Lossless Bootleg Bonanza: Mother McCree’s Uptown Jug Champions – Palo Alto, CA (07/xx/64)

nmij0214dead

Mother McCree’s Uptown Jug Champions
Top of The Tangent,Palo Alto,CA.
7-00-64

Links removed, officially released.

Anyone know if this is the same stuff that was officially released awhile back? I don’t have that album.

This is flac encoded & tagged version of shnid: 12696
Master Tape>Rosoft Audio Tools>CD>EAC>WAV>SHN

Comments & Replies To Terrapin64@comcast.net

Beat It On Down The Line
Im Satisfied
Borneo
Hes In The Jailhouse
Monkey & The Engineer
Big Bad Woman
Memphis Blues

Flac encoding notes:
All processing with Trader’s Little Helper
Shn – st5 generated
Shn > Flac ( level 8 )
Flac – st5 generated and matched to Shn st5

Lossless Bootleg Bonanza: Jerry Garcia – Unknown Location (04/14/64)

jerry garcia 1964

Jerry Garcia
04/14/1964
Unknown location (possibly Dana Morgan’s music store?).
Banjo lesson with an unknown student.
Unknown person (possibly student) records the lesson.

Download: FLAC/MP3

This is a tagged version of shnid: 100020

source; audience mic to reel to reel recording by unknown student > ? >
7 1/2 ips reel > Matt Smith (Akai GX-625 > Apogee Mini Me (24/96) >
Apogee Mini Dac (monitoring/mastering > Wavelab 5.0 (dithered to
20/44)) > CD
CD > EAC (tracking and mastering) > CD ( 45:38 ) by Ihor Slabicky >

Goody:
dBpoweramp (WAV) > Eool Edit Pro (Pitch Bender +62) > Trader’s Little Helper (FLAC, ffp)

01. Jerry Garcia: “…Reno, I think, does it down here…” > tune 1 (1:56)
02. unk.: “…there’s something that you did … on Joni’s song…” > tune 2 (3:20)
03. unk.: “…would you do that thing for…” > tune 3 (0:38)
04. tune 4 > tuning (1:03)
05. tune 5 > Jerry Garcia: “I’m still working on that…” (:57)
06. tune 6 > Jerry Garcia: “I really like the tune. it’s a pretty tune, but I can’t, I could never
play it right…” (:58)
07. tune 7 (0:45)
08. unk.: “any pedal steel stuff, you know, like the…” > tune 8 (1:47)
09. tune 9 (1:36)
10. tune 10 (3:10)
11. tune 11 > Jerry Garcia: “…no, a guy’s just taping some stuff. You wanna open the door, go
ahead…” (1:51)
12. tune 12 (0:54)
13. unk.: “Would you show me that break with that phrase in there? > tune 13 (1:45)
14. tune 14 (2:51)
15. Jerry Garcia: “Well, whatta you want me to put on there?” unk.: “…’Red Wing’, for one…”
Jerry Garcia: “…I can’t really play that…” > “Red Wing” (tune 15) (2:40)
16. Jerry Garcia: “…you know, I haven’t listened to ahh, much Reno…” > tune 16 (1:00)
17. unk.: “…about a month ago…you showed me something that…” > tune 17 (x) (1:21)
18. (x) tune 18 (1:38)
19. tune 19 > Jerry Garcia: “That’s a pretty tune.” (1:22)
20. tuning > unk.: “‘Rawhide’?” Jerry Garcia: “…I haven’t really got anything much more to talk
about. I’m not too happy with the way I play it. If you really want it that badly.” unk.: “Yes,
yes I do.” > tuning (1:00)
21. “Rawhide” (1:32)
22. unk.: “…would you mind breaking down the first chord run on the D?” Jerry Garcia: “…uh-uh, I
ain’t gonna break that…you’re gonna havta figger it out yourself…” ? tune 22 >
Jerry Garcia: “there’s a zillion things you can do with that. I mean, it’s got so many good
possibilities… odd chords, you know.” (1:18)
23. tune 23 (1:58)
24. tune 24 (3:00)
25. unk.: “How about ‘Stoney Creek’?” Jerry Garcia: “(sigh) okay-ah… that’s in A, usually.” >
tuning > “Stony Creek” (1:57)
26. Jerry Garcia: “…it’s sort of a hard song to organize. I, ahh…” > “Stoney Creek” (1:09)
27. “Stoney Creek” workup (0:53)
28. tune 28 > Jerry Garcia: “By the way, why doncha play alotta that stuff back. I wanna hear what
it sounds like.” unk.: “(laughs)” Jerry Garcia: “Really. No kidding (x)” (1:19)

Goody’s comments:
The pitch of this set was approx. 62 cents flat. Although all the frantic pickin’ continually puts the strings out of tune, we do hear lots of tuning up going on. I’ve tuned to those moments, and checked the rest of it to make sure it all pretty much stays in tune. I believe it’s now back to the correct and original speed and pitch at which it was recorded.

Note that this text has been updated to reflect the changes in the Track Times, as well as the Total Time. The PDF that circulates with the previous version of this torrent contains all the old times, previous to this Pitch-Corrected Edition.

6/13/09

Lossless Bootleg Bonanza: Black Mountain Boys – Palo Alto, CA (03/06/64)

black mountain boys

Black Mountain Boys
03/06/1964
Palo Alto, CA
Top of the Tangent

Links removed, this was officially released.

This is flac encoded & tagged version of shnid: 17914

SBD->Cassette->CDR->TAE->SHN

01 Instrumental
02 Katie Mine (??)
03 Intros
04 Homestead on the Farm
05 Banter
06 Bare Foot Nellie
07 Banter
08 She’s More to Be Pitied than Scolded
09 Tuning
10 They Can Lock Up Me Up For Loving You
11 The Hand of the Lord
12 Banter
13 Who’ll Sing for Me
14 Darling Aller Lee

Jerry Garcia – Banjo
Eric Thompson – Guitar
David Nelson – Mandolin
Jim Beemis – Bass

sector boundaries corrected and seek tables appended – wagner 12/0/02
Extra header data stripped with shntool and re-shn’ed by
terrapinstation 06/09/2003

Instrumental is Salt Creek
Katie Mine is Katie Kline
They Can Lock Me Up for Loving You is an unknown instrumental
The Hand of the Lord is Somebody Touched Me

Lossless Bootleg Bonanza: Jerry Garcia & Sara Ruppenthal – Palo Alto, CA (05/04/63)

jerry garcia - sara ruppenthal - Garcia-63-Jerry-Sara-2-360x360

Jerry Garcia & Sara
The Tangent
Palo Alto, CA
5/4/1963

Links removed, officially released.

This is flac encoded & tagged version of shnid: 13993
Source: likely AUD>R>R>FM>Cass>DAT>CDR

Thanks to Steve Oliver for the discs!

EAC/SHN by jim@juddcreek.com 12/02

*Disc 1*
+-+-+-+-+

1. Deep Elem
2. Will the Weaver
3. I Will Truly Understand
4. All the Good Times are Passed + Gone
5. Long Black Veil
6. The Man Who Wrote “Home Sweet Home” Never Was a Married Man
7. Keno the Rent Man
8. Foggy Mountain Top

NOTES

: The story about this recording and show goes (according to http://db.
etree.org/lookup_show.php3?shows_key=52986): Jerry And his first wife
Sara a week after wedding. He traded wedding gifts and Sara’s guitar
for his new banjo. Recorded by the manager of the club at the time and
aired on KFOG’s dead hour.

Lossless Bootleg Bonanza: Wildwood Boys – Palo Alto, CA (02/23/63)

wildwood boys - jerry garcia

Wildwood Boys
02/23/63
Top of The Tangent Palo Alto, CA

Link removed, officially released.

This is flac encoded & tagged version of shnid: 4501
audience master reel->reel->FM->cassette->DAT->CD

Jarry Garcia – guitar, banjo, vocals
David Nelson – guitar
Robert Hunter – bass, guitar
Norm Van Mastricht – bass, guitar, dobro

1. Introductions [0:47]
2. Rollin’ In My Sweet Babys Arms [4:05]
3. Jerry’s Breakdown [2:25]
4. Standing In The Need Of Prayer [3:06]
5. Muleskinner Blues [3:50]
6. Guitar Instrumental [3:25]
7. Pike County Breakdown [2:53]
8. Come All Ye Fair And Tender Maidens [4:13]
9. We Shall Not Be Moved [3:17]

DAT->CD and wav.->.shn conversions by Scott Mogol
upped by Gary King and his mighty DSL 🙂

Lossless Bootleg Bonanza: Jay Bennett & Edward Burch – St. Paul, MN (05/16/02)

jay bennett

Jay Bennett & Edward Burch
Turf Club
St. Paul, MN
May 16, 2002

Download: FLAC/MP3

Source: SBD

disc 1
01 Like a Photograph 7:12
02 C.T.M/I Never Cared For You (Willie Nelson) 8:09
03 Puzzle Heart 5:39
04 Whispers or Screams 4:36
05 Little White Cottage 4:19
06 Shakin’ Sugar 6:25
07 No Church Tonite 9:13
08 Venus Stopped the Train 6:31
09 Fireworks 3:33
10 Watching Junior Drive 8:23
11 Talk to Me 6:56

disc 2
01 Drinking on Your Dime 5:02
02 It Hurts 15:34
03 new song 5:14
[soundcheck]
04 Baby Blue (Badfinger cover) 2:19
05 – tuning – 5:12
06 – more tuning – 2:36
07 California 1:53
08 California (continued) 2:47
09 No Church Tonite 2:60
10 It Hurts 4:13

Lossless Bootleg Bonanza: Van Morrison – Boulder, CO (11/22/78)

van morrison - 1978_11_22 Boulder front

VAN MORRISON
1978-11-22
The Blue Note
Boulder, CO

Download: FLAC/MP3

Disc 1:
01. Brown Eyed Girl
02. Wavelength
03. And It Stoned Me
04. Checkin’ It Out
05. Hungry For Your Love
06. Sweet Thing
07. Crazy Love – Katie Kissoon
08. Kingdom Hall

Disc 2:
01. Moonshine Whiskey
02. Listen To The Lion
03. Tupelo Honey
04. Gloria
05. Caravan
06. Cyprus Avenue

Sorry I have no source info. The sound is a little cold, but it sounds pretty good to my ears. – Mat

Lossless Bootleg Bonanza: John Coltrane – Paris, France (11/18/61)

john coltrane

John Coltrane
11/18/61
L’Olympia
Paris, France

Download: FLAC/MP3

I got this in a CDR trade many years ago so I have no source info for it at all.

Early Show:

Impressions
I Want To Talk About You
Blue Train
My Favorite Things

John Coltrane (ss, ts); Eric Dolphy (as, fl); McCoy Tyner (p); Reggie Workman (b); Elvin Jones (d); Norman Granz (ann)

Lossless Bootleg Bonanza: Grateful Dead – Hartford, CT (03/14/81)

grateful dead - hartford - 1091b810314

Grateful Dead
03/14/1981 – Saturday
Hartford Civic Center
Hartford, CT
gd81-03-14.84826.fob-nak700.glassburg.motb.0029.flac16

Download: FLAC/MP3

This is a tagged version of shnid: 84826
MotB Release: 0029/16bit
Release Date: May 07, 2007

Source: Audience FOB Recording
Media: Maxell UD-XLII 90 min.
Lineage: Nakamichi CM700’s > Sony TC-D5M > MAC

Transfer:
MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > WAV

Taped by: B. Glassberg
Transfer by: A. Egert
Mastering by: C. Ladner

–Set 1–
101-d1t01 – crowd/tuning
102-d1t02 – Feel Like a Stranger
103-d1t03 – Sugaree
104-d1t04 – Me & My Uncle ->
105-d1t05 – Big River
106-d1t06 – Peggy-O ->
107-d1t07 – CC Rider
108-d1t08 – Althea
109-d1t09 – Passenger
110-d1t10 – China Cat Sunflower ->
111-d1t11 – I Know You Rider

–Set 2–
201-d2t01 – crowd/tuning
202-d2t02 – Alabama Getaway ->
203-d2t03 – Greatest Story Ever Told
204-d2t04 – Ship of Fools
205-d2t05 – Lost Sailor ->
206-d2t06 – Saint Of Circumstance ->
207-d2t07 – Drums ->
208-d3t01 – Space ->
209-d3t02 – The Other One ->
210-d3t03 – Stella Blue ->
211-d3t04 – I Need a Miracle ->
212-d3t05 – Bertha ->
213-d3t06 – Good Lovin’

–Encore–
214-d3t07 – encore call
215-d3t08 – One More Saturday Night (1)

Patch Info:
– No patches.

Notes:
– Right channel sonic anomaly on track d1t6 at 2:52-2:53, 6:36, 6:38
– Sonic anomaly on track d3t5 at 2:45-2:46
– (1) Weir says “Thank you, we’re going to do a song of social import now.”

Lossless Bootleg Bonanza: Grateful Dead – Earthquake Country – The Unfinished Album Studio Sessions

grateful dead - earthquake country - the last album

Grateful Dead
1995.xx.xx
The “unfinished Album Studio Sessions”

Download: FLAC/MP3

This is flac encoded & tagged version of shnid: 97111

This is a collection of songs which (if the Deadhead’s Taping Compendium is to be believed) were to have formed
the basis for the first GD studio album of the 1990’s. The material appears to be a mix of live SBD recordings (possibly
with some minor overdubs) and rehearsals; its doubtful if any of this represents actuall studio recordings aimed at an
album release.

This came into circulation in mid-1997: several sources (including the Compendium) indicate that this was intentionally
put together – possibly by John Cutler and Phil Lesh – and seeded to trading circles to counteract several “last GD album”
bootlegs that had been produced in 1995/1996 (all sourced from 1990 thru 1995 SBD or AUD recordings.

The track listing is:

1. Lazy River Road (Garcia/Hunter) 6:01
2. Easy Answers (Hunter.Bralove/Weir/Welnick/Wasserman) 6:23
3. So Many Roads (Garcia/Hunter) 5:19
4. Wave To The Wind (Lesh/Hunter) 7:22
5. Eternity (Weir/Dixon) 7:20
6. The Days Between (Garcia/Hunter) 9:56
7. Way To Go Home (Welnick/Hunter/Bralove) 7:05
8. Corinna (Weir/Hart/Hunter) 9:33
9. Liberty (Garcia/Hunter) 6:00

Total Time 64.58

History and linage: Julian Fowler September 2003

I obtained a cassette copy in the autum of the 1997 from a tree run on the rec.music.gdead newsgroup. In spite of the
numerous efforts to locate anything with a lower number of analog generations, I’ve not been able to discover anything
better than what I have now; nor does this material seem to circulate among DAT users or (until Now) CD traders.

I’ve therefore taken my casette copy and transferred it to the digital domain. The best guess that I have for the annalog
lineage is as follows:

live/rehearsal recordings (DAT and/or ADAT) > ? > cassette > at least one cassette generation > my cassette

I did the transfer using an AIWA AD-F850 tape deck, played directly into the inputs of a Yamaha DS-XG sound card.
I used CoolEdit 2000 v1.1 to do the initial analog > digital sampling, apply mild noise reduction (my source tape is
somewhat hissy, not surprising give the number of analog generations) and reduce the length of some of the
between-song gaps. I used CD Wav v1.73 to define track boundaries and mkwACT v0.97 to prepare a master
SHN disc (track boundaries verified using SHNtool.)

——Julian Fowler September 2003

From Rolling Stone, Apr 20, 1998

Although it’s common knowledge that the Grateful Dead were in the midst of recording when Jerry Garcia died almost three
years ago, former keyboardist Vince Welnick shed more light on the unfinished album in a recent conversation with the Rolling
Stone Network.

According to Welnick, the album was set to include such tour-tested songs as “Liberty,” “So Many Roads,” “Days Between,”
“Samba in the Rain,” “Way To Go,” “Corrina,” and “Easy Answers,” but Garcia passed away before the tracks could be
completed. “We had just about finished the basics when Jerry checked out,” Welnick said. “It’s a shame, because we spent
a lot of time in there.”

Although the studio tapes from the Grateful Dead’s would-be swan song are still around, Welnick doubts that the album can
be salvaged. “There weren’t even working vocals on some of the songs. There was also very little guitar. If they wanted to make
something of it, they’d probably have to splice in something from one of the show tapes.”

Grateful Dead spokesman Dennis McNally denied that anything will ever come of the album.
“Only [Grateful Dead guitarist] Bobby [Weir] ever thought that anything could be done, but it can’t. Jerry didn’t contribute to it.
Everyone else contributed to it, but Jerry just wasn’t with it. There’s not even a title, to my knowledge.”

ISAAC JOSEPHSON
Received this from Mike Maher