right in the middle of a scene. The film has a lot of fun with that, actually, allowing her to find a new costume and change in a millisecond even though there is no conceivable way in which this could actually happen.

The music is wild and the plot (what I remember of it) has that early James Bond silliness to it. Part of the reason why I can’t remember the plot is that most of it makes very little sense. It feels very much like they just threw a bunch of stuff together, hoping it would come out really fun in the end. Wikipedia notes that some of this was intentional as they were trying to create a more avant-garde-style film. Whatever the case, it comes out more confusing and obnoxious than interesting and fun.

It is very bright, and camp, and the music is a real treat. I just wish it was a little more coherent. But I’d say it is worth watching if you are a fan of 1960s cinema in the style of James Bond or Rowan and Martin’s Laugh In.

Great British Cinema: Night Boat to Dublin (1946)

night boat to dublin

This is exactly the kind of film I was thinking about when I decided to dedicate September to British cinema. Night Boat to Dublin isn’t splashy, original, or all that imaginative, but it is well-constructed, solidly made, and darn entertaining. It is the type of jolly-good spy-thriller that only the Brits can make.

At the height of World War II British Intelligence Services fear someone is passing information about the atomic bomb to Nazi Germany. Two intelligence officers, Captain Grant (Robert Newton) and Captain Wilson (Lawrence O’Madden) board the titular night boat to Dublin hoping to sniff him out. Suspicion quickly falls on Paul Faber (Raymond Lovell), a shady-looking lawyer.

Captain Grant secures a job in Faber’s offices posing as a down-and-out military man who (as the story he’s created for himself goes) has secretly gone AWOL. When Faber learns of this he blackmails Grant into doing some illegal business for him. This includes marrying Marion (Muriel Pavlow) an Austrian desperate to become a British citizen.

It is full of fun cloak-and-dagger stuff including a wonderful finale at a grand gothic, cliff-side mansion and an underground cavern. None of it is groundbreaking stuff, but it is very well-made and quite entertaining.