Amazingly, I have not yet mentioned the Ryan Adams/Gillian Welch decision around these parts. I shall surely do my best to discuss that very thing soon. For now, I shall only say that I’m going to see Ryan Adams in less than two weeks.

Because of this, I have been listening to my Ryan Adams records with great dedication. The queer thing is that despite my obsession with Mr. Adams, there are a few records that I have not listened to very often.

The full blame goes to my bootleg collection. I have quite a large stack of bootlegs, and I have a tendency to go for those rather, than the studio albums – with the exception of Gold, Heartbreaker, Cold Roses, Jacksonville City Lights, and occasionally Love Is Hell. That’s a big exception, I know and for the record, the records that have not received a lot of spins are – Demolition, 29, and Rock N Roll.

With the newfound studio dedication, these less-loved albums have received my full attention. I am learning to really love Demolition and 29 is growing on me, though I don’t know if I’ll ever much care for Rock N Roll.

All of this brings me to “Tennessee Sucks,” which is off of Demolition. The album as a whole has continued to grow on me with repeated listens. Where, at first, I found it too soft and depressing, I have learned to appreciate its simple melodies and poetic lyricism. This song is a good example of that with its pretty piano emphasis and it’s the refrain of “Tennessee sucks in the summer/what have you got that can put us under?” Which gets bonus points for mentioning one of my favorite states, and nails a certain teenage feeling I often receive.